After chatting with Brother Fa for a few words, Chen Hao turned his attention to Zhuang Wenqiang and smiled: Director Zhuang, I have always admired your name for a long time, but unfortunately I didn’t meet you at first.
Zhuang Wenqiang hurriedly stood up and held Chen Hao's hand, half bent over, and said respectfully: Mr. Chen, you are so praiseful. I am just a fledgling newcomer in Hong Kong, so I have no big name.
Director Zhuang Wenqiang is too modest. "Infernal Affairs" written by your screenwriter is hailed as a classic among classics. The ceiling in Hong Kong films has given a shot of a heart-warming agent to the originally quiet Hong Kong film market. It is not too much to call you the savior of Hong Kong films.Anyway, business people don’t want money to brag about each other, so Chen Hao doesn’t mind saying a few nice words. Besides, Zhuang Wenqiang is indeed very capable.
Mr. Chen, I can't stand it if you say this. If you say this, where is the mainstay of Hong Kong films like Brother Fa?Zhuang Wenqiang looked uneasy and felt that this young boss loved to put on a high hat!
Chow Yun-fat smiled and didn't care. He was a generous person. He was actually happy to see the up-and-coming stars in Hong Kong movies, whether they were actors or directors!
In Chen Hao's eyes, Zhuang Wenqiang can indeed be regarded as one of the most talented directors in the Hong Kong film market in two thousand years!
In fact, Chen Hao, the movie directed by Zhuang Wenqiang, has watched one of the movies directed by Zhuang Wenqiang, which is "Wushuang", but it is this movie that made Chen Hao remember the director Zhuang Wenqiang!
When "Wushuang" was released, Chow Yun-fat, known as the son of Hong Kong, was back.
Because of the fact that Fa Ge, "Wushuang" was also the most special one in Zhuang Wenqiang's resume.
As the only movie in the National Day holiday in 2018 that had a box office of over 1 billion yuan and a Douban score of 81, "Wushuang" staged a counterattack show, and it also reproduced the former glory of Hong Kong movies.
What I want to admit is that I only pay tribute to two things in the whole film. In addition to my idol, Brother Fa, there are also Hong Kong movies that we have always been persistent and loved.Zhuang Wenqiang, who has been deeply engaged in the industry for more than 20 years, is also angry that Hong Kong films are declining: I am not dead, how can Hong Kong films die?!These words fully demonstrate Zhuang Wenqiang's confidence and love for Hong Kong films!
"Wushuang" has not been released yet, and a still has successfully ignited the public's G-spot.In the chaos of gunfire, Fa Ge was wearing a white suit and calm and calm in his face. The classic scenes in "The True Color of Heroes" and "Blooded Two Heroes" reappeared, and his long legs were also the glory of the past.
The audience is simply too fond of this.One of the messages is summarized in an incisive way: The director understands fans very well, because the director is also a fan.
Zhuang Wenqiang said that he grew up watching Hong Kong films in the golden age.After watching "The True Heroes" for a whole holiday, three CDs were damaged for this. "The True Heroes" and "The True Heroes 3" were also watched countless times.
When it comes to Hong Kong movies in the 1980s and 1990s, Chow Yun-fat must be inseparable.Xu Wenqiang, Xiao Ma Ge, and the God of Gambling Gao Jin, many popular classic characters represent the golden age of Chow Yun-fat and Hong Kong movies.From a film perspective, Chow Yun-fat is a participant and witness in the development of Hong Kong films, and his trajectory overlaps with the trajectory of Hong Kong films.
Trench coat, sunglasses, matchsticks, momentary walking posture, passionate body language, cold and sharp eyes, Chow Yun-fat always has the style of a stunning and big brother.
After all, I am a fan of Fa Ge. He admitted that "Wushuang" was written from the beginning of the story, and many of the action scenes of the script were designed according to Fa Ge's classic movies.However, the script creativity suffered consecutive setbacks, and he did not dare to contact Chow Yun-fat.
With the help of Aaron Kwok, the movie "Wushuang" used Chow Yun-fat to play Chow Yun-fat, and even Chow Yun-fat himself found it interesting, so he took it.When the movie was released, the powerful painter became another representative role of Chow Yun-fat.
In "Wushuang", Chow Yun-fat lifted his clothes with both hands and exposed the bomb, jumped and fired with two guns, avenged his father, and the classic action of lighting a cigarette in the US dollar, all of which were the climax of memories. Fa Ge ran into the golden triangle jungle and returned to the gunfire, and immediately possessed Brother Ma.
These action gun battle scenes are particularly big plus points for "Wushuang".Zhuang Wenqiang said that he retained a lot of space when creating. The gun is in the hands of Brother Fa, and he can do whatever he wants. After all, in his eyes, no actor can look better than Chow Yun-fat with a gun.With the support of Fa Ge's eight suits and long legs, fans are good at filming idols, and they really understand fans better.
Under the double fan filter of director and audience, Wu Fusheng, a fictional character painter played by Chow, actually surpasses Lee Wen, played by the protagonist Aaron Kwok.Zhuang Wenqiang said that it was so cool to watch his movies before, and he could shoot him anytime he wanted.
I believe everyone knows what the three words "Chow Yun-fat" mean. As a fan of Fa Ge, I am very pleased.Zhuang Wenqiang said.The audience can't understand, but the filming people are not doing well enough
In addition to Brother Fa, Zhuang Wenqiang said that another important basis for the success of "Wushuang" is professionalism. As the lines of the film say, doing anything to the extreme is art.
Audiences who have watched the movie are impressed by the meticulous portrayal of the process of making counterfeit money in "Wushuang". These pictures are not computer stunts, but the result of actual filming by the crew.Zhuang Wenqiang, who studied engineering, paid attention to details and planning, hoping to present the entire process of counterfeit banknotes from scratch. In the preliminary preparation, the process of making counterfeit US dollars and the tools and crafts involved all need to be verified. It happened that there is a printing factory downstairs of the studio, so the crew invited professional printing masters to copy the entire printing process from beginning to end.
The counterfeit banknotes we printed in the end were smaller than the real banknotes, but even so, the printing process was very exciting. Everyone present at that time was in the same mood as Chow and Aaron Kwok in the movie.But behind the stimulation of printing counterfeit money, if Zhuang Wenqiang had not been hard-working and persistent during the script stage, the audience would probably have lost the opportunity to feel it.
Speaking of Hong Kong films in 2020 before Chen Hao’s rebirth seems to represent more of a spiritual belief.Killers, gangsters, police and gangsters, brotherhood, bloody and romantic world are all eternal in Hong Kong movies.
This also reflects the glory and glory of Hong Kong movies from another perspective.In recent years, whether it is the running-in and exploration of Hong Kong films and filmmakers in the mainland market, or the fault and attenuation of Hong Kong's local film creative power, it has increasingly verified the reality of Hong Kong film decline.
As the mainland market rises, Hong Kong movies that once stormed by awesme gradually become weak.
Data shows that Hong Kong-made films' overseas revenue dropped from its peak of HK$1.8 billion in 1992 to less than 200 million in 1998, and Hong Kong lost the foreign market in its competition with Hollywood.After the 21st century, Hong Kong films fell rapidly, and the revenue of Hong Kong films in the local market also declined year by year. In 2016, the total local box office revenue of Hong Kong was 19.5 billion. Among these films, Hong Kong films accounted for less than 30% of the number and total box office.
Zhuang Wenqiang hurriedly stood up and held Chen Hao's hand, half bent over, and said respectfully: Mr. Chen, you are so praiseful. I am just a fledgling newcomer in Hong Kong, so I have no big name.
Director Zhuang Wenqiang is too modest. "Infernal Affairs" written by your screenwriter is hailed as a classic among classics. The ceiling in Hong Kong films has given a shot of a heart-warming agent to the originally quiet Hong Kong film market. It is not too much to call you the savior of Hong Kong films.Anyway, business people don’t want money to brag about each other, so Chen Hao doesn’t mind saying a few nice words. Besides, Zhuang Wenqiang is indeed very capable.
Mr. Chen, I can't stand it if you say this. If you say this, where is the mainstay of Hong Kong films like Brother Fa?Zhuang Wenqiang looked uneasy and felt that this young boss loved to put on a high hat!
Chow Yun-fat smiled and didn't care. He was a generous person. He was actually happy to see the up-and-coming stars in Hong Kong movies, whether they were actors or directors!
In Chen Hao's eyes, Zhuang Wenqiang can indeed be regarded as one of the most talented directors in the Hong Kong film market in two thousand years!
In fact, Chen Hao, the movie directed by Zhuang Wenqiang, has watched one of the movies directed by Zhuang Wenqiang, which is "Wushuang", but it is this movie that made Chen Hao remember the director Zhuang Wenqiang!
When "Wushuang" was released, Chow Yun-fat, known as the son of Hong Kong, was back.
Because of the fact that Fa Ge, "Wushuang" was also the most special one in Zhuang Wenqiang's resume.
As the only movie in the National Day holiday in 2018 that had a box office of over 1 billion yuan and a Douban score of 81, "Wushuang" staged a counterattack show, and it also reproduced the former glory of Hong Kong movies.
What I want to admit is that I only pay tribute to two things in the whole film. In addition to my idol, Brother Fa, there are also Hong Kong movies that we have always been persistent and loved.Zhuang Wenqiang, who has been deeply engaged in the industry for more than 20 years, is also angry that Hong Kong films are declining: I am not dead, how can Hong Kong films die?!These words fully demonstrate Zhuang Wenqiang's confidence and love for Hong Kong films!
"Wushuang" has not been released yet, and a still has successfully ignited the public's G-spot.In the chaos of gunfire, Fa Ge was wearing a white suit and calm and calm in his face. The classic scenes in "The True Color of Heroes" and "Blooded Two Heroes" reappeared, and his long legs were also the glory of the past.
The audience is simply too fond of this.One of the messages is summarized in an incisive way: The director understands fans very well, because the director is also a fan.
Zhuang Wenqiang said that he grew up watching Hong Kong films in the golden age.After watching "The True Heroes" for a whole holiday, three CDs were damaged for this. "The True Heroes" and "The True Heroes 3" were also watched countless times.
When it comes to Hong Kong movies in the 1980s and 1990s, Chow Yun-fat must be inseparable.Xu Wenqiang, Xiao Ma Ge, and the God of Gambling Gao Jin, many popular classic characters represent the golden age of Chow Yun-fat and Hong Kong movies.From a film perspective, Chow Yun-fat is a participant and witness in the development of Hong Kong films, and his trajectory overlaps with the trajectory of Hong Kong films.
Trench coat, sunglasses, matchsticks, momentary walking posture, passionate body language, cold and sharp eyes, Chow Yun-fat always has the style of a stunning and big brother.
After all, I am a fan of Fa Ge. He admitted that "Wushuang" was written from the beginning of the story, and many of the action scenes of the script were designed according to Fa Ge's classic movies.However, the script creativity suffered consecutive setbacks, and he did not dare to contact Chow Yun-fat.
With the help of Aaron Kwok, the movie "Wushuang" used Chow Yun-fat to play Chow Yun-fat, and even Chow Yun-fat himself found it interesting, so he took it.When the movie was released, the powerful painter became another representative role of Chow Yun-fat.
In "Wushuang", Chow Yun-fat lifted his clothes with both hands and exposed the bomb, jumped and fired with two guns, avenged his father, and the classic action of lighting a cigarette in the US dollar, all of which were the climax of memories. Fa Ge ran into the golden triangle jungle and returned to the gunfire, and immediately possessed Brother Ma.
These action gun battle scenes are particularly big plus points for "Wushuang".Zhuang Wenqiang said that he retained a lot of space when creating. The gun is in the hands of Brother Fa, and he can do whatever he wants. After all, in his eyes, no actor can look better than Chow Yun-fat with a gun.With the support of Fa Ge's eight suits and long legs, fans are good at filming idols, and they really understand fans better.
Under the double fan filter of director and audience, Wu Fusheng, a fictional character painter played by Chow, actually surpasses Lee Wen, played by the protagonist Aaron Kwok.Zhuang Wenqiang said that it was so cool to watch his movies before, and he could shoot him anytime he wanted.
I believe everyone knows what the three words "Chow Yun-fat" mean. As a fan of Fa Ge, I am very pleased.Zhuang Wenqiang said.The audience can't understand, but the filming people are not doing well enough
In addition to Brother Fa, Zhuang Wenqiang said that another important basis for the success of "Wushuang" is professionalism. As the lines of the film say, doing anything to the extreme is art.
Audiences who have watched the movie are impressed by the meticulous portrayal of the process of making counterfeit money in "Wushuang". These pictures are not computer stunts, but the result of actual filming by the crew.Zhuang Wenqiang, who studied engineering, paid attention to details and planning, hoping to present the entire process of counterfeit banknotes from scratch. In the preliminary preparation, the process of making counterfeit US dollars and the tools and crafts involved all need to be verified. It happened that there is a printing factory downstairs of the studio, so the crew invited professional printing masters to copy the entire printing process from beginning to end.
The counterfeit banknotes we printed in the end were smaller than the real banknotes, but even so, the printing process was very exciting. Everyone present at that time was in the same mood as Chow and Aaron Kwok in the movie.But behind the stimulation of printing counterfeit money, if Zhuang Wenqiang had not been hard-working and persistent during the script stage, the audience would probably have lost the opportunity to feel it.
Speaking of Hong Kong films in 2020 before Chen Hao’s rebirth seems to represent more of a spiritual belief.Killers, gangsters, police and gangsters, brotherhood, bloody and romantic world are all eternal in Hong Kong movies.
This also reflects the glory and glory of Hong Kong movies from another perspective.In recent years, whether it is the running-in and exploration of Hong Kong films and filmmakers in the mainland market, or the fault and attenuation of Hong Kong's local film creative power, it has increasingly verified the reality of Hong Kong film decline.
As the mainland market rises, Hong Kong movies that once stormed by awesme gradually become weak.
Data shows that Hong Kong-made films' overseas revenue dropped from its peak of HK$1.8 billion in 1992 to less than 200 million in 1998, and Hong Kong lost the foreign market in its competition with Hollywood.After the 21st century, Hong Kong films fell rapidly, and the revenue of Hong Kong films in the local market also declined year by year. In 2016, the total local box office revenue of Hong Kong was 19.5 billion. Among these films, Hong Kong films accounted for less than 30% of the number and total box office.
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