But in the view of Zhuang Wenqiang, a member of the Hong Kong Film Development Bureau, there is no saying that Hong Kong films have declined. The so-called decline is a conclusion drawn from a comparison with a certain era in the past, but it is not objective.
He said that in the past, Hong Kong used to shoot 360 films a year, with varying quality.But now the audience market demand has changed, the scale of investment in movies has increased, and its shooting cycle has been longer. From a large-scale production method to a more refined operation, there are still surprising works every year, and many excellent filmmakers have emerged, so Hong Kong films will not die, they will continue to exist.
Crossing two eras, Zhuang Wenqiang has risen from the bottom-level film industry to the mainstay of today's Hong Kong films.
In his opinion, Hong Kong movies are where our dreams begin, promoting our growth and carrying our dreams. They have accompanied us all the way to this day, allowing the world to realize that we have so many amazing filmmakers.It makes us miss the past and also forces ourselves to continue moving forward. The love for Hong Kong movies makes us willing to accept various challenges. It has always been our pride.
In "Wushuang", Zhuang Wenqiang specializes in the charm of films and actors' performances to the extreme, and there is no one of the best Hong Kong films in recent years, which has given Hong Kong movies a lot of breath.From it, we seem to be able to see the possibility of innovative development of Hong Kong films. Zhuang Wenqiang is confident that he is worthy of the saying: I am not dead, how can Hong Kong films die?
From "Infernal Affairs" to "Eavesdropping on the Storm" to "Wu Shuang", Zhuang Wenqiang, who has been creating IP, believes in the creative concept of not being in a hurry and preparing for it before starting. He would rather let the audience wait for you than let them disappoint you.
The audience is not that stupid, and filmmakers should not be smart!
There is no doubt that even after 2000, the Hong Kong film market was much worse than before, and there were still some movies that could be watched every year, and even classic works were not missing!
"Infernal Affairs" is one of them, witnessing the glory and end of Hong Kong films!
"Infernal Affairs" is hailed as the pinnacle of Hong Kong-made police and gangster films, and it is not unreasonable!In addition to winning a lot in the film market and major awards, this movie was even bought by Hollywood and filmed a Hollywood version of "The Walker of the Spot", which shows the success of Infernal Affairs.
Two thousand years later, the Korean film market that has successfully risen has also imitated works for "Infernal Affairs".
"New World" is one of the best!The Douban score is as high as 88 points. Although it cannot surpass "Infernal Affairs", it has indeed created its own classic!
Compared with the rise of the Korean film market and the huge size of mainland films, in fact, two thousand years later, the influence of Hong Kong films is far less than that of the 1980s and 1990s!Even if one or two classic works occasionally can achieve certain results in the overseas market, it is just an example!
Zhuang Wenqiang’s words are not wrong, Hong Kong films are not dead!But it is difficult to reproduce the glory of the 1980s and 1990s!
The future development of Hong Kong films is actually very simple, which is to rely on the huge market in the mainland to achieve long-term sustainable development!It is naturally unrealistic for every movie to explode in the mainland market, but at least some Hong Kong movies worth watching will appear every year!Tell the audience that although Hong Kong films cannot replicate the glory of the evening, Hong Kong films are still alive!
In fact, for mainlanders like Chen Hao, it is actually difficult to empathize with the feelings of local filmmakers in the Hong Kong film market!There are many classic Hong Kong movies. This is an undeniable fact!
But why do we have to separate Hong Kong and mainland movies? They aren’t they all Chinese movies!Some Hong Kong filmmakers don’t like to go out and always like to guard their own land and keep their shortcomings. This is what Chen Hao doesn’t like!
With his current wealth and the film and television resources he holds, it is actually not difficult to support the Hong Kong film market.Of course, he was not interested, and there was no need to do anything to make Hong Kong films show great deeds. The future development trend will always be mainly based on the mainland!If Hong Kong filmmakers can't see this reality clearly, they can only leave after they roll the bed and leave!
Of course, most filmmakers in Hong Kong are still relatively open-minded and know to go north to seek cooperation!Similar examples like Chen Kexin and Tsui Hark are all examples of this!People like Chow Yun-fat and Tony Leung will not be resistant!They are also happy to shoot movies that are completely invested in the mainland!
Even if Chen Hao wants to cooperate, he will cooperate with those more enlightened Hong Kong filmmakers. As for those who are in absent-minded, they will go as far as they can!
Sister Zuxian, long time no see.Chen Hao took the initiative to hold the jade hand handed by Joey Wong and admired the beauty in front of him who never faded in Hong Kong films. Hong Kong films may really decline, but actresses like Joey Wong who shines in Hong Kong films for the time being will always live in the hearts of the audience!
Nie Xiaoqian smiled back and Bai Suzhen's charm was infinite. As a fan who likes Hong Kong films, she may never forget these classic images on the big screen!
Joey Wong smiled: It didn't take long, it seems that your expression was really long.
That's right. Not seeing each other for a day is like three autumns, let alone several months.Chen Hao couldn't help but talk.
Joey Wong's pretty face turned red and gave Chen Hao a blank look, but she was not too angry. She knew that she and Chen Hao played a couple in the movie, so while reading the script, she would occasionally bring them in!Li Wen, the character who brought Chen Hao's image into the movie!
As an actor who has come from the glorious period of Hong Kong films in the 1980s and 1990s, Joey Wong naturally has his own set of acting skills!At that time, there was no so-called professional background, at most it was a certain number of acting skills training!And they need to understand more!
And bringing into the role is the fastest way to get into the show!Compared to the acting skills of the method school, it seems to be much stupider!But it can better bring in the character's emotions and better present the character's state!
Joey Wong is also an old actor. Although she cannot be said to be a self-contained actor, she also has rich acting experience and life experience, so it is not difficult for her to get into the role or even bring in the role!
At the same time, she regards the role of Ruan Wen in "The Unparalleled" as the last role she bids farewell to the entertainment industry. She is naturally extra attentive and dedicated. Whether it is Ruan Wen herself or Wu Xiuqing who later became Ruan Wen for plastic surgery, she is particularly dedicated to both roles!It is very difficult for any actor to play two roles, especially if you have to act well, it is even more difficult!So the quickest way for Joey Wong to get into the role is to bring in the role!
He said that in the past, Hong Kong used to shoot 360 films a year, with varying quality.But now the audience market demand has changed, the scale of investment in movies has increased, and its shooting cycle has been longer. From a large-scale production method to a more refined operation, there are still surprising works every year, and many excellent filmmakers have emerged, so Hong Kong films will not die, they will continue to exist.
Crossing two eras, Zhuang Wenqiang has risen from the bottom-level film industry to the mainstay of today's Hong Kong films.
In his opinion, Hong Kong movies are where our dreams begin, promoting our growth and carrying our dreams. They have accompanied us all the way to this day, allowing the world to realize that we have so many amazing filmmakers.It makes us miss the past and also forces ourselves to continue moving forward. The love for Hong Kong movies makes us willing to accept various challenges. It has always been our pride.
In "Wushuang", Zhuang Wenqiang specializes in the charm of films and actors' performances to the extreme, and there is no one of the best Hong Kong films in recent years, which has given Hong Kong movies a lot of breath.From it, we seem to be able to see the possibility of innovative development of Hong Kong films. Zhuang Wenqiang is confident that he is worthy of the saying: I am not dead, how can Hong Kong films die?
From "Infernal Affairs" to "Eavesdropping on the Storm" to "Wu Shuang", Zhuang Wenqiang, who has been creating IP, believes in the creative concept of not being in a hurry and preparing for it before starting. He would rather let the audience wait for you than let them disappoint you.
The audience is not that stupid, and filmmakers should not be smart!
There is no doubt that even after 2000, the Hong Kong film market was much worse than before, and there were still some movies that could be watched every year, and even classic works were not missing!
"Infernal Affairs" is one of them, witnessing the glory and end of Hong Kong films!
"Infernal Affairs" is hailed as the pinnacle of Hong Kong-made police and gangster films, and it is not unreasonable!In addition to winning a lot in the film market and major awards, this movie was even bought by Hollywood and filmed a Hollywood version of "The Walker of the Spot", which shows the success of Infernal Affairs.
Two thousand years later, the Korean film market that has successfully risen has also imitated works for "Infernal Affairs".
"New World" is one of the best!The Douban score is as high as 88 points. Although it cannot surpass "Infernal Affairs", it has indeed created its own classic!
Compared with the rise of the Korean film market and the huge size of mainland films, in fact, two thousand years later, the influence of Hong Kong films is far less than that of the 1980s and 1990s!Even if one or two classic works occasionally can achieve certain results in the overseas market, it is just an example!
Zhuang Wenqiang’s words are not wrong, Hong Kong films are not dead!But it is difficult to reproduce the glory of the 1980s and 1990s!
The future development of Hong Kong films is actually very simple, which is to rely on the huge market in the mainland to achieve long-term sustainable development!It is naturally unrealistic for every movie to explode in the mainland market, but at least some Hong Kong movies worth watching will appear every year!Tell the audience that although Hong Kong films cannot replicate the glory of the evening, Hong Kong films are still alive!
In fact, for mainlanders like Chen Hao, it is actually difficult to empathize with the feelings of local filmmakers in the Hong Kong film market!There are many classic Hong Kong movies. This is an undeniable fact!
But why do we have to separate Hong Kong and mainland movies? They aren’t they all Chinese movies!Some Hong Kong filmmakers don’t like to go out and always like to guard their own land and keep their shortcomings. This is what Chen Hao doesn’t like!
With his current wealth and the film and television resources he holds, it is actually not difficult to support the Hong Kong film market.Of course, he was not interested, and there was no need to do anything to make Hong Kong films show great deeds. The future development trend will always be mainly based on the mainland!If Hong Kong filmmakers can't see this reality clearly, they can only leave after they roll the bed and leave!
Of course, most filmmakers in Hong Kong are still relatively open-minded and know to go north to seek cooperation!Similar examples like Chen Kexin and Tsui Hark are all examples of this!People like Chow Yun-fat and Tony Leung will not be resistant!They are also happy to shoot movies that are completely invested in the mainland!
Even if Chen Hao wants to cooperate, he will cooperate with those more enlightened Hong Kong filmmakers. As for those who are in absent-minded, they will go as far as they can!
Sister Zuxian, long time no see.Chen Hao took the initiative to hold the jade hand handed by Joey Wong and admired the beauty in front of him who never faded in Hong Kong films. Hong Kong films may really decline, but actresses like Joey Wong who shines in Hong Kong films for the time being will always live in the hearts of the audience!
Nie Xiaoqian smiled back and Bai Suzhen's charm was infinite. As a fan who likes Hong Kong films, she may never forget these classic images on the big screen!
Joey Wong smiled: It didn't take long, it seems that your expression was really long.
That's right. Not seeing each other for a day is like three autumns, let alone several months.Chen Hao couldn't help but talk.
Joey Wong's pretty face turned red and gave Chen Hao a blank look, but she was not too angry. She knew that she and Chen Hao played a couple in the movie, so while reading the script, she would occasionally bring them in!Li Wen, the character who brought Chen Hao's image into the movie!
As an actor who has come from the glorious period of Hong Kong films in the 1980s and 1990s, Joey Wong naturally has his own set of acting skills!At that time, there was no so-called professional background, at most it was a certain number of acting skills training!And they need to understand more!
And bringing into the role is the fastest way to get into the show!Compared to the acting skills of the method school, it seems to be much stupider!But it can better bring in the character's emotions and better present the character's state!
Joey Wong is also an old actor. Although she cannot be said to be a self-contained actor, she also has rich acting experience and life experience, so it is not difficult for her to get into the role or even bring in the role!
At the same time, she regards the role of Ruan Wen in "The Unparalleled" as the last role she bids farewell to the entertainment industry. She is naturally extra attentive and dedicated. Whether it is Ruan Wen herself or Wu Xiuqing who later became Ruan Wen for plastic surgery, she is particularly dedicated to both roles!It is very difficult for any actor to play two roles, especially if you have to act well, it is even more difficult!So the quickest way for Joey Wong to get into the role is to bring in the role!
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