Wu Mingxuan and the others did not take action at the first time, but first looked at the edited version of Bong Junhao. After watching it, Wu Mingxuan faced Guan Hu, one of the four major directors under Perfect, and asked: Brother Hu, what do you think of this movie?
It's great and wonderful. The focal change of the telephoto lens gives the picture a deeper scheduling space, forming a very good virtual and real interaction.
Hidden important narrative elements in the blurred space, guide the audience's sight through prominent real scenes, complete the dislocation of attention, and lay a narrative hook that is close to you.
Sometimes, the future situation that is not valued is often the core of a play construction.
The telephoto lens can also easily switch the scene within the lens, creating a sudden visual impact.
I used to think that Brother Xuan, your camera is very powerful, but I didn’t expect that Director Feng’s camera is also so powerful. No wonder Brother Xuan, you chose him to direct this movie.
No one knows Bong Joon-ho's strength better than Wu Mingxuan. He is definitely at the top five in Asia. It cannot be said that he has no shortcomings, but under his unique personal style, he is indeed extremely capable. Not counting as "Parasite", it also makes many classic movies that have left their names in the history of Korean films. He is considered a national treasure-level film master in the Korean film and television industry.
But Wu Mingxuan didn't come to listen to Hu Zi's praising Feng Junhao, and asked directly: Talking about shortcomings and shortcomings, can't you be perfect, right?
Because Guan Hu has Wu Mingxuan, the little brother, who is much more humble than the original time and space, he is no longer the eldest brother, but has changed from the eldest brother to the younger brother. Moreover, the gap with his eldest brother Wu Mingxuan is all-round, almost beyond the reach of the world, so he has become a lot of smooth accidents.
As an important participant this time, Guan Hu directly commented: The disadvantages are actually the disadvantages of flaws not concealing the merits. Generally speaking, it is a good movie, but it may be better to be more delicate.
There are two families of different classes in the film, Song Kang-ho plays the Ki-ze family and Lee Sun-kong plays the President Park family.
Relatively speaking, the portrayal of the Kize family is relatively well-established.
But what about President Park’s family?
It's too formal, all of which are conceptual characters.
In this edited version, President Park, as the head of the family, is the head of the IT company.
These elites who rely on the Internet era to get rich overnight actually live in a fortress where material things are piled up and spiritually empty.
The direction of these characters is fine. The problem is that the portrayal is too rough and simple, which is exactly where I think it is not as good as "Burning".
It also talks about the theme of class. "Burning"'s description of characters, at least the rich class, makes me feel more credible.
Wu Mingxuan was a little disappointed when he heard this: Is it just that?
Guan Hu nodded guiltily. At this time, Feng Junhao also wanted to know what Wu Mingxuan had. He was very clear about the problems that Guan Hu said and noticed. They were considered shortcomings, but not very serious. These can be supplemented through editing and are not fatal flaws.
However, Wu Mingxuan's subsequent comments made Bong Junhao realize the gap between him and a top director like Wu Mingxuan. Wu Mingxuan did not talk about the problems in the plot setting, but only talked about several very fatal issues that were ignored by Bong Junhao.
This is actually a common problem for many Korean movies. The director wants to express a lot of views in the movie but ignores the fluency of the movie. He is very stiff when dealing with certain twists, and the preparation is not enough to convince the audience.
From a mathematical perspective, metaphors are a very difficult proof problem. The arguments listed by the director are not enough to prove the views he wants to express. They are superfluous in handling many plots, not simple and direct enough, but instead reduce the height that they could have reached.
There will not be too big problems in the theme and depth, but there are very problems in the viewing experience of the audience. Winning awards is only one aspect, and artistry is very important, but a movie is made for the audience to see. Whether the audience likes it and whether it feels that the movie is worth the ticket to the movie is also very important.
You have too many things to put on and express too much, and many shots are redundant, which affects the rhythm. At the same time, there are a few issues that Brother Hu just mentioned, so I will make some remedies on this basis later. If there is a lack of material, then you can re-summon the crew now and prepare to reshoot some shots.
Feng Junhao nodded, and did not object in public. He directly did what Wu Mingxuan said. Being able to write such a script is an investor and producer, or a world-class director who has won an Oscar. He is more professional than him in any aspect, so if you hear others right, you have to wait until you succeed before saying this if you are not convinced.
Wu Mingxuan and Guan Hu did not leave the small screening hall directly, but began to take their own movie notes and record the camera and plot.
This is often used during editing. Some shots and plots need to be retained, and then expanded and supplemented from the material, enriching some key plot shots, and then ensuring the completeness and fluency of the movie.
Because the completion of this version of Bong Joon-ho is very high, the workload is not large. Next is some of the questions raised before to make a reshoot, and then the final finished film is produced.
It was almost November 6 that Wu Mingxuan's version was finally released.
Relevant personnel, including director Bong Joon-ho and investor Lee Wan-ji, once again gathered in the special screening hall of Shaha to watch this Olympic movie that is crucial to the entire Korean entertainment industry.
After watching the movie, Bong Joon-ho had to admit that it was indeed better than his previous version in terms of fluency, and after a series of depressions, using an open and sunny ending would actually be more interesting. I hope that this is human nature to yearn for the beautiful future.
Moreover, this seemingly beautiful ending quickly brought all the audience back to reality in the final shot transformation. If you savor it carefully, you will feel a chill on your back.
It turns out that this is just Kim Ki-woo's fantasy, and nothing will come true. His father can only hide in the basement forever as his parasite, and he will never be able to live in the sun in his life. In the environment of class solidification, the poor at the bottom have no possibility of changing their destiny.
It's great and wonderful. The focal change of the telephoto lens gives the picture a deeper scheduling space, forming a very good virtual and real interaction.
Hidden important narrative elements in the blurred space, guide the audience's sight through prominent real scenes, complete the dislocation of attention, and lay a narrative hook that is close to you.
Sometimes, the future situation that is not valued is often the core of a play construction.
The telephoto lens can also easily switch the scene within the lens, creating a sudden visual impact.
I used to think that Brother Xuan, your camera is very powerful, but I didn’t expect that Director Feng’s camera is also so powerful. No wonder Brother Xuan, you chose him to direct this movie.
No one knows Bong Joon-ho's strength better than Wu Mingxuan. He is definitely at the top five in Asia. It cannot be said that he has no shortcomings, but under his unique personal style, he is indeed extremely capable. Not counting as "Parasite", it also makes many classic movies that have left their names in the history of Korean films. He is considered a national treasure-level film master in the Korean film and television industry.
But Wu Mingxuan didn't come to listen to Hu Zi's praising Feng Junhao, and asked directly: Talking about shortcomings and shortcomings, can't you be perfect, right?
Because Guan Hu has Wu Mingxuan, the little brother, who is much more humble than the original time and space, he is no longer the eldest brother, but has changed from the eldest brother to the younger brother. Moreover, the gap with his eldest brother Wu Mingxuan is all-round, almost beyond the reach of the world, so he has become a lot of smooth accidents.
As an important participant this time, Guan Hu directly commented: The disadvantages are actually the disadvantages of flaws not concealing the merits. Generally speaking, it is a good movie, but it may be better to be more delicate.
There are two families of different classes in the film, Song Kang-ho plays the Ki-ze family and Lee Sun-kong plays the President Park family.
Relatively speaking, the portrayal of the Kize family is relatively well-established.
But what about President Park’s family?
It's too formal, all of which are conceptual characters.
In this edited version, President Park, as the head of the family, is the head of the IT company.
These elites who rely on the Internet era to get rich overnight actually live in a fortress where material things are piled up and spiritually empty.
The direction of these characters is fine. The problem is that the portrayal is too rough and simple, which is exactly where I think it is not as good as "Burning".
It also talks about the theme of class. "Burning"'s description of characters, at least the rich class, makes me feel more credible.
Wu Mingxuan was a little disappointed when he heard this: Is it just that?
Guan Hu nodded guiltily. At this time, Feng Junhao also wanted to know what Wu Mingxuan had. He was very clear about the problems that Guan Hu said and noticed. They were considered shortcomings, but not very serious. These can be supplemented through editing and are not fatal flaws.
However, Wu Mingxuan's subsequent comments made Bong Junhao realize the gap between him and a top director like Wu Mingxuan. Wu Mingxuan did not talk about the problems in the plot setting, but only talked about several very fatal issues that were ignored by Bong Junhao.
This is actually a common problem for many Korean movies. The director wants to express a lot of views in the movie but ignores the fluency of the movie. He is very stiff when dealing with certain twists, and the preparation is not enough to convince the audience.
From a mathematical perspective, metaphors are a very difficult proof problem. The arguments listed by the director are not enough to prove the views he wants to express. They are superfluous in handling many plots, not simple and direct enough, but instead reduce the height that they could have reached.
There will not be too big problems in the theme and depth, but there are very problems in the viewing experience of the audience. Winning awards is only one aspect, and artistry is very important, but a movie is made for the audience to see. Whether the audience likes it and whether it feels that the movie is worth the ticket to the movie is also very important.
You have too many things to put on and express too much, and many shots are redundant, which affects the rhythm. At the same time, there are a few issues that Brother Hu just mentioned, so I will make some remedies on this basis later. If there is a lack of material, then you can re-summon the crew now and prepare to reshoot some shots.
Feng Junhao nodded, and did not object in public. He directly did what Wu Mingxuan said. Being able to write such a script is an investor and producer, or a world-class director who has won an Oscar. He is more professional than him in any aspect, so if you hear others right, you have to wait until you succeed before saying this if you are not convinced.
Wu Mingxuan and Guan Hu did not leave the small screening hall directly, but began to take their own movie notes and record the camera and plot.
This is often used during editing. Some shots and plots need to be retained, and then expanded and supplemented from the material, enriching some key plot shots, and then ensuring the completeness and fluency of the movie.
Because the completion of this version of Bong Joon-ho is very high, the workload is not large. Next is some of the questions raised before to make a reshoot, and then the final finished film is produced.
It was almost November 6 that Wu Mingxuan's version was finally released.
Relevant personnel, including director Bong Joon-ho and investor Lee Wan-ji, once again gathered in the special screening hall of Shaha to watch this Olympic movie that is crucial to the entire Korean entertainment industry.
After watching the movie, Bong Joon-ho had to admit that it was indeed better than his previous version in terms of fluency, and after a series of depressions, using an open and sunny ending would actually be more interesting. I hope that this is human nature to yearn for the beautiful future.
Moreover, this seemingly beautiful ending quickly brought all the audience back to reality in the final shot transformation. If you savor it carefully, you will feel a chill on your back.
It turns out that this is just Kim Ki-woo's fantasy, and nothing will come true. His father can only hide in the basement forever as his parasite, and he will never be able to live in the sun in his life. In the environment of class solidification, the poor at the bottom have no possibility of changing their destiny.
![[traverse Novels] Sex life in another world starting from scratch - NTL, cool literature, NTR, harem, hunting for beauty, different world](/templates/nvshen/themes/img/thumb_1.png)