Want to think about what TVB gives yourself? Gu Minghua, a male artist who graduated from the Hong Kong Academy of Performing Arts in 1990, was nominated for Best Newcomer for the Academy Awards for "Mong Kok Racecourse".
Gu Minghua, who has played many supporting roles on TVB, does not feel that his career is bumpy.
Gu Minghua, who bluntly stated that the producer gave him a lot of opportunities, would think about a lot of things and would also think about what TVB gave him.
During the years of growing up, TVB's salary to Gu Minghua was not very high, and even his part-time job was higher than working at TVB.
It is conceivable that TVB's salary is a hurdle, and it is difficult for many artists to overcome it.
They have experienced strong storms, the glorious period of TVB, and witnessed the rise and fall of Hong Kong dramas.
But they all mentioned a very critical problem, that is, the salary issue.
But is the salary issue, or the rise of Korean and mainland dramas, really the main problem of the decline of Hong Kong dramas?
On this issue, Li Guolin, a veteran actor, expressed a different answer.
To make money, you must know how to be vigilant in times of peace. Li Guolin, who has worked silently for more than 40 years in TVB, was once known to the audience for his role as Jiumozhi.
I believe that few people can compare to artists like Li Guolin for acting and love for TVB.
But he once said in front of the media that if he signs with a contract with Wireless, he will have to borrow money.
Looking back at the glorious period of TVB, Li Guolin bluntly stated that when he was a newcomer, there were ten activities in a month, but now it has only six activities in a year.
This is equivalent to reducing work and wages in disguise.
But no one can force themselves, even if the workload is greatly reduced, there will still be someone who chooses to sign a contract.
But Li Guolin felt it was unfair.
Regarding the issue of scripts, Li Guolin also pointed out that the script is now routine and formulaic, and the script only writes the protagonist, lacking a sense of reality.
In 1967, Hong Kong Television Broadcasting Co., Ltd. was officially launched, opening its glorious era.
With the two major projects of Miss Hong Kong and Artist Training Class, we continuously deliver new blood to TVB. The TVB of that era is the most appropriate way to describe it as prosperity.
However, with the rapid development of technology, the launch of multiple regions and diversified dramas has led to the sharing of the ratings of Hong Kong dramas.
As for the years before Chen Hao's rebirth, after the TV series was broadcasted by "Line Walker", it was difficult to have any hits on the Internet.
Words such as Fall and Green and Yellow began to appear and surround TVB.
It can be described as "As a brilliant family", when it comes to TVB, the old actors' eyes are shining.
After all, Hong Kong dramas have been brilliant!
And they are the old actors and witnesses who have created the glory of Hong Kong dramas!
In fact, there are Taiwanese idol dramas that decline with Hong Kong dramas!
In just ten years, Taiwanese idol dramas have gone from rising to decline.
Taiwan’s earliest idol drama started with "Spicy Fresh Teacher" in 2000. The inspiration for this drama was from the Japanese comic "Spicy Teacher GTO", which mainly talked about the various teenage issues in Taiwan society.
Although it did not cause much response, it gathered a large number of idol stars who became popular later, such as Jerry Yan, Pan Weibo, Zhu Xiaotian, Lan Zhenglong, etc., so this drama is also called the idol training class.
The one who has seriously fixed the idol drama in Taiwan is "Meteor Garden".
After looking at their looks, it was so shamatt.
"Meteor Garden" set an average of 643 in Taiwan, breaking the monopoly of Japanese and Korean dramas at that time, and exporting overseas copyrights to more than 20 countries.
From then on, Taiwanese TV series entered the idol era led by Qiong Yao into the era of idols led by Chai Zhiping.
After "Meteor Garden", a large number of comic-adapted idol dramas began to emerge.
The most classic thing is "The Kiss of Prank", which is still loved by countless girls.
The story of Yuan Xiangqin and Jiang Zhishu, the plot of the poor student and the top student, the female chasing a man, etc., has become the imitation of most youth films.
In addition, the adaptations of "Lavender", "Love White Paper" and "Fantasy Boys and Girls" from Japanese comics also caused a heated discussion.
Newcomers such as Shawn Yue, Peng Yuyan, Rainie Yang, and Wu Zun have entered the public eye with these idol dramas.
The one who broke the ratings of "Meteor Garden" is "The Prince Turns into a Frog" starring Chen Qiaoen and Ming Dao.
This TV series tells the story of Shan Junhao losing his memory in an accident on the eve of his marriage and being rescued by Ye Tianyu who works in Gas. From then on, the prince becomes a complex love entanglement derived from a frog.
Starting from "Meteor Garden" in 2001 to "I May Not Love You" in 2011, the most glorious period of Taiwanese idol dramas has only been ten years.
Later, although there are occasional TV series with good reputations like "Tu Mi", the era of Taiwanese idol dramas leading the trend in the mainland has obviously passed.
There will never be a grand event like the ones that played Taiwanese dramas in prime time like Hunan Satellite TV and Anhui Satellite TV.
The reasons for the decline of Taiwanese idol dramas are multifaceted and multi-level.
First of all, the production cost. In the environment of TV dramas where domestic actors pay hundreds of millions of dollars, Taiwanese idol dramas can obviously no longer achieve such huge cost investment.
The production fee of one-tenth of a mainland online variety show caused an uproar in the Taiwanese press.
In a word, there is no money.The production cost is low, and the first result directly brings is the cheapness of the set.
Take a look at the Taiwanese idol drama "Ming Ruo Xiaoxi" broadcast on Hunan Satellite TV in 2015, and feel the ancient style that seems to come from ten years ago.
You should know that in 2015, mainland TV series began with "The Legend of Wu Zetian" and ended with "Langya Bang".
Whether it is exquisite pictures or exquisite clothes, they are meticulously made.
Even if it is also adapted from "The Tornado Girl" originally written by Ming Xiaoxi, it looks much better.
Another reason is that a large number of Taiwanese artists have left, and all the more well-known artists have gone to the mainland to shoot TV series and movies.
This naturally leads to no one available or filming of its local idol dramas.
Although there are still a steady stream of newcomers every year, they cannot bring the topic, so the influence of idol dramas is naturally not much greater.
If you want to train the next Ke Zhendong and Wang Dalu, you not only have hard work, but also luck.
Another important reason for the decline of Taiwanese idol dramas is that they lack innovation capabilities.Whether it is the plot, character creation, or plot development, there is no major breakthrough in later idol dramas.
Take "I Love You" which was broadcast in August 2017 for example. Amnesia, exchange of identities, tall, rich and handsome, and Cinderella, these old jokes from ten years ago are still used by screenwriters over and over again.
Everyone in the Korean drama next door knows to fool the audience with aliens and special abilities, why can’t you learn it!
Of course, learning the special abilities of aliens is also easy to draw a tiger but not become a dog.
"The Different Beautiful Man" filmed by Zhang Hanxue and Kim Soo-yeon is simply out of the blue. Anyway, Chen Hao didn't watch a single episode!
Douban score is also low, only 41 points!
Gu Minghua, who has played many supporting roles on TVB, does not feel that his career is bumpy.
Gu Minghua, who bluntly stated that the producer gave him a lot of opportunities, would think about a lot of things and would also think about what TVB gave him.
During the years of growing up, TVB's salary to Gu Minghua was not very high, and even his part-time job was higher than working at TVB.
It is conceivable that TVB's salary is a hurdle, and it is difficult for many artists to overcome it.
They have experienced strong storms, the glorious period of TVB, and witnessed the rise and fall of Hong Kong dramas.
But they all mentioned a very critical problem, that is, the salary issue.
But is the salary issue, or the rise of Korean and mainland dramas, really the main problem of the decline of Hong Kong dramas?
On this issue, Li Guolin, a veteran actor, expressed a different answer.
To make money, you must know how to be vigilant in times of peace. Li Guolin, who has worked silently for more than 40 years in TVB, was once known to the audience for his role as Jiumozhi.
I believe that few people can compare to artists like Li Guolin for acting and love for TVB.
But he once said in front of the media that if he signs with a contract with Wireless, he will have to borrow money.
Looking back at the glorious period of TVB, Li Guolin bluntly stated that when he was a newcomer, there were ten activities in a month, but now it has only six activities in a year.
This is equivalent to reducing work and wages in disguise.
But no one can force themselves, even if the workload is greatly reduced, there will still be someone who chooses to sign a contract.
But Li Guolin felt it was unfair.
Regarding the issue of scripts, Li Guolin also pointed out that the script is now routine and formulaic, and the script only writes the protagonist, lacking a sense of reality.
In 1967, Hong Kong Television Broadcasting Co., Ltd. was officially launched, opening its glorious era.
With the two major projects of Miss Hong Kong and Artist Training Class, we continuously deliver new blood to TVB. The TVB of that era is the most appropriate way to describe it as prosperity.
However, with the rapid development of technology, the launch of multiple regions and diversified dramas has led to the sharing of the ratings of Hong Kong dramas.
As for the years before Chen Hao's rebirth, after the TV series was broadcasted by "Line Walker", it was difficult to have any hits on the Internet.
Words such as Fall and Green and Yellow began to appear and surround TVB.
It can be described as "As a brilliant family", when it comes to TVB, the old actors' eyes are shining.
After all, Hong Kong dramas have been brilliant!
And they are the old actors and witnesses who have created the glory of Hong Kong dramas!
In fact, there are Taiwanese idol dramas that decline with Hong Kong dramas!
In just ten years, Taiwanese idol dramas have gone from rising to decline.
Taiwan’s earliest idol drama started with "Spicy Fresh Teacher" in 2000. The inspiration for this drama was from the Japanese comic "Spicy Teacher GTO", which mainly talked about the various teenage issues in Taiwan society.
Although it did not cause much response, it gathered a large number of idol stars who became popular later, such as Jerry Yan, Pan Weibo, Zhu Xiaotian, Lan Zhenglong, etc., so this drama is also called the idol training class.
The one who has seriously fixed the idol drama in Taiwan is "Meteor Garden".
After looking at their looks, it was so shamatt.
"Meteor Garden" set an average of 643 in Taiwan, breaking the monopoly of Japanese and Korean dramas at that time, and exporting overseas copyrights to more than 20 countries.
From then on, Taiwanese TV series entered the idol era led by Qiong Yao into the era of idols led by Chai Zhiping.
After "Meteor Garden", a large number of comic-adapted idol dramas began to emerge.
The most classic thing is "The Kiss of Prank", which is still loved by countless girls.
The story of Yuan Xiangqin and Jiang Zhishu, the plot of the poor student and the top student, the female chasing a man, etc., has become the imitation of most youth films.
In addition, the adaptations of "Lavender", "Love White Paper" and "Fantasy Boys and Girls" from Japanese comics also caused a heated discussion.
Newcomers such as Shawn Yue, Peng Yuyan, Rainie Yang, and Wu Zun have entered the public eye with these idol dramas.
The one who broke the ratings of "Meteor Garden" is "The Prince Turns into a Frog" starring Chen Qiaoen and Ming Dao.
This TV series tells the story of Shan Junhao losing his memory in an accident on the eve of his marriage and being rescued by Ye Tianyu who works in Gas. From then on, the prince becomes a complex love entanglement derived from a frog.
Starting from "Meteor Garden" in 2001 to "I May Not Love You" in 2011, the most glorious period of Taiwanese idol dramas has only been ten years.
Later, although there are occasional TV series with good reputations like "Tu Mi", the era of Taiwanese idol dramas leading the trend in the mainland has obviously passed.
There will never be a grand event like the ones that played Taiwanese dramas in prime time like Hunan Satellite TV and Anhui Satellite TV.
The reasons for the decline of Taiwanese idol dramas are multifaceted and multi-level.
First of all, the production cost. In the environment of TV dramas where domestic actors pay hundreds of millions of dollars, Taiwanese idol dramas can obviously no longer achieve such huge cost investment.
The production fee of one-tenth of a mainland online variety show caused an uproar in the Taiwanese press.
In a word, there is no money.The production cost is low, and the first result directly brings is the cheapness of the set.
Take a look at the Taiwanese idol drama "Ming Ruo Xiaoxi" broadcast on Hunan Satellite TV in 2015, and feel the ancient style that seems to come from ten years ago.
You should know that in 2015, mainland TV series began with "The Legend of Wu Zetian" and ended with "Langya Bang".
Whether it is exquisite pictures or exquisite clothes, they are meticulously made.
Even if it is also adapted from "The Tornado Girl" originally written by Ming Xiaoxi, it looks much better.
Another reason is that a large number of Taiwanese artists have left, and all the more well-known artists have gone to the mainland to shoot TV series and movies.
This naturally leads to no one available or filming of its local idol dramas.
Although there are still a steady stream of newcomers every year, they cannot bring the topic, so the influence of idol dramas is naturally not much greater.
If you want to train the next Ke Zhendong and Wang Dalu, you not only have hard work, but also luck.
Another important reason for the decline of Taiwanese idol dramas is that they lack innovation capabilities.Whether it is the plot, character creation, or plot development, there is no major breakthrough in later idol dramas.
Take "I Love You" which was broadcast in August 2017 for example. Amnesia, exchange of identities, tall, rich and handsome, and Cinderella, these old jokes from ten years ago are still used by screenwriters over and over again.
Everyone in the Korean drama next door knows to fool the audience with aliens and special abilities, why can’t you learn it!
Of course, learning the special abilities of aliens is also easy to draw a tiger but not become a dog.
"The Different Beautiful Man" filmed by Zhang Hanxue and Kim Soo-yeon is simply out of the blue. Anyway, Chen Hao didn't watch a single episode!
Douban score is also low, only 41 points!
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