Seeing the appearance of the good sister Yuan Quan, Zeng Li knew that the other party was completely overwhelmed!
Tang Yifei, who blushed slightly, pretended to be reserved and said: Sister Quan, this is not good, don’t make things difficult for Mr. Chen.
Yuan Quan waved his hand: There is nothing to be embarrassed about, signing you into Longteng is just a matter of his words.I said that I looked at Chen Hao with sharp eyes: Do you agree or not? Give me the correct words.
OK, then sign Yifei into Longteng too.Chen Hao glanced at Yuan Quan: You are satisfied now.
What do I mean to be satisfied? Is it your luck to sign into your company with such an excellent actor?Yuan Quan glared at Chen Hao!
When Zeng Li heard that Tang Yifei was about to enter Longteng Media, the discomfort in his eyes flashed!
Let us all raise our glasses together and have a drink for Yifei and Longteng.Chen Hao raised his glass and said!
Mr. Chen, please take care of me in the future.Tang Yifei, who lifted the wine glass, drank it all in one go. The others naturally were not willing to be outdone. Whether it was Yuan Quan or Zeng Li, they drank all the white wine in the cup!
Of course, they are all very small cups, and only Chen Hao can drink that big cup alone!
Yuan Quan drank several glasses of white wine, and he obviously became a little excited. His pink lips were slightly raised, and his eyebrows and eyes were also slightly beautiful: Chen Hao, I have been signing for Longteng for a while, so you didn’t plan to arrange a TV series or movie for me?
Chen Hao smiled and said: What movie or TV series do you want to star in?
Yuan Quan raised his glass and shook it: For movies, it will start with an investment of at least 100 million yuan. As for TV series, if there are good palace dramas, I can consider it!After all, many actresses are still very moved by the first palace drama in the mainland, with the first palace fighting drama "Ruyi's Royal Love in the Palace"!
I haven't thought about palace dramas yet, but if you are interested in movies, there is one.Chen Hao said, eating the dish that Tang Yifei put into the bowl!
What movie?Yuan Quan looked at Chen Hao curiously!
In addition to Yuan Quan's curiosity, Zeng Li and Tang Yifei also pricked their ears!
It is a science fiction movie, future police.Chen Hao said!
Future police?Yuan Quan was completely confused: What kind of story is this?
The future police tells a story from the future.The future policeman mentioned by Chen Hao is naturally the movie "Future Police" starring Liu Tianwang in another time and space!
The film "The Future Police" starring Andy Lau is a science fiction film, a Chinese-style science fiction film. Although the special effects technology is already dazzling, flying in the sky and hiding the earth, combining humans and machines, all of these traditional elements are integrated into it, it still makes people feel very disappointed with Chinese science fiction films.
In the first five minutes of the video, I couldn't help laughing out loud. It was so naive and suitable for children under 5 years old.
The film starts with the broadcast of the big screen as a drama function to explain it for the sake of explanation. This dramatic technique is too unwise and makes people feel boring. Chinese dramas are all in all. At the beginning, they must be completely explained to the audience, fearing that the audience will not understand it or understand it. Who knows that this approach is the most mentally retarded. It must gradually penetrate into the audience in the development of the plot of the film, and do not treat the audience as fools. In fact, while the producer considers this, he becomes a veritable fool.
European and American films will not explain in such a silly and stupid way. Most of them penetrate into the audience layer by layer like silk, which makes suspense and narrate it naturally.
Also, the reason why I laugh is that Chinese-style science fiction has always had no breakthroughs, outdated concepts, and clichéd ideas. One hundred films operate almost around a established or similar science fiction atmosphere. The reason for the weak creativity is the lack of inspiration.
As for the plot of "Future Police", it is completely a combination of "School Overlord" and "Terminator" back then. There are too many similar plots, which shows that the screenwriter is lazy. Not only the screenwriter of "Future Police", but all screenwriters are lazy and do not create new things. Just like the remakes of films and TV series nowadays, there are many remakes, the Three Kingdoms, Red Mansions and Journey to the West, are all remakes, and they are unable to surpass them every time. The reason is that the screenwriter's artistic creation is dependent, and there are original versions to learn from. The good ones are brought in and the bad ones are eliminated. In this way, they often start to be taken full advantage and lose their own ideas. This is laziness.
No matter how beautify and package your remake, it is a bone that has been gnawed and then re-cooked. After repeated remakes, can it not smell bad?
Another thing is that the producer's finger-in-handed participation in creation leads to a low artistic level. As a producer, what you should consider is not how to create a film, but that you propose to add corresponding elements to the current aesthetic through market analysis. You cannot use your own shallow art to host the screenwriter and present your arbitrary seemingly artistic art. This method is destined to end in failure.
You are awesome, you pay to invest in the filming, and the screenwriter serves you, but you also need to adhere to the rules of creation. Blindly participating is to destroy the script, erase the screenwriter's creative passion, and ultimately lead to failure. If your producer thinks you are awesome, have outstanding artistic appreciation, and your inspiration is overflowing, then you can create the script yourself, so why bother to force yourself to participate in the creation?
Another situation is that the director participates in the creation, which is the same as the producer participates. As a director, you have to rely on the script and use the script to create for the second time, not instructing the screenwriter how to create.
Some directors are both screenwriters and directors, and such scripts are doomed to fail. Drama, film and television are team-based work, and they cannot be supported by a single person. Is your knowledge that great?
As a screenwriter, a director will inevitably solidify a subjective idea, and this subjective idea will inevitably not be able to accept other outside opinions. This kind of art is individualistic and very extreme. Directors like this are completely suitable for writing novels.
Back to the topic, the plot of "Future Police" is not novel enough and is an imitation, so of course it is impossible to make breakthroughs and transcend.
As for the highlights of "Future Police", there are still some, that is, the emotional scene between the Future Police played by Andy Lau and the Police played by Big S is very interesting. Of course, it cannot be studied carefully. In fact, there are doubts about the rationality of their love.
A month of love is very sad. When Big S became an old woman, Andy Lau went to visit her, Big S said that he knew him. This sentence can actually be considered a pun, and it has a subtext meaning. It can be imagined that Big S really recognized Andy Lau as her boyfriend whom she had been waiting for for a long time. As for why she didn't say it out loud, maybe it was because she was already old and about to reach the momentum of life. There was no possibility of any love result with Andy Lau. Why do you have to tell such a sad thing? The two faced it regretfully and painfully. Big S and Andy Lau's purpose was not to seek results, but to have it once. A month of love can also prove this.
This kind of love is bitter, so the screenwriter is very clever when dealing with the ending later, allowing this bitterness to touch the audience again, rather than ending the bitterness and eventually breaking into a pale bitter ending. This is the biggest highlight of "The Future Police", and it also proves that this screenwriter is suitable for writing emotional dramas and is not suitable for writing science fiction films.
Tang Yifei, who blushed slightly, pretended to be reserved and said: Sister Quan, this is not good, don’t make things difficult for Mr. Chen.
Yuan Quan waved his hand: There is nothing to be embarrassed about, signing you into Longteng is just a matter of his words.I said that I looked at Chen Hao with sharp eyes: Do you agree or not? Give me the correct words.
OK, then sign Yifei into Longteng too.Chen Hao glanced at Yuan Quan: You are satisfied now.
What do I mean to be satisfied? Is it your luck to sign into your company with such an excellent actor?Yuan Quan glared at Chen Hao!
When Zeng Li heard that Tang Yifei was about to enter Longteng Media, the discomfort in his eyes flashed!
Let us all raise our glasses together and have a drink for Yifei and Longteng.Chen Hao raised his glass and said!
Mr. Chen, please take care of me in the future.Tang Yifei, who lifted the wine glass, drank it all in one go. The others naturally were not willing to be outdone. Whether it was Yuan Quan or Zeng Li, they drank all the white wine in the cup!
Of course, they are all very small cups, and only Chen Hao can drink that big cup alone!
Yuan Quan drank several glasses of white wine, and he obviously became a little excited. His pink lips were slightly raised, and his eyebrows and eyes were also slightly beautiful: Chen Hao, I have been signing for Longteng for a while, so you didn’t plan to arrange a TV series or movie for me?
Chen Hao smiled and said: What movie or TV series do you want to star in?
Yuan Quan raised his glass and shook it: For movies, it will start with an investment of at least 100 million yuan. As for TV series, if there are good palace dramas, I can consider it!After all, many actresses are still very moved by the first palace drama in the mainland, with the first palace fighting drama "Ruyi's Royal Love in the Palace"!
I haven't thought about palace dramas yet, but if you are interested in movies, there is one.Chen Hao said, eating the dish that Tang Yifei put into the bowl!
What movie?Yuan Quan looked at Chen Hao curiously!
In addition to Yuan Quan's curiosity, Zeng Li and Tang Yifei also pricked their ears!
It is a science fiction movie, future police.Chen Hao said!
Future police?Yuan Quan was completely confused: What kind of story is this?
The future police tells a story from the future.The future policeman mentioned by Chen Hao is naturally the movie "Future Police" starring Liu Tianwang in another time and space!
The film "The Future Police" starring Andy Lau is a science fiction film, a Chinese-style science fiction film. Although the special effects technology is already dazzling, flying in the sky and hiding the earth, combining humans and machines, all of these traditional elements are integrated into it, it still makes people feel very disappointed with Chinese science fiction films.
In the first five minutes of the video, I couldn't help laughing out loud. It was so naive and suitable for children under 5 years old.
The film starts with the broadcast of the big screen as a drama function to explain it for the sake of explanation. This dramatic technique is too unwise and makes people feel boring. Chinese dramas are all in all. At the beginning, they must be completely explained to the audience, fearing that the audience will not understand it or understand it. Who knows that this approach is the most mentally retarded. It must gradually penetrate into the audience in the development of the plot of the film, and do not treat the audience as fools. In fact, while the producer considers this, he becomes a veritable fool.
European and American films will not explain in such a silly and stupid way. Most of them penetrate into the audience layer by layer like silk, which makes suspense and narrate it naturally.
Also, the reason why I laugh is that Chinese-style science fiction has always had no breakthroughs, outdated concepts, and clichéd ideas. One hundred films operate almost around a established or similar science fiction atmosphere. The reason for the weak creativity is the lack of inspiration.
As for the plot of "Future Police", it is completely a combination of "School Overlord" and "Terminator" back then. There are too many similar plots, which shows that the screenwriter is lazy. Not only the screenwriter of "Future Police", but all screenwriters are lazy and do not create new things. Just like the remakes of films and TV series nowadays, there are many remakes, the Three Kingdoms, Red Mansions and Journey to the West, are all remakes, and they are unable to surpass them every time. The reason is that the screenwriter's artistic creation is dependent, and there are original versions to learn from. The good ones are brought in and the bad ones are eliminated. In this way, they often start to be taken full advantage and lose their own ideas. This is laziness.
No matter how beautify and package your remake, it is a bone that has been gnawed and then re-cooked. After repeated remakes, can it not smell bad?
Another thing is that the producer's finger-in-handed participation in creation leads to a low artistic level. As a producer, what you should consider is not how to create a film, but that you propose to add corresponding elements to the current aesthetic through market analysis. You cannot use your own shallow art to host the screenwriter and present your arbitrary seemingly artistic art. This method is destined to end in failure.
You are awesome, you pay to invest in the filming, and the screenwriter serves you, but you also need to adhere to the rules of creation. Blindly participating is to destroy the script, erase the screenwriter's creative passion, and ultimately lead to failure. If your producer thinks you are awesome, have outstanding artistic appreciation, and your inspiration is overflowing, then you can create the script yourself, so why bother to force yourself to participate in the creation?
Another situation is that the director participates in the creation, which is the same as the producer participates. As a director, you have to rely on the script and use the script to create for the second time, not instructing the screenwriter how to create.
Some directors are both screenwriters and directors, and such scripts are doomed to fail. Drama, film and television are team-based work, and they cannot be supported by a single person. Is your knowledge that great?
As a screenwriter, a director will inevitably solidify a subjective idea, and this subjective idea will inevitably not be able to accept other outside opinions. This kind of art is individualistic and very extreme. Directors like this are completely suitable for writing novels.
Back to the topic, the plot of "Future Police" is not novel enough and is an imitation, so of course it is impossible to make breakthroughs and transcend.
As for the highlights of "Future Police", there are still some, that is, the emotional scene between the Future Police played by Andy Lau and the Police played by Big S is very interesting. Of course, it cannot be studied carefully. In fact, there are doubts about the rationality of their love.
A month of love is very sad. When Big S became an old woman, Andy Lau went to visit her, Big S said that he knew him. This sentence can actually be considered a pun, and it has a subtext meaning. It can be imagined that Big S really recognized Andy Lau as her boyfriend whom she had been waiting for for a long time. As for why she didn't say it out loud, maybe it was because she was already old and about to reach the momentum of life. There was no possibility of any love result with Andy Lau. Why do you have to tell such a sad thing? The two faced it regretfully and painfully. Big S and Andy Lau's purpose was not to seek results, but to have it once. A month of love can also prove this.
This kind of love is bitter, so the screenwriter is very clever when dealing with the ending later, allowing this bitterness to touch the audience again, rather than ending the bitterness and eventually breaking into a pale bitter ending. This is the biggest highlight of "The Future Police", and it also proves that this screenwriter is suitable for writing emotional dramas and is not suitable for writing science fiction films.
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