The TV series "The Sound of the Wind" is considered a work with polarized reputation.
The reason for this is that the show is very brain-burning and may make the audience who like it unable to stop, and make the audience who don’t like it directly and angrily persuade them to withdraw.
Obviously, this brain-burning spy war drama is about the audience.
The plot of the beginning revolves around an encrypted transmitter.
The spy warriors have a lot of thoughts on this content.
The two episodes that have been aired have many plot levels, and the characters of each character are basically clear and clear.
Obviously, on this cruise ship, everyone is in a state of fighting wits and courage.
This is a very typical novel creation technique and script narrative show.
Let’s talk about the better side of this kind of show-off.
Whether it is a novel or a script narrative, as long as it presents a high enough IQ logic, it can win the recognition of many readers and audiences.
The current "The Sound of the Wind" can be thought of at least three steps for every character in the plot.
For example, in the plot of the second episode, the two male protagonists developed their own three-step strategy through dialogue.
This forward-looking thinking model is very suitable for some viewers who like brain-burning dramas.
Let’s talk about the disadvantages of showing off script creation.
It is easy to show timidity.
This is the biggest disadvantage.
Because the narrative is logical, there is no problem, but for the sake of the goodness of the story, multiple layers of logic must be created, and there will inevitably be something that cannot be corrected.
If professional audiences are interested, they may find a large number of logical loopholes in "The Sound of the Wind" in the subsequent plot.
The way to find logical loopholes in this type of scripts and TV series is simple, just to do the opposite and not follow the screenwriter's ideas.
The second disadvantage of this kind of show-off is that every character must have a top-level IQ.
Once some lines of an existing character appear are not advanced, they will be ridiculed by everyone.
For example, in "The Wind", when the heroine played by Xu Lu was discovered by Yang Youning, she actually threatened to jump ship.
I guess this meme of jumping ship will become a joke for many viewers.
This scene of jumping ship, no matter how you think about it, how you feel that your IQ is still relatively low.
A brain-burning spy war drama that talks about multiple layers of logic is most afraid of showing timid jokes.
But it will inevitably happen.
This type of drama competes with the audience in terms of IQ.
If the audience is willing to compete with the play, then the TV series will be very popular.
If the hook is not smooth, it is not enough to attract the audience to enter the subsequent plot. Or, the plot has too many logical levels and too many twists and turns, and the audience is unwilling to play with the plot, so they will abandon the drama.
For the current "The Sound of the Wind", it is too competitive with ordinary audiences in terms of narrative language logic, and it is surrounded by three turns rather than one turns, so it is easy for large-scale audiences to abandon the drama.
So, back to a simple and straightforward question, is "The Voice of the Wind" good?
Not good-looking.
A brain-burning TV series is not necessarily a good-looking TV series.
In the TV series "The Sound of the Wind", there are too many contents on the lips and too few scenes put into action.
As long as it is a dialogue line, even if there are many brain-burning things hidden, it is not enough to attract more audiences.
A truly good-looking drama is a drama with conflict. The more intense the conflict, the better the drama will be.
Therefore, among the contents of the TV series "The Sound of the Wind", the role played by Yang Youning is good at killing the Japanese invaders.
But this drama has no IQ.
Another problem with "The Sound of the Wind" is that the performance of the two heroines cannot bear the plot.
In this TV series, whether it is Xu Lu or Wen Janice, they are working hard to learn a typical accent of a spy war drama, making their accent slower and making their lines look stronger.
However, this is a performance of Dong Shi Xiaopin.
Because Xu Lu and Janice Man are working hard to learn a spy-war accent, the characters are dragged and bloated, and they have no vivid temperament.
When learning accent, it is not that the slower the line, the better, but that the words should be straight and round.
Obviously, neither Xu Lu nor Janice Man is enough to achieve a drama-level acting skills.
For this "The Voice of the Wind", it itself is that the dialogue of the lines is greater than the conflicting action, so the requirements for the actors are very strong.
Neither of the two female protagonists can meet this requirement.
Among the plots that have been aired, there are currently no paddling among the male protagonists.
"The Sound of the Wind" can only be said to be high and weak.
This TV series has taken too many turns in dialogue lines, which may cause ordinary audiences to abandon the show too early.
Of course, it is normal for a spy war drama to create a brain-burning state.
But for ordinary audiences, watching TV shows in the living room is just a pastime after dinner. It is always so brain-burning, and many viewers will probably be tired.
In another time and space, the broadcast of the TV series "The Sound of the Wind" can basically be said to have not caused any major response. Although it is adapted from the classic spy war movie "The Sound of the Wind", the two works are completely incomparable!
Although the movie version of "The Sound of the Wind" is only two hours long, the Japanese have made drastic moves around the code-name "Old Ghost" underground party and investigated the main organs of the Wang Puppet Government.
Huang Xiaoming plays the Japanese Takeda and cruelly questioned them.
In the end, only two of the five people were left behind, and Takeda also received the retribution he deserved.
The TV version of "The Sound of the Wind" seems to be much longer, but Xu Lu, who plays Gu Xiaomeng, acts very awkward.
As soon as Gu Xiaomeng got on the boat, she started to do all kinds of things, first of all, she had opinions on being investigated for no reason.
Then when you enter the conference room, you have already put your posture high.
I want to say that any person inside is several levels higher than her.
Did Gu Xiaomeng get mad or was her head clamped by the door?
If I were a Japanese officer, I would have let her meet the King of Hell directly.
What's ridiculous is that just a few words from Gu Xiaomeng, she was released.
What's even more ridiculous is that I thought Gu Xiaomeng's stay would be of great help to decipher the secret telegram, but I didn't expect that from beginning to end, only Li Ningtian was deciphering it.
Gu Xiaomeng in the movie version made several other great masters play around with her.Gu Xiaomeng in the TV series is designed by Jin Shengshui everywhere, if it weren't for Li Ningtian's help.Gu Xiaomeng has long ascended to heaven.
Although the TV version of "The Sound of the Wind" is far from comparable to the movie version of "The Sound of the Wind", if it is adapted now instead of waiting until 2020, will it show a different effect again!
Chen Hao looked at Xu Lu with a smile. If he wanted to make the TV version of "The Sound of the Wind" into a classic, he obviously could not let Xu Lu play the heroine!Xu Lu's acting skills cannot support the character Gu Xiaomeng!
The reason for this is that the show is very brain-burning and may make the audience who like it unable to stop, and make the audience who don’t like it directly and angrily persuade them to withdraw.
Obviously, this brain-burning spy war drama is about the audience.
The plot of the beginning revolves around an encrypted transmitter.
The spy warriors have a lot of thoughts on this content.
The two episodes that have been aired have many plot levels, and the characters of each character are basically clear and clear.
Obviously, on this cruise ship, everyone is in a state of fighting wits and courage.
This is a very typical novel creation technique and script narrative show.
Let’s talk about the better side of this kind of show-off.
Whether it is a novel or a script narrative, as long as it presents a high enough IQ logic, it can win the recognition of many readers and audiences.
The current "The Sound of the Wind" can be thought of at least three steps for every character in the plot.
For example, in the plot of the second episode, the two male protagonists developed their own three-step strategy through dialogue.
This forward-looking thinking model is very suitable for some viewers who like brain-burning dramas.
Let’s talk about the disadvantages of showing off script creation.
It is easy to show timidity.
This is the biggest disadvantage.
Because the narrative is logical, there is no problem, but for the sake of the goodness of the story, multiple layers of logic must be created, and there will inevitably be something that cannot be corrected.
If professional audiences are interested, they may find a large number of logical loopholes in "The Sound of the Wind" in the subsequent plot.
The way to find logical loopholes in this type of scripts and TV series is simple, just to do the opposite and not follow the screenwriter's ideas.
The second disadvantage of this kind of show-off is that every character must have a top-level IQ.
Once some lines of an existing character appear are not advanced, they will be ridiculed by everyone.
For example, in "The Wind", when the heroine played by Xu Lu was discovered by Yang Youning, she actually threatened to jump ship.
I guess this meme of jumping ship will become a joke for many viewers.
This scene of jumping ship, no matter how you think about it, how you feel that your IQ is still relatively low.
A brain-burning spy war drama that talks about multiple layers of logic is most afraid of showing timid jokes.
But it will inevitably happen.
This type of drama competes with the audience in terms of IQ.
If the audience is willing to compete with the play, then the TV series will be very popular.
If the hook is not smooth, it is not enough to attract the audience to enter the subsequent plot. Or, the plot has too many logical levels and too many twists and turns, and the audience is unwilling to play with the plot, so they will abandon the drama.
For the current "The Sound of the Wind", it is too competitive with ordinary audiences in terms of narrative language logic, and it is surrounded by three turns rather than one turns, so it is easy for large-scale audiences to abandon the drama.
So, back to a simple and straightforward question, is "The Voice of the Wind" good?
Not good-looking.
A brain-burning TV series is not necessarily a good-looking TV series.
In the TV series "The Sound of the Wind", there are too many contents on the lips and too few scenes put into action.
As long as it is a dialogue line, even if there are many brain-burning things hidden, it is not enough to attract more audiences.
A truly good-looking drama is a drama with conflict. The more intense the conflict, the better the drama will be.
Therefore, among the contents of the TV series "The Sound of the Wind", the role played by Yang Youning is good at killing the Japanese invaders.
But this drama has no IQ.
Another problem with "The Sound of the Wind" is that the performance of the two heroines cannot bear the plot.
In this TV series, whether it is Xu Lu or Wen Janice, they are working hard to learn a typical accent of a spy war drama, making their accent slower and making their lines look stronger.
However, this is a performance of Dong Shi Xiaopin.
Because Xu Lu and Janice Man are working hard to learn a spy-war accent, the characters are dragged and bloated, and they have no vivid temperament.
When learning accent, it is not that the slower the line, the better, but that the words should be straight and round.
Obviously, neither Xu Lu nor Janice Man is enough to achieve a drama-level acting skills.
For this "The Voice of the Wind", it itself is that the dialogue of the lines is greater than the conflicting action, so the requirements for the actors are very strong.
Neither of the two female protagonists can meet this requirement.
Among the plots that have been aired, there are currently no paddling among the male protagonists.
"The Sound of the Wind" can only be said to be high and weak.
This TV series has taken too many turns in dialogue lines, which may cause ordinary audiences to abandon the show too early.
Of course, it is normal for a spy war drama to create a brain-burning state.
But for ordinary audiences, watching TV shows in the living room is just a pastime after dinner. It is always so brain-burning, and many viewers will probably be tired.
In another time and space, the broadcast of the TV series "The Sound of the Wind" can basically be said to have not caused any major response. Although it is adapted from the classic spy war movie "The Sound of the Wind", the two works are completely incomparable!
Although the movie version of "The Sound of the Wind" is only two hours long, the Japanese have made drastic moves around the code-name "Old Ghost" underground party and investigated the main organs of the Wang Puppet Government.
Huang Xiaoming plays the Japanese Takeda and cruelly questioned them.
In the end, only two of the five people were left behind, and Takeda also received the retribution he deserved.
The TV version of "The Sound of the Wind" seems to be much longer, but Xu Lu, who plays Gu Xiaomeng, acts very awkward.
As soon as Gu Xiaomeng got on the boat, she started to do all kinds of things, first of all, she had opinions on being investigated for no reason.
Then when you enter the conference room, you have already put your posture high.
I want to say that any person inside is several levels higher than her.
Did Gu Xiaomeng get mad or was her head clamped by the door?
If I were a Japanese officer, I would have let her meet the King of Hell directly.
What's ridiculous is that just a few words from Gu Xiaomeng, she was released.
What's even more ridiculous is that I thought Gu Xiaomeng's stay would be of great help to decipher the secret telegram, but I didn't expect that from beginning to end, only Li Ningtian was deciphering it.
Gu Xiaomeng in the movie version made several other great masters play around with her.Gu Xiaomeng in the TV series is designed by Jin Shengshui everywhere, if it weren't for Li Ningtian's help.Gu Xiaomeng has long ascended to heaven.
Although the TV version of "The Sound of the Wind" is far from comparable to the movie version of "The Sound of the Wind", if it is adapted now instead of waiting until 2020, will it show a different effect again!
Chen Hao looked at Xu Lu with a smile. If he wanted to make the TV version of "The Sound of the Wind" into a classic, he obviously could not let Xu Lu play the heroine!Xu Lu's acting skills cannot support the character Gu Xiaomeng!
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