Although I can't compare with senior Joey Wong, I believe that as long as I work hard, I can still leave a unique role in the Korean film industry in the future.As for Lin Xiujing, she didn't mention it, after all, the other party didn't say bad things about her!
You are simply overestimating yourself with Senior Wang Zuxian.Park Han-sung looked at Jung Yu-mi with disdain!
But Chen Hao knew that although Cheng Yu-mi was not comparable to Joey Wong, she was also considered the best actress in the Korean entertainment industry!
Moreover, Chen Hao was able to know Cheng Yumi because of a movie, and before that movie, Chen Hao could be said to have no idea Cheng Yumi at all!
And the movie that made her truly remember this Korean actress was "Train to Busan"!
It is said that "Train to Busan" represents the highest level of Asian zombie films!Chen Hao felt that this sentence was not groundless or the local self-interest of Korean movies, but that he really deserved this evaluation!
As one of the Eastern countries, South Korea naturally cannot fall behind. In 2016, before Chen Hao's rebirth, South Korean director Yeon Sang-ho directed a zombie movie called "Train to Busan". Once this film was released, it caused a sensation in Asia.
Zombie films were once unique to European and American movies. Although Asian movies have also followed the trend and created several zombie movies...
In the impression of many people born in the 1980s and 1990s, in the era when DVDs are more popular, horror films, zombie films, and Hong Kong films are more popular, such as "The Old Corpse of the Mountain Village", "Ghost Domain", "Double Eyes", etc., which are all relatively classic horror films in Hong Kong.
In the traditional Chinese zombie style, they wore official costumes from the Qing Dynasty and had no way to walk, so they could only jump forward. If they wanted to control the zombies, they could only ask Taoist priests to draw talismans and stick them on their foreheads before they could stop.
With the development of technology, some European and American zombie films have gradually begun to enter the country. They use novel forms and exciting visual effects to win the audience's love.
As one of the Eastern countries, South Korea naturally cannot fall behind. In 2016, South Korean director Yeon Sang-ho directed a zombie movie called "Train to Busan". Once this film was released, it caused a sensation in Asia.
Zombie films were once unique to European and American movies. Although Asian movies have also followed the trend and created several zombie movies, because of the unique cultural atmosphere of Asians, it is difficult for us to accept the fear of the doomsday scene created by European and American moviegoers on the big screen.
In classic European and American zombie movies, they are often a brave individual hero who accidentally enters a closed space and engages in a hand-to-hand battle with the zombies.
Once, flesh and blood flew across the screen, and broken arms and limbs became the most intuitive visual stimulation to the audience in front of the screen.
This kind of direct emotional expressions such as fear, hatred, anger, and anger of the audience in front of the screen through shocking visual and auditory effects, as well as the confrontation between heroic protagonists on the screen and the ruthless zombies, has become a classic model of European and American zombie movies, represented by "A Beyond the Dawn".
However, the key to the fact that the film "Travel to Busan" can be recognized by Asian audiences is not that it creates a zombie story with shocking audio-visual effects, based on Asia, but that director Yan Xianghao, who has added modern oriental exploration and thinking about the dark side of human nature in this classic European and American zombie model.
At the beginning of this film, the director uses a very realistic film language to reproduce the thinking logic and behavioral methods that are completely consistent with ordinary people's daily lives, and will substitute the audience into the big screen story from a normal perspective.
The introduction of this unique perspective laid the foundation for the sublimation of the final theme of this zombie film.
At the beginning of the film, the life of the protagonist Shi Yu made the audience in front of the screen familiar with each other. The phone calls kept making noise and the customers kept making noise.
In order to devote himself to his work, his relationship with his wife has become increasingly distant and is preparing for a divorce.
Even when he was performing a show by his beloved daughter, he could not be a qualified audience. Although he lived in a mansion and drove a luxury car in the form of life, his relationship with his family became increasingly distant.
Material abundance and spiritual lack are reflected together on Shi Yu's tired and indifferent expression.
This is something that has to be praised by the actor Kong Yoo's acting skills. He used only a few subtle expressions and body movements to truly reproduce the image of a middle-class struggling in the midlife crisis on the screen.
In the end, Shi Yu and his daughter Xiu'an, who had the only emotional bond left in the world, made him embark on this journey to Busan with his daughter's broken human nature as a birthday gift to satisfy her.
The director sets the story on the high-speed train that marks modern civilization. In the use of the film language of this film, the director often switches the picture back and forth between the high-speed train and the high-speed zombies so that the audience can understand more clearly. These fast-moving zombies are to a certain extent the product of the slight deviation in modern civilization. They no longer have thoughts, emotions, or even pain. Their appeal to this world is only to satisfy their infinite greedy desires through vision and hearing.
But when these terrible desires are no longer subject to the system, these zombies are like crazy people who have practiced the magical skill of modern civilization.
In the film, the director does not set an absolutely opposite to the zombie army.
People such as Shi Yu, Shang Hua, Jin Changwu, etc. are more like various products and semi-finished products in the process of modern civilization. Although they are not as crazy as zombies, they still have obvious traces of being carved by modern civilization.
Especially in the protagonist Shi Yu, he exudes the indifference and alienation of a successful person at the beginning of the film. If zombies are the product of modern civilization's obsession, then Shi Yu and Jin Changfu are definitely the standard products created by modern civilized society.
They were all exquisite egoists at the beginning. In times of crisis, they first took care of themselves, then considered others, and even sacrificed others for themselves.
Compared with the same European and American movies, the biggest difference between this Korean zombie film is that there are no modern weapons that are powerful lethal to zombies in this film, and there is no top hero educated by modern civilization.
Everyone in the film is looking for the truest selves deep in his heart, hidden by modern civilization, and sealed by desire for a long time in the process of the collapse of a civilized society.
On the screen, the fear brought to the audience by zombies comes from the intuitive sensory stimulation conveyed by their strong contagiousness and indiscriminate aggression. The madness of these zombies has been evolved by the director on the screen into a violent operation to tear the veil of human nature.
When facing the crazy impact of zombies, the selfishness, greed and cowardice of human nature are clearly revealed by the director.
Shi Yu taught her daughter that the first thing she should think of in a special period was herself. Shang Hua, who disdained Shi Yu, also found a seat for her on the grounds that her wife was pregnant. In the end, Jin Changfu became the representative of the ultimate darkness of human nature.
Some viewers commented that at the end of the film, I would like to thank the director for not killing him.
And that's because Xiu'an sang a song to his father who sacrificed his life for him, and without a shot, it should be the redemption of human love for humanity.
This should also be the key to the image-filmed Korean zombie film that can sweep Asia.
On the screen, what shocks the audience is not the madness of zombies, but the collapse of human nature.
It is hard for people not to love such a movie. Even a person like Chen Hao who has a picky eye for movies has to admit that "Train to Busan" is a masterpiece. It is precisely because of this masterpiece that Chen Hao remembers the Korean actress Zheng Yumi in front of him!
Although the movie "Train to Busan" has not been made yet, it does not affect his appreciation of the actress Cheng Yumi's acting skills!
You are simply overestimating yourself with Senior Wang Zuxian.Park Han-sung looked at Jung Yu-mi with disdain!
But Chen Hao knew that although Cheng Yu-mi was not comparable to Joey Wong, she was also considered the best actress in the Korean entertainment industry!
Moreover, Chen Hao was able to know Cheng Yumi because of a movie, and before that movie, Chen Hao could be said to have no idea Cheng Yumi at all!
And the movie that made her truly remember this Korean actress was "Train to Busan"!
It is said that "Train to Busan" represents the highest level of Asian zombie films!Chen Hao felt that this sentence was not groundless or the local self-interest of Korean movies, but that he really deserved this evaluation!
As one of the Eastern countries, South Korea naturally cannot fall behind. In 2016, before Chen Hao's rebirth, South Korean director Yeon Sang-ho directed a zombie movie called "Train to Busan". Once this film was released, it caused a sensation in Asia.
Zombie films were once unique to European and American movies. Although Asian movies have also followed the trend and created several zombie movies...
In the impression of many people born in the 1980s and 1990s, in the era when DVDs are more popular, horror films, zombie films, and Hong Kong films are more popular, such as "The Old Corpse of the Mountain Village", "Ghost Domain", "Double Eyes", etc., which are all relatively classic horror films in Hong Kong.
In the traditional Chinese zombie style, they wore official costumes from the Qing Dynasty and had no way to walk, so they could only jump forward. If they wanted to control the zombies, they could only ask Taoist priests to draw talismans and stick them on their foreheads before they could stop.
With the development of technology, some European and American zombie films have gradually begun to enter the country. They use novel forms and exciting visual effects to win the audience's love.
As one of the Eastern countries, South Korea naturally cannot fall behind. In 2016, South Korean director Yeon Sang-ho directed a zombie movie called "Train to Busan". Once this film was released, it caused a sensation in Asia.
Zombie films were once unique to European and American movies. Although Asian movies have also followed the trend and created several zombie movies, because of the unique cultural atmosphere of Asians, it is difficult for us to accept the fear of the doomsday scene created by European and American moviegoers on the big screen.
In classic European and American zombie movies, they are often a brave individual hero who accidentally enters a closed space and engages in a hand-to-hand battle with the zombies.
Once, flesh and blood flew across the screen, and broken arms and limbs became the most intuitive visual stimulation to the audience in front of the screen.
This kind of direct emotional expressions such as fear, hatred, anger, and anger of the audience in front of the screen through shocking visual and auditory effects, as well as the confrontation between heroic protagonists on the screen and the ruthless zombies, has become a classic model of European and American zombie movies, represented by "A Beyond the Dawn".
However, the key to the fact that the film "Travel to Busan" can be recognized by Asian audiences is not that it creates a zombie story with shocking audio-visual effects, based on Asia, but that director Yan Xianghao, who has added modern oriental exploration and thinking about the dark side of human nature in this classic European and American zombie model.
At the beginning of this film, the director uses a very realistic film language to reproduce the thinking logic and behavioral methods that are completely consistent with ordinary people's daily lives, and will substitute the audience into the big screen story from a normal perspective.
The introduction of this unique perspective laid the foundation for the sublimation of the final theme of this zombie film.
At the beginning of the film, the life of the protagonist Shi Yu made the audience in front of the screen familiar with each other. The phone calls kept making noise and the customers kept making noise.
In order to devote himself to his work, his relationship with his wife has become increasingly distant and is preparing for a divorce.
Even when he was performing a show by his beloved daughter, he could not be a qualified audience. Although he lived in a mansion and drove a luxury car in the form of life, his relationship with his family became increasingly distant.
Material abundance and spiritual lack are reflected together on Shi Yu's tired and indifferent expression.
This is something that has to be praised by the actor Kong Yoo's acting skills. He used only a few subtle expressions and body movements to truly reproduce the image of a middle-class struggling in the midlife crisis on the screen.
In the end, Shi Yu and his daughter Xiu'an, who had the only emotional bond left in the world, made him embark on this journey to Busan with his daughter's broken human nature as a birthday gift to satisfy her.
The director sets the story on the high-speed train that marks modern civilization. In the use of the film language of this film, the director often switches the picture back and forth between the high-speed train and the high-speed zombies so that the audience can understand more clearly. These fast-moving zombies are to a certain extent the product of the slight deviation in modern civilization. They no longer have thoughts, emotions, or even pain. Their appeal to this world is only to satisfy their infinite greedy desires through vision and hearing.
But when these terrible desires are no longer subject to the system, these zombies are like crazy people who have practiced the magical skill of modern civilization.
In the film, the director does not set an absolutely opposite to the zombie army.
People such as Shi Yu, Shang Hua, Jin Changwu, etc. are more like various products and semi-finished products in the process of modern civilization. Although they are not as crazy as zombies, they still have obvious traces of being carved by modern civilization.
Especially in the protagonist Shi Yu, he exudes the indifference and alienation of a successful person at the beginning of the film. If zombies are the product of modern civilization's obsession, then Shi Yu and Jin Changfu are definitely the standard products created by modern civilized society.
They were all exquisite egoists at the beginning. In times of crisis, they first took care of themselves, then considered others, and even sacrificed others for themselves.
Compared with the same European and American movies, the biggest difference between this Korean zombie film is that there are no modern weapons that are powerful lethal to zombies in this film, and there is no top hero educated by modern civilization.
Everyone in the film is looking for the truest selves deep in his heart, hidden by modern civilization, and sealed by desire for a long time in the process of the collapse of a civilized society.
On the screen, the fear brought to the audience by zombies comes from the intuitive sensory stimulation conveyed by their strong contagiousness and indiscriminate aggression. The madness of these zombies has been evolved by the director on the screen into a violent operation to tear the veil of human nature.
When facing the crazy impact of zombies, the selfishness, greed and cowardice of human nature are clearly revealed by the director.
Shi Yu taught her daughter that the first thing she should think of in a special period was herself. Shang Hua, who disdained Shi Yu, also found a seat for her on the grounds that her wife was pregnant. In the end, Jin Changfu became the representative of the ultimate darkness of human nature.
Some viewers commented that at the end of the film, I would like to thank the director for not killing him.
And that's because Xiu'an sang a song to his father who sacrificed his life for him, and without a shot, it should be the redemption of human love for humanity.
This should also be the key to the image-filmed Korean zombie film that can sweep Asia.
On the screen, what shocks the audience is not the madness of zombies, but the collapse of human nature.
It is hard for people not to love such a movie. Even a person like Chen Hao who has a picky eye for movies has to admit that "Train to Busan" is a masterpiece. It is precisely because of this masterpiece that Chen Hao remembers the Korean actress Zheng Yumi in front of him!
Although the movie "Train to Busan" has not been made yet, it does not affect his appreciation of the actress Cheng Yumi's acting skills!
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