The seemingly endless theory course finally came to an end.
The later I went, the more I felt like a duck-cao hall in the classroom.
In almost all performing arts schools, the main theme that hates theoretical courses will always linger like a death knell.
Performing arts technology can be said to be a kind of talent, a kind of memory of body, and is by no means an externalization of theory.
Therefore, the more you learn theory, the more you will kill the practice of performing arts.
The students in the training class could not bear the nonsense of the professors who farted but did not file taxes. When they officially entered the performance practice class this day, the classroom, which had already skipped classes and spread like a scar on Ah Q's head, unexpectedly appeared in the classroom.
Shaby brought the students to the indoor basketball court of the Junior Sports School, where she taught performance classes.
This was the first time Shabby stood in front of the students.
She had always worried that she would not be able to suppress the students who were erected below like those respected professors, but when she brought the students into the court, she found that the students had surprising rules.
She could feel that the bright and youthful eyes were concentrated on her body, making her feel a little uncomfortable and uncomfortable all over her body.
But after all, she had stage training and participated in modeling performances when she was in the branch of Yi Hundred Company, and she quickly calmed down.
She had previously conducted a short training session in the Cultural Palace for a period of time, and a teacher from Shanghai Theatre Academy was responsible for performing performance training for them.Although that period was short, it was very useful.
The Shanghai Theatre Academy's efforts to revitalize Shanghai-style literature and art in the Chinese entertainment industry seem to have not been fulfilled.
Although they tried to make some kind of competition with the Central Academy of Drama and the Film Academy, the efforts of the Shanghai Theatre were never able to achieve the unique scenery of the Shanghai School back then.
The decline of Shanghai schools means the decline of the cultural content of Shanghai, an open city.
The unique invincible ability of Shanghai-style literature and art back then was formed by its special geographical location closest to Western culture.
And for a period of time, the continuous infusion of Western culture disappeared, and the dregs of Shanghai's literature and art were filled with its vulgarity and mercy. This representative figure was Wang Anyi.
This woman, who was mostly excluded from the regional life of Shanghai, hurriedly returned to the city of Shanghai from the countryside of Xuzhou where she was in the lineup, and also brought the rural manure and vulgarity into Shanghai's culture.
The charm and fashion of Shanghai are completely lost in Wang Anyi's world.
There are no male writers in Shanghai, only a few women without femininity, wandering around the city like fickle snakes, twisting non-bright curves.
Wang Anyi's descendants can only clone Wei Hui, the author of "Shanghai Baby", like single-cell inheritance.
And there is no male writer in Shanghai that is worthy of self-breeding.
Shanghai is increasingly losing the right to speak in art.
The Shanghai Theatre Academy laughedly set up a director course because Zhang Junxiang, the former director of the Shanghai Film Bureau and the director of "The Legend of Chicken", sensitively realized that the directors trained by the Beijing Film Academy are far away from Hollywood and run contrary to China's entertainment and film industry. The style tradition of Hollywood films that Shanghai has always inherited is absolutely not needed to mislead people's children.
However, Shanghai is no longer the same as before. The Shanghai School can no longer cultivate its successors. In the end, the students of this director class got up to rebel. They invited teachers from the Beijing Film Academy to calm down the last efforts of Shanghai School literature and art. The students volunteered and took a dose of chronic poison prescribed by the Film Academy to ruin Chinese films.
Shanghai Art, even though you know that the film school is a chronic poison, you cannot refuse its entrance. After all, it is a poison that seems delicious and feels at ease when you eat it.
The source of death of Chinese films is in the film academy, but refusing to the film academy will only speed up death. This is the vicious circle of Chinese films.
Because this theory is often pulled by Director Zhao Tugen, artists like Shabi who often follow Director Zhao can be familiar with it.
As soon as students from the Film Academy entered the incineration pond of Shanghai movies, they melted in their mouths like Suzhou's entrance crispy.
Fortunately, the teachers at Shanghai Theatre Academy will not make mistakes in basic performance theory at least. The set of performance theories learned by Shabby can also guide a new student to avoid detours in the way of getting started.
Shabby returned home last night and found out the class notes from the past in the training class.
In her box, there are only some book-like things I keep, and these are the learning records I learned in the training class back then.
She has been reluctant to burn them.
Looking at the carefully handwriting on it, she seemed to have returned to the fresh and sad girlhood.
Time disappeared without mercy. Did the girl who was so eager to do it yesterday still exist in a corner of the world?
Maybe, but that girl is definitely not the one in front of her.
Her thoughts jumped far away and could hardly read her own records. It was not until a long time before she calmed down and reviewed the past one by one.
Therefore, her first class today was completely repeated according to the content taught by the Shanghai Theater teacher.
Shabi asked the boys and girls to divide them into two columns, and then she evacuated the two columns and raked the balls, allowing the boys and girls to merge in an interlaced manner and stand in a column.
The boys and girls laughed and completed the teacher's instructions. Finally, they ranked in line, and there were a few more girls than boys.
It can be said that girls have more talent and talent in acting than boys, and their potential to show up in the Chinese entertainment industry is obviously greater than that of boys.
What is the reason for this?
Shabby never thought that sometimes, the limelight of actresses only shows that this society is a patriarchal society, and the value orientation of men dominates the performance trend of women.
Just as the current advertisements mostly show beautiful women's poses, it does not mean that women are born to show off, but it is because men in front of the screen are more likely to accept women's offense and defense.
Shabi then ordered the boys and girls to connect hand in hand. When the boys and girls started, they were a little shy and embarrassed, and they laughed with food. The atmosphere was warm for a while.
Shabby knew that the most important thing in her acting career was to eliminate the shyness between men and women.She firmly ordered everyone to help.
The girls gritted their teeth, hid their shy expressions, and stretched out their hands timidly. The boys were not as good as they were, and they didn't have the courage to hold the girl's hand.
They are all pure.Shabby thought in his heart.
But performing arts is to remove the initial purity, eliminate the inner guards, and let the actors disappear, and become a panacea prop to shape characters.
Hold it?
Shabby said infectiously, and she repeated the expression and tone of the teacher of Shanghai Theatre in a row, holding it tightly, as if you were on the beach, and there were surging waves coming from afar. You were closely connected and couldn't relax. You have forgotten your gender, and only the danger in front of you, telling you, you can't let go.
She is inspiring students to produce particularly important physical imaginations in the performing arts.
Boys and girls, like positive and negative electrons, have an overestimation and expectation of the sparks generated by collisions that are both eager and instinctively afraid of.
But in fact, when you really come into contact, it is far less terrifying than you imagined, and it is not particularly warm.
The gap in electrical energy between men and women may be an imagination product, and when it comes into contact, the excitement and tension before contact will soon disappear.
The boys and girls gradually adapted to the feeling of shaking hands.
The later I went, the more I felt like a duck-cao hall in the classroom.
In almost all performing arts schools, the main theme that hates theoretical courses will always linger like a death knell.
Performing arts technology can be said to be a kind of talent, a kind of memory of body, and is by no means an externalization of theory.
Therefore, the more you learn theory, the more you will kill the practice of performing arts.
The students in the training class could not bear the nonsense of the professors who farted but did not file taxes. When they officially entered the performance practice class this day, the classroom, which had already skipped classes and spread like a scar on Ah Q's head, unexpectedly appeared in the classroom.
Shaby brought the students to the indoor basketball court of the Junior Sports School, where she taught performance classes.
This was the first time Shabby stood in front of the students.
She had always worried that she would not be able to suppress the students who were erected below like those respected professors, but when she brought the students into the court, she found that the students had surprising rules.
She could feel that the bright and youthful eyes were concentrated on her body, making her feel a little uncomfortable and uncomfortable all over her body.
But after all, she had stage training and participated in modeling performances when she was in the branch of Yi Hundred Company, and she quickly calmed down.
She had previously conducted a short training session in the Cultural Palace for a period of time, and a teacher from Shanghai Theatre Academy was responsible for performing performance training for them.Although that period was short, it was very useful.
The Shanghai Theatre Academy's efforts to revitalize Shanghai-style literature and art in the Chinese entertainment industry seem to have not been fulfilled.
Although they tried to make some kind of competition with the Central Academy of Drama and the Film Academy, the efforts of the Shanghai Theatre were never able to achieve the unique scenery of the Shanghai School back then.
The decline of Shanghai schools means the decline of the cultural content of Shanghai, an open city.
The unique invincible ability of Shanghai-style literature and art back then was formed by its special geographical location closest to Western culture.
And for a period of time, the continuous infusion of Western culture disappeared, and the dregs of Shanghai's literature and art were filled with its vulgarity and mercy. This representative figure was Wang Anyi.
This woman, who was mostly excluded from the regional life of Shanghai, hurriedly returned to the city of Shanghai from the countryside of Xuzhou where she was in the lineup, and also brought the rural manure and vulgarity into Shanghai's culture.
The charm and fashion of Shanghai are completely lost in Wang Anyi's world.
There are no male writers in Shanghai, only a few women without femininity, wandering around the city like fickle snakes, twisting non-bright curves.
Wang Anyi's descendants can only clone Wei Hui, the author of "Shanghai Baby", like single-cell inheritance.
And there is no male writer in Shanghai that is worthy of self-breeding.
Shanghai is increasingly losing the right to speak in art.
The Shanghai Theatre Academy laughedly set up a director course because Zhang Junxiang, the former director of the Shanghai Film Bureau and the director of "The Legend of Chicken", sensitively realized that the directors trained by the Beijing Film Academy are far away from Hollywood and run contrary to China's entertainment and film industry. The style tradition of Hollywood films that Shanghai has always inherited is absolutely not needed to mislead people's children.
However, Shanghai is no longer the same as before. The Shanghai School can no longer cultivate its successors. In the end, the students of this director class got up to rebel. They invited teachers from the Beijing Film Academy to calm down the last efforts of Shanghai School literature and art. The students volunteered and took a dose of chronic poison prescribed by the Film Academy to ruin Chinese films.
Shanghai Art, even though you know that the film school is a chronic poison, you cannot refuse its entrance. After all, it is a poison that seems delicious and feels at ease when you eat it.
The source of death of Chinese films is in the film academy, but refusing to the film academy will only speed up death. This is the vicious circle of Chinese films.
Because this theory is often pulled by Director Zhao Tugen, artists like Shabi who often follow Director Zhao can be familiar with it.
As soon as students from the Film Academy entered the incineration pond of Shanghai movies, they melted in their mouths like Suzhou's entrance crispy.
Fortunately, the teachers at Shanghai Theatre Academy will not make mistakes in basic performance theory at least. The set of performance theories learned by Shabby can also guide a new student to avoid detours in the way of getting started.
Shabby returned home last night and found out the class notes from the past in the training class.
In her box, there are only some book-like things I keep, and these are the learning records I learned in the training class back then.
She has been reluctant to burn them.
Looking at the carefully handwriting on it, she seemed to have returned to the fresh and sad girlhood.
Time disappeared without mercy. Did the girl who was so eager to do it yesterday still exist in a corner of the world?
Maybe, but that girl is definitely not the one in front of her.
Her thoughts jumped far away and could hardly read her own records. It was not until a long time before she calmed down and reviewed the past one by one.
Therefore, her first class today was completely repeated according to the content taught by the Shanghai Theater teacher.
Shabi asked the boys and girls to divide them into two columns, and then she evacuated the two columns and raked the balls, allowing the boys and girls to merge in an interlaced manner and stand in a column.
The boys and girls laughed and completed the teacher's instructions. Finally, they ranked in line, and there were a few more girls than boys.
It can be said that girls have more talent and talent in acting than boys, and their potential to show up in the Chinese entertainment industry is obviously greater than that of boys.
What is the reason for this?
Shabby never thought that sometimes, the limelight of actresses only shows that this society is a patriarchal society, and the value orientation of men dominates the performance trend of women.
Just as the current advertisements mostly show beautiful women's poses, it does not mean that women are born to show off, but it is because men in front of the screen are more likely to accept women's offense and defense.
Shabi then ordered the boys and girls to connect hand in hand. When the boys and girls started, they were a little shy and embarrassed, and they laughed with food. The atmosphere was warm for a while.
Shabby knew that the most important thing in her acting career was to eliminate the shyness between men and women.She firmly ordered everyone to help.
The girls gritted their teeth, hid their shy expressions, and stretched out their hands timidly. The boys were not as good as they were, and they didn't have the courage to hold the girl's hand.
They are all pure.Shabby thought in his heart.
But performing arts is to remove the initial purity, eliminate the inner guards, and let the actors disappear, and become a panacea prop to shape characters.
Hold it?
Shabby said infectiously, and she repeated the expression and tone of the teacher of Shanghai Theatre in a row, holding it tightly, as if you were on the beach, and there were surging waves coming from afar. You were closely connected and couldn't relax. You have forgotten your gender, and only the danger in front of you, telling you, you can't let go.
She is inspiring students to produce particularly important physical imaginations in the performing arts.
Boys and girls, like positive and negative electrons, have an overestimation and expectation of the sparks generated by collisions that are both eager and instinctively afraid of.
But in fact, when you really come into contact, it is far less terrifying than you imagined, and it is not particularly warm.
The gap in electrical energy between men and women may be an imagination product, and when it comes into contact, the excitement and tension before contact will soon disappear.
The boys and girls gradually adapted to the feeling of shaking hands.
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