Liu Sisi hasn't seen Shabi in the training class for a long time.
In recent times, the class invited a middle-aged woman named Tong, who had tutored students from the Cultural Palace where Shabby was.
As the tutorial deepened, Shabby might feel that she was unable to take on the position of teacher, so she invited Teacher Tong, who was retired at home.
Teacher Tong is not tall, like an elderly woman in Shanghai, with a obviously fatter figure and close to a thin oil cylinder. However, once she performs movements, she is full of dynamics. She can’t perform many difficult movements, but every move and gesture is very charming. Every day in class, she feels like she is playing with a bunch of children, and the students feel quite rewarding.
She was not strict, but when her tone rose, she felt a special deterrence, so the students seemed to have fun, but there was a sense of awe for her inside.
The training classes gradually entered the formal channels.
Liu Sisi liked such a class very much, and she felt that she was in love with acting.
Maybe it was the same teaching system that teacher followed. When Teacher Tong was in class, he basically explained the basic principles of Shabi's original teaching.This may be the introductory rule of acting career.
Teacher Tong said that to be an actor, there must be two types of non-nothing, one is shameless and the other is selfless.
Shamelessness means abandoning various precepts and dogmas, including constraints of various prejudices and ideas. There is no concept of shame in the actor's dictionary (as mentioned above, this is also the real reason why actors have been despised for many years. It is not that actors have a difficult life or are naturally lowly. In the Chinese cultural system, this innate characteristic of actors is contrary to the faithful morality believed by the Chinese. This is also considered a congenital occupational damage to the actors. However, if this damage is insignificant to the rich interests of this profession, then actors are still a hot profession).
No self means that there is no self. As an actor, you must abandon yourself, restore yourself to a blank piece of paper, and then shape other people's roles on yourself.
Teacher Tong's kindness and affection made her two people quite harsh at first hearing, but they were quite convincing.
She took over Shabi's teaching process and tested the students' relaxation and control abilities as soon as she came. She let the boys and girls sit upright as a Buddha statue, and sometimes roll and bark underground like puppies to train the students' shaping ability.
The atmosphere in the classroom is happy and interesting.
Next, Teacher Tong paid great attention to cultivating students' imagination of movements.
Just as writing is an imagination of language, performance is actually about using oneself as a pen and twisting one's own body to express one's imagination.
Only after the bleaching of the precepts of Shamelessness + Non-self can students have imagination, draw a picture of interpretation, and use their own body to create the image of others.
Liu Sisi has always been relatively lighter with Xie Beihua in secret. In her eyes, Xie Beihua is too prominent.
She had a natural acting temperament. In a short time, Teacher Tong also discovered Xie Beihua's unique acting talent.
Liu Sisi had a strong impulse in her heart.
She envied Xie Beihua's natural temperament and unique performance imagination, but she was not jealous. She felt that Xie Beihua could do well and she could do it completely.
Xie Beihua has a cold and noble feeling. Her smile is always pale. She will joke with the girls, but anyone can feel her restraint and calmness.
She rushed to class and then left in a hurry, rarely having any conversations with the girls in her class.
Where there are many girls, there are many conflicts.
The girl still doesn't know how to hide her worldly style, so in mutual contact, she relies on strength, selfishness, greed for small gains, and loves vain, which has caused many internal factions and conflicts among the students.
Just like the usual sets of small sets in training grounds, there are always some spoiled girls who stand aside and give commanders, asking other girls to do the kind of porter work.
Even the position during normal training has become the target for girls. The people in front of me are blocking me and standing in the back row. These trivial matters are always the main theme of girls chattering.
When we were snatching props and costumes, we even snatched them, and everyone wanted beautiful and fashionable clothes.
Among them, Xie Beihua always convinced everyone with her cold and arrogant temperament, and she seemed to have occupied the best training resource.
The girl was dissatisfied with her behind her back and kept her away. Xie Beihua didn't care. She liked to show her uniqueness immediately.
Liu Sisi envied her and didn't like her.However, an imagination training course changed her perception.
In recent times, the class invited a middle-aged woman named Tong, who had tutored students from the Cultural Palace where Shabby was.
As the tutorial deepened, Shabby might feel that she was unable to take on the position of teacher, so she invited Teacher Tong, who was retired at home.
Teacher Tong is not tall, like an elderly woman in Shanghai, with a obviously fatter figure and close to a thin oil cylinder. However, once she performs movements, she is full of dynamics. She can’t perform many difficult movements, but every move and gesture is very charming. Every day in class, she feels like she is playing with a bunch of children, and the students feel quite rewarding.
She was not strict, but when her tone rose, she felt a special deterrence, so the students seemed to have fun, but there was a sense of awe for her inside.
The training classes gradually entered the formal channels.
Liu Sisi liked such a class very much, and she felt that she was in love with acting.
Maybe it was the same teaching system that teacher followed. When Teacher Tong was in class, he basically explained the basic principles of Shabi's original teaching.This may be the introductory rule of acting career.
Teacher Tong said that to be an actor, there must be two types of non-nothing, one is shameless and the other is selfless.
Shamelessness means abandoning various precepts and dogmas, including constraints of various prejudices and ideas. There is no concept of shame in the actor's dictionary (as mentioned above, this is also the real reason why actors have been despised for many years. It is not that actors have a difficult life or are naturally lowly. In the Chinese cultural system, this innate characteristic of actors is contrary to the faithful morality believed by the Chinese. This is also considered a congenital occupational damage to the actors. However, if this damage is insignificant to the rich interests of this profession, then actors are still a hot profession).
No self means that there is no self. As an actor, you must abandon yourself, restore yourself to a blank piece of paper, and then shape other people's roles on yourself.
Teacher Tong's kindness and affection made her two people quite harsh at first hearing, but they were quite convincing.
She took over Shabi's teaching process and tested the students' relaxation and control abilities as soon as she came. She let the boys and girls sit upright as a Buddha statue, and sometimes roll and bark underground like puppies to train the students' shaping ability.
The atmosphere in the classroom is happy and interesting.
Next, Teacher Tong paid great attention to cultivating students' imagination of movements.
Just as writing is an imagination of language, performance is actually about using oneself as a pen and twisting one's own body to express one's imagination.
Only after the bleaching of the precepts of Shamelessness + Non-self can students have imagination, draw a picture of interpretation, and use their own body to create the image of others.
Liu Sisi has always been relatively lighter with Xie Beihua in secret. In her eyes, Xie Beihua is too prominent.
She had a natural acting temperament. In a short time, Teacher Tong also discovered Xie Beihua's unique acting talent.
Liu Sisi had a strong impulse in her heart.
She envied Xie Beihua's natural temperament and unique performance imagination, but she was not jealous. She felt that Xie Beihua could do well and she could do it completely.
Xie Beihua has a cold and noble feeling. Her smile is always pale. She will joke with the girls, but anyone can feel her restraint and calmness.
She rushed to class and then left in a hurry, rarely having any conversations with the girls in her class.
Where there are many girls, there are many conflicts.
The girl still doesn't know how to hide her worldly style, so in mutual contact, she relies on strength, selfishness, greed for small gains, and loves vain, which has caused many internal factions and conflicts among the students.
Just like the usual sets of small sets in training grounds, there are always some spoiled girls who stand aside and give commanders, asking other girls to do the kind of porter work.
Even the position during normal training has become the target for girls. The people in front of me are blocking me and standing in the back row. These trivial matters are always the main theme of girls chattering.
When we were snatching props and costumes, we even snatched them, and everyone wanted beautiful and fashionable clothes.
Among them, Xie Beihua always convinced everyone with her cold and arrogant temperament, and she seemed to have occupied the best training resource.
The girl was dissatisfied with her behind her back and kept her away. Xie Beihua didn't care. She liked to show her uniqueness immediately.
Liu Sisi envied her and didn't like her.However, an imagination training course changed her perception.
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