Shabby drove the car and drove south along the same Shanghai road.She pressed the speaker switch and immediately heard a cynical cry of "Who do you love":
Please give me a chance
Don't say it doesn't matter to love anymore
If love is perfect
Let us face it with sincerity
Please give me a chance
Don't say it doesn't matter to love anymore
Leave too much sadness
Tell me who you love
Tell me who you love, Shabby repeated this phrase in her heart, but she immediately thought of who should she ask?
So, Shabby quickly pulled away from the sad and indignant mood of the lyrics, and just immersed himself in the anxious, inseparable, fragile melody of the song's ups and downs at an untouchable height.
Getting off the viaduct, Shabby quickly walked around to the back door parking lot of the Hongpin Hotel. The roads were as congested as ever. Shanghai has been working on infrastructure work in recent years, and it seems that she has never felt like she was not a construction site for a day.
After parking, she tiptoed. Because the vehicles were driving from the construction site full of soil, the soil brought over polluted the ground in the parking lot. Shabby was worried that the mud on the ground would stain her beloved hot pants, so she walked with great care.
When I arrived on the set, only the little makeup artist Xiaotu arrived.Shabi hurriedly asked her, "Director Zhao is here?"
Xiaotu said, "Not yet, the driver Xiaoqian just drove to pick him up."
The driver Xiaoqian is Qian Shengchan's nephew, and he is also one of the two photographers on the set.
Xiao Qian turned out to be Qian Shengchan's hometown. After graduating from high school, Lao Qian found him a taxi business in Shanghai. Later, the filming of A-film was fully launched and manpower was required, so Qian Shengchan asked Xiao Qian to drive a special car for him.
Due to insufficient shooting staff, Lao Qian asked Xiao Qian to learn photography with another professional photographer. This guy was smart. It didn't take long to master the camera and reserved a professional photography talent for Lao Qian.
The main photographer Wu Dazhi, who is 45 or 46 years old, used to work in a trade union of a shipyard in Shanghai. He always loves photography. In the past, many photos have participated in various film exhibitions held by the city. The photographic work "We Workers Are Powerful" has also won the silver medal at the 4th National Youth Photography Exhibition, which is the highest achievement he has achieved.
There is a camera in the factory, and Wu Dazhi naturally became the photographer who manipulated the machine.
But later, the factory became more and more recession. Wu Dazhi often went out to walk, took wedding photography for others, and also scrambled to shoot some emergencies on the streets of Shanghai. He came in the wind and went in the rain, and worked hard to manage a home.
Old Wu is loyal and has passed the peak age when men are looking for flowers and willows and are hard to suppress their hearts. When Qian Shengchan was still in charge of the literary and artistic propaganda team in the company, he met Wu Dazhi.
So, when the photographer needed to shoot an A-film, Wu Dazhi was invited.
Wu Dazhi's work professionalism is commendable. Although he cannot be regarded as the determination to resist corrosion and never touch, as long as what appears in his camera, he never regards it as something that exists.
It's Ah, a good photographer must always be able to distance himself from the object of his lens.
Isn't it?
There is always a focus between the object and the virtual image, and this focus is the watershed between the real and the virtual.
Wu Dazhi has been working hard in the photography world for many years, and I don’t know how many beautiful women she has seen in the camera, but Wu Dazhi has never stepped over the focus and climbed to the side of the real image to touch those mouth-watering beauty spirits.
Wu Dazhi can grasp this measure.
Wu Dazhi is now the main cameraman in the A-film factory, but the one that appears in his camera is not called a woman. He never thinks it is a woman. What is the difference between a woman and a flower or a soaked shit?
They are just an image in the camera.
The image is composed of pixels. The pixels can form a bubble of shit or a woman, but it is just a different combination of colors and pixels.
It turned out that when he was studying in the Workers' Cultural Palace, Zhang Jianya, the director of Shanghai Film Studio, invited them to give lectures. Wu Dazhi remembered a very clear example. Director Zhang said that Zhang Yimou's first photography work was just a soak of shit. It turned out that at that time, Zhang Yimou, like Wu Dazhi, was also promoting at work. This factory was in Xi'an.
A worker ran away from the factory. Zhang Yimou was ordered to go out to search. After inquiring from many sources, it is said that the worker was in a cave. When Zhang Yimou went through hardships to find the cave, he didn't look for anything, but just saw a bubble of shit on the ground.
He said that he had no basis and had no evidence. When he thought that when Sun Wukong came to the sky, he knew that he had urinated and left a mark. Immediately, Zhang Yi thought about it and took a photo of this shit with his camera and went back to hand in the office.
Later, Zhang Yimou used this lens to photograph women, and made a name for themselves and shot the world, but it did not change the characteristic of the object in the lens being the next photo of a soaked shit.
In other words, it is the same for the camera to shoot a shit and a woman. You can’t just say no to it just because it’s a shit, and you will definitely not get close to it. After a woman is replaced, you will get close to it immediately, instead of rejecting it like you do to shit.
Therefore, a good photographer should be like a camera, not afraid of favors and disgraces, and forget about both things.
For example, when the sister took off her pants and farted, Gu Changwei, who was once Zhang Yimou's royal photographer, continued Zhang Yimou's tradition of shooting shit. The camera adopts a silent and motionless position, faithfully recording the entire process of the sister taking off her pants and farting.
If this shot continues, you can follow the photo of the virgin taken by Zhang Yimou, because a bubble of shit appears under the shot of taking off your pants. According to the conventional principles of montage, there is absolutely no reason to show that there is a relationship like a tangle or a butterfly effect between the two.
When Wu Dazhi shoots actresses, he will only make the camera move, but he will not.
Because the camera is the eyes of the audience, Wu Dazhi cannot make the audience suffer. Isn’t the audience just for fun when buying your A-film?
Isn’t it just that it’s natural to make it happen when masturbating?
Such a photographer is the three-hearted model of the director's peace of mind, the actress's worry-freeness and the audience's love.
Please give me a chance
Don't say it doesn't matter to love anymore
If love is perfect
Let us face it with sincerity
Please give me a chance
Don't say it doesn't matter to love anymore
Leave too much sadness
Tell me who you love
Tell me who you love, Shabby repeated this phrase in her heart, but she immediately thought of who should she ask?
So, Shabby quickly pulled away from the sad and indignant mood of the lyrics, and just immersed himself in the anxious, inseparable, fragile melody of the song's ups and downs at an untouchable height.
Getting off the viaduct, Shabby quickly walked around to the back door parking lot of the Hongpin Hotel. The roads were as congested as ever. Shanghai has been working on infrastructure work in recent years, and it seems that she has never felt like she was not a construction site for a day.
After parking, she tiptoed. Because the vehicles were driving from the construction site full of soil, the soil brought over polluted the ground in the parking lot. Shabby was worried that the mud on the ground would stain her beloved hot pants, so she walked with great care.
When I arrived on the set, only the little makeup artist Xiaotu arrived.Shabi hurriedly asked her, "Director Zhao is here?"
Xiaotu said, "Not yet, the driver Xiaoqian just drove to pick him up."
The driver Xiaoqian is Qian Shengchan's nephew, and he is also one of the two photographers on the set.
Xiao Qian turned out to be Qian Shengchan's hometown. After graduating from high school, Lao Qian found him a taxi business in Shanghai. Later, the filming of A-film was fully launched and manpower was required, so Qian Shengchan asked Xiao Qian to drive a special car for him.
Due to insufficient shooting staff, Lao Qian asked Xiao Qian to learn photography with another professional photographer. This guy was smart. It didn't take long to master the camera and reserved a professional photography talent for Lao Qian.
The main photographer Wu Dazhi, who is 45 or 46 years old, used to work in a trade union of a shipyard in Shanghai. He always loves photography. In the past, many photos have participated in various film exhibitions held by the city. The photographic work "We Workers Are Powerful" has also won the silver medal at the 4th National Youth Photography Exhibition, which is the highest achievement he has achieved.
There is a camera in the factory, and Wu Dazhi naturally became the photographer who manipulated the machine.
But later, the factory became more and more recession. Wu Dazhi often went out to walk, took wedding photography for others, and also scrambled to shoot some emergencies on the streets of Shanghai. He came in the wind and went in the rain, and worked hard to manage a home.
Old Wu is loyal and has passed the peak age when men are looking for flowers and willows and are hard to suppress their hearts. When Qian Shengchan was still in charge of the literary and artistic propaganda team in the company, he met Wu Dazhi.
So, when the photographer needed to shoot an A-film, Wu Dazhi was invited.
Wu Dazhi's work professionalism is commendable. Although he cannot be regarded as the determination to resist corrosion and never touch, as long as what appears in his camera, he never regards it as something that exists.
It's Ah, a good photographer must always be able to distance himself from the object of his lens.
Isn't it?
There is always a focus between the object and the virtual image, and this focus is the watershed between the real and the virtual.
Wu Dazhi has been working hard in the photography world for many years, and I don’t know how many beautiful women she has seen in the camera, but Wu Dazhi has never stepped over the focus and climbed to the side of the real image to touch those mouth-watering beauty spirits.
Wu Dazhi can grasp this measure.
Wu Dazhi is now the main cameraman in the A-film factory, but the one that appears in his camera is not called a woman. He never thinks it is a woman. What is the difference between a woman and a flower or a soaked shit?
They are just an image in the camera.
The image is composed of pixels. The pixels can form a bubble of shit or a woman, but it is just a different combination of colors and pixels.
It turned out that when he was studying in the Workers' Cultural Palace, Zhang Jianya, the director of Shanghai Film Studio, invited them to give lectures. Wu Dazhi remembered a very clear example. Director Zhang said that Zhang Yimou's first photography work was just a soak of shit. It turned out that at that time, Zhang Yimou, like Wu Dazhi, was also promoting at work. This factory was in Xi'an.
A worker ran away from the factory. Zhang Yimou was ordered to go out to search. After inquiring from many sources, it is said that the worker was in a cave. When Zhang Yimou went through hardships to find the cave, he didn't look for anything, but just saw a bubble of shit on the ground.
He said that he had no basis and had no evidence. When he thought that when Sun Wukong came to the sky, he knew that he had urinated and left a mark. Immediately, Zhang Yi thought about it and took a photo of this shit with his camera and went back to hand in the office.
Later, Zhang Yimou used this lens to photograph women, and made a name for themselves and shot the world, but it did not change the characteristic of the object in the lens being the next photo of a soaked shit.
In other words, it is the same for the camera to shoot a shit and a woman. You can’t just say no to it just because it’s a shit, and you will definitely not get close to it. After a woman is replaced, you will get close to it immediately, instead of rejecting it like you do to shit.
Therefore, a good photographer should be like a camera, not afraid of favors and disgraces, and forget about both things.
For example, when the sister took off her pants and farted, Gu Changwei, who was once Zhang Yimou's royal photographer, continued Zhang Yimou's tradition of shooting shit. The camera adopts a silent and motionless position, faithfully recording the entire process of the sister taking off her pants and farting.
If this shot continues, you can follow the photo of the virgin taken by Zhang Yimou, because a bubble of shit appears under the shot of taking off your pants. According to the conventional principles of montage, there is absolutely no reason to show that there is a relationship like a tangle or a butterfly effect between the two.
When Wu Dazhi shoots actresses, he will only make the camera move, but he will not.
Because the camera is the eyes of the audience, Wu Dazhi cannot make the audience suffer. Isn’t the audience just for fun when buying your A-film?
Isn’t it just that it’s natural to make it happen when masturbating?
Such a photographer is the three-hearted model of the director's peace of mind, the actress's worry-freeness and the audience's love.
![[Incestuous Novels] My story with my cousin Wu - Married woman, mature woman](/templates/nvshen/themes/img/thumb_1.png)