As I expected, shortly after the shock, the people in the camp gathered around the communication equipment, and soon saw these people disperse one after another. At the same time, they were quite excited to organize various equipment. Not long after, under the command of Li Chao and the man with glasses, they were divided into two groups and headed down the tunnel.
Among the people led by Li Chao, I clearly saw Zhou Jingyi. She seemed to be following the plump woman, walking and talking to the plump woman.
In addition to Zhou Jingyi, I also saw Mr. Tang and Leopard in Li Chao's team. Mr. Tang was obviously a little weak, and he was almost able to act with the team under the support of Leopard.
The Li Chao's team is quite large, close to twenty people
After Li Chao set off, the man in glasses began to greet the remaining personnel
Because of the distance, I can't hear clearly what the man in glasses said
After the man with glasses finished speaking, the remaining personnel were divided into two groups, and about seven or eight people followed the man with glasses toward the downward tunnel.
In the end, five people remained at the camp
After the man with glasses took his people away, the camp suddenly became empty
Among the five remaining people, except for one staying at the central radio station, the remaining four people got into a tent together...
I saw an opportunity and walked into the camp along the edge of the tunnel.
Next to a tent I got much needed supplies
Two or three canned food, a scoop of engineers and a Swiss army knife left here by someone who doesn't know who is left here
The four people hiding in the tent seemed to be playing cards, and they could hear the noise of their disputes from time to time.
I curled up in the corner and thought
The people playing cards in the tent seemed to give up their vigilance, but I had no intention of attacking them, because in my impression, the explosives and other weapons and equipment prepared by these people seemed to be piled up in their tents where they played cards.
Add to the one who stayed at the radio station, one-on-five, and the other party is armed, I have almost no chance of winning.
Therefore, I still don't consider trying to obtain explosives and weapons
The key now is whether to continue to wait here in seclusion, or bypass the left-behind personnel and enter the Fuxi passage that He Qiang, Li Chao, glasses and others entered one after another. Follow the opportunity.
In the end, I decided to go to the tracking
Although it is much safer to hide around the camp, it is completely impossible to grasp the situation of Qiangzi and Zhou Jingyi.
If you keep track of it, you can accurately grasp the specific movements of Li Chao and others.
After confirming this, I seized the opportunity and took advantage of the radio guard's inattention, successfully avoided his sight and entered the tunnel that he had entered with He Qiang before. Then, with my memory, I carefully moved down the tunnel.
Along the way, I was worried that I would meet someone who suddenly returned from below
But until we arrived at the end of the tunnel where we broke up with He Qiang, we didn't even touch anyone.
When I saw a familiar place, I was shocked
A big pit appeared at the end of the tunnel that was originally surrounded by soil layers.
The entrance to the large pit is several square meters in size, and it can no longer be described as a stolen hole.
When I walked into the pit, I realized that this big pit was a stone door extending downward. Inside the stone door, neatly stacked stone strips lead to the deep and dark underground
It seems that everyone went down this stone stairs and they didn't even arrange for anyone to guard them here? I hesitated and looked at the entrance of the ground and found it difficult to understand why Li Chao arranged this way.
But in the end I reached up and stepped on the downward stone steps...
Holding the lantern, I counted the number of steps silently and moved forward carefully. When I stepped down the last step, I counted twenty-eight.
After walking forward for dozens of meters, you can see a turn in the corridor, and a little light faintly emerged from the corridor on the side.
I quickly turned off the lantern in my hand
Carefully approached the corner, and when I looked over, I realized that I had been too careful
The corner is still a long corridor
It was empty inside, and there was no trace of Li Chao and other people.
The light emitted was emitted from more than a dozen burning lamp holders poking out from the stone walls on both sides of the corridor.
Eternal lights? So many? Although I felt a little scared when I looked at these ancient lampstands, I thought that since Li Chao and others acted as pioneers, if there was anything, they would naturally encounter them first, so I felt relieved to enter this corridor
While walking, I observed the situation in the corridor
The entire corridor is basically made of whole stones, and the lamp holders protruded on both sides are also connected to the stone wall. However, the lamp holders are extremely beautiful in shape, and they are all carved like kneeling maids on the extended stone strips.
Around the maid's head is a round stone tray for placing lamp oil and lamp wicks
When I saw the scene in front of me, my first feeling was shock!
After I worked in the journalism industry, I either paid for it or took the opportunity of tolerance to travel to many places
Among them, I have visited several ancient tombs that have been opened.
But in my memory, even among the imperial tombs of Changling and Dingling in Hebei, I have never seen such exquisite and lifelike stone sculptures carved by them.
The key is that the clothes of these maids are not the styles I have seen. The carved clothing is extremely wide, but it is different from the clothes of the maids of the Changxin Palace in the Han Dynasty that I have seen in the picture.
The tin mine began to be mined since the late Spring and Autumn Period. He Qiang judged that the excavation time of the tomb should be earlier than the time of the tin mine. If he was right, this corridor was at least left in the middle and early Spring and Autumn Period. During the Spring and Autumn Period, we should be the control area of the Chu State. In this way, the clothes of these stone maids must have been the shape of the Chu State at that time. I heard that the shape of the Chu State's clothing was very different from other countries in the Central Plains. This seems to be able to explain it.
But if this is really a tomb, who would it be? I felt particularly confused when I looked at the corridor that was twenty or thirty meters long.
Judging from the length of the corridor in front of me and the exquisiteness of the carving, I basically judged that I had entered a underground palace where I was sleeping
The size of the underground palace should be quite large
In the past, I have also interviewed several archaeological sites on site, including the tombs of nobles from the Spring and Autumn Period and the Warring States Period.
Compared with the tombs in front of them, those nobles are simply incomparable.
Even the tomb passages of Changling and Dingling that I have visited are not as tall and wide as this section of the corridor in front of me.
From this point of view, I suspect that this may be an imperial tomb
But I have never heard of any emperor-level figure in history who has been buried here by us
During the Spring and Autumn Period, our place was the territory of Chu, but the tomb of the King of Chu could only be located around the capitals in the history of Chu.
The earliest capital of Chu State seemed to be in Zigui, Hubei, and later moved to Yicheng due to the war with Wu State. In the late Spring and Autumn Period, the early Warring States Period moved the capital to Jinan City in Jingzhou, which is the so-called Yingdu.
Later, due to constant attacks from Qin, he moved the capital twice. First, Juyang near Taihe, Anhui, and finally Shouchun, which is now Shou County, Anhui.
Therefore, although our place is the former land of Chu, it is absolutely impossible to have royal tombs from Chu during the Spring and Autumn Period and the Warring States Period.
The most famous local figure who developed relationships during the Spring and Autumn Period and the Warring States Period was actually Chunshenjun, one of the four princes of the Warring States Period.
Because according to local chronicles, Chunshenjun was the first person to dig this Fenghuáng Mountain tin mine.
And it seems that Chunshenjun has never really been here in history
After all, his fiefdom is in Shanghai now
This Fenghuáng Mountain Tin Mine is just one of his many industries. At that time, he just arranged for his customers to supervise production management and construction for him.
With all kinds of questions, I walked to the end of this passage without realizing it
At the end, I passed through a stone arch above the circle and below
Inside the stone arch is an open stone room covering an area of two or three hundred square meters!
The stone chamber is also surrounded by stone lanterns that generally protrude from the walls outside the corridor.
Every lamp holder has been lit up by Li Chao and others who entered earlier.
The visibility in the stone chamber is good, and everything in the empty stone chamber is clear at a glance
In the center of the stone chamber is a lonely rectangular white stone platform
After walking closer and looking, I found another big black pit behind the stone platform. Just like where I came in, there was a staircase extending downwards.
Standing at the entrance of the tunnel that continued to move down, I did not go down immediately, but turned around to observe the white stone platform next to me in the center of the stone chamber.
The whole stone platform seems to be cut into a whole
There are no traces of splicing on the whole body
The color is snow-white, and the surface of the surrounding light creates a translucent state.
I stroked it with my hands, it was smooth, cool, and it felt very comfortable. I couldn't help but touch it twice more.
After touching it, I looked at the palm of my hand and there was no trace of dust...
Except for the stone platform in the center, the authentic entrance behind the stone platform, and the time lampstand that extends from the surrounding stone walls, the entire stone room is empty and nothing is left.
There are no murals or reliefs on the surrounding stone walls. I don’t understand what this stone chamber is used for?
Although I am not an archaeological expert, I know very well that ancient tombs had fixed architectural patterns.
As a yin house, it corresponds to a yang house during his lifetime.
Almost every room in the mausoleum has its own purpose
And now this stone chamber does not understand the meaning of its existence at all
I walked around the stone chamber twice, but after not finding anything, I finally came to the entrance of the tunnel behind the stone platform again and walked down
Step down the steps, another corridor, exactly the same as the one above
Then it's a corner
After turning the corner, I looked at the passage of stone lampstands on both sides that stretched out on both sides as they were above the building, and I suddenly realized something!
Speed up and rushed to the end of the passage, and there was another stone arch above the circle below, crossing the arch
The rectangular white stone platform standing in the open stone room suddenly came into my eyes
I immediately came to the back of the stone platform, and another dark tunnel entrance appeared in front of me
No... Is this a mysterious building? I was shocked when I saw everything in front of me!
The so-called My Tower is an extremely strange architectural model in ancient times
Generally, several identical rooms and buildings are built continuously within a certain area, and connected by passages.
Then, the visual difference and the high ground difference in the terrain in the connection channel create the same buildings that are endlessly illusion, allowing the people entering the room to run infinitely in these rooms and buildings, and finally achieving the goal of completely trapping the entrants in the building complex
After I realized this, I immediately turned around and ran back to the passage that came.
I have only come down two floors and should not have fallen into the deadlock of infinite loops. Now I exit immediately. I should be in a hurry... The passage... turns... Go upstairs... The passage... Turns... Go upstairs... Go upstairs...
When I stepped out of the previous stairs, the white rectangular stone platform suddenly appeared in front of me.
How is this possible? I clearly remember that I only came down two floors! I also got stuck in this way? I stood at the entrance of the tunnel at the bottom of the tunnel, carefully observing the situation around the stone chamber that suddenly appeared.
At this moment, I confirmed that I had fallen into the trap of a mysterious building without realizing it.
In this case, it is extremely dangerous to keep wandering like a headless fly
So I tried to suppress my panic and thought about ways to get out of trouble
Calm down... The best way to encounter a mysterious building is to mark the place you pass by... to confirm whether it is the room you have visited before, then find the difference between the different rooms, and finally find the exit. I immediately carved an Arabic numeral with a picked-up Swiss army knife to mark it.
Then I walked around the stone platform and moved forward, passed the same passage and corner, and climbed a row of stairs again, and saw the stone platform again. I looked down and saw that the ground between the entrance and the stone platform was empty. I followed the number two on the entrance and the ground of the stone platform, and then moved forward...
Half an hour later, when I carved the number five, I moved forward and entered another stone chamber, and finally saw the number one I had portrayed on the ground!
Huh... It seems that there are five identical stone chambers in total! I didn't meet anyone along the way, which shows that those people from Li Dynasty should have passed smoothly. I was miserable if there were experts like He Qiang and Mr. Tang in their team, and I had to find a way to crack them myself. Generally speaking, the obvious rooms or buildings in the mystical building only play a confusing role. The real key is that there must be a difference in height and mechanism design in the passage connecting these rooms and buildings, especially the stairs and corners. The five stairs and corners.
After figuring out the number of stone rooms in this mysterious building, I sat on the stairs, drinking water and using a saber to open a can of canned lunch meat I picked up in the camp.
After the phone ran out of power, I no longer know the exact time
But I guess it has been more than a day since I entered the tunnel.
At this moment, I am tired and hungry. If I don’t eat anything, I don’t know how long I can last.
Swallowed a can of lunch meat whole, and I finally felt a fulfilling feeling in my stomach
My stomach was solved, but I felt extremely tired again
Although I knew that at this time, this place was not a place to sleep at all.
But I couldn't help but take off my backpack and sat down against the stone platform. I originally wanted to drink some water to rest, but who knew that after the back of my head touched the stone platform for a moment, I almost couldn't control myself and entered sleep.
Why is this place to sleep? No, I have to wake up... Hey, what did I see? Am I dreaming... At this moment, I can no longer tell the difference between reality and dreams
Because at this moment, a long period of scenes suddenly appeared in my mind... Those scenes were like I stood by and experienced and witnessed them myself!
Blue sky, white clouds...I feel like I am in a dense forest
I'm walking slowly in the woods
Soon, in the bushes not far away, it seemed like someone was shaking
I bent down and slowly approached the bushes
But I saw two naked men and women hugging each other tightly under the cover of the short bushes.
The woman has a beautiful face, but she is still childish, and she is obviously still within the category of minors.
The man is also very young and looks only eighteen or nineteen years old.
Both men and women have long hair and shawls
Or because of age, the girl seems particularly shy and is extremely passive under the touch and teasing of the teenage man.
The young man is different, and he seems to have rich sexual experience. He put his face to the girl's ear and kept telling something, while stroking the girl's body, stimulating every sensitive area on the girl's body.
The girl was teasing and panting... Finally, under the sweet words of the young man and the continuous movement of his hands, the girl lay on the ground, covered her face with her hands, and unconsciously spread her white thighs
The young man laughed and leaned down and knelt between the girl's legs...
I shook my head suddenly, and finally struggled out of the dream in my mind, sitting on the ground and gasping for breath.
I looked up at the surrounding environment, the empty stone chamber, the cold stone floor, the black and authentic entrance in front of me...
I fuck, it seems that I am too tired! I can fall asleep here. Not only do I fall asleep, but I can also dream! I still have Chunmeng. I have lacked sex in the past two or three years. But I just opened a room with Zhou Jingyi in a hotel two days ago. Although I didn’t have sex directly, I also solved my physiological needs at that time... I don’t care about Ah who has Chunmeng? I woke up and couldn’t help but think about it randomly.
Or the moment of sleep just now really made me recover to a certain degree of fatigue
At this moment, I feel my mental state has improved a lot
I immediately got up and carried my backpack, went down again, and stepped onto the steps of the authentic entrance in front of me.
While walking, I counted carefully and observed the stone walls on both sides of the stairs.
In traditional mystical building design, the stairs are the most popular place for builders to do things.
The different number of steps is often used to change the height difference between several rooms, creating the illusion that several rooms are different from each other.
After walking to the end, I found that the steps were still twenty-seven stone steps and twenty-eight steps.
There is no special design on both sides of the stone walls
I then walked up and down the stone staircase twice, and finally confirmed that there was no problem with the stone staircase connecting the stone chamber No. 1 and No. 5, and then followed him into the stone chamber No. 5.
The moment I stepped over the stone arch above and below, I vaguely heard a faint sound that was not easy to detect.
I stopped in place. After thinking for a while, I suddenly turned around and walked through the stone arch again. This time I heard no sound
I looked up and thought for a moment, and turned around for the second time to cross the arch. This time, I heard the faint sound of a lap again
I turned around, looked at the stone arch and started to think. After a while, the corners of my mouth couldn't help but curl up.
I suddenly realized that I had discovered the mystery of this mysterious building
The stone arch is where the mechanism is located. Passing through the arch from the direction of the passage will trigger the mechanism, while passing through the arch from the direction of the stone chamber will not trigger the mechanism.
Understand this point, I suddenly turned around and walked towards the No. 1 stone chamber. This time, I did not turn around and rushed to the No. 3 stone chamber. When I turned around the corner, the upward stone steps disappeared, and replaced by another stone arch.
I immediately walked into the arch and entered a newly emerging corridor
There are no empty stone bricks on the stone walls on both sides of this corridor
In addition to the still scattered maid's stone lampstand, a mural appeared above the lampstand.
Li Chao and his group had obviously passed by here first. I saw a discarded disposable lighter below a stone lampstand at the entrance.
And the eternal lights before seemed to have been extinguished, and it was probably Li Chao, He Qiang and others who ignited them again.
At this moment, I feel like I have figured out the layout of the mysterious building behind me.
If I guess correctly
The location where Fuxi Road enters should be the passage between Stone Room No. 1 and Stone Room No. 5
After I entered, the first stone chamber I entered was No. 5
But when I was traveling through the arch of Wuhao Stone Room, I triggered the first mechanism. The stone steps that originally linked Fuxi to the stone room with No. 5 or were designed, and automatically rose and closed. What was revealed became the stone steps that led to No. 1 Stone Room.
When I came to the No. 4 Stone Room and triggered the mechanism through the arch, the stone steps above the passage I am walking into are lowered to connect the passage between the No. 3 Stone Room and the No. 4 Stone Room, while obscuring the current passage
After that, if I continue to move forward, I will pass through three arches in a row, triggering the mechanism three times, triggering the channel between No. 1 and No. 5, triggering the channel between No. 4 and No. 3.
Triggered three times, the passage leading to Fuxi Road in No. 1 and No. 5 is closed, and it becomes a passage connecting No. 1 and No. 5 stone chambers.
If the entrant keeps walking in this direction, he will fall into a state of continuous circulation in the five rooms.
After understanding this, I also understood why Li Chao and others could pass here quickly
They have a lot of people, just need to disperse the people, arrange personnel in each stone chamber and passage, and then enter and exit the arch repeatedly, and find the rules in it in two strokes and find the passage now located between the No. 3 stone chamber and the Four Good Stone chamber.
Although this mysterious building is exquisitely designed, it seems to be a problem for a single intruder. Moreover, if the intruder is lucky, rush forward directly to the second stone chamber and then suddenly return all the way, he only needs to pass through the third stone chamber to just run into the fourth and third passage.
After thinking through all this, I felt extremely depressed. On weekdays, I always feel that it is necessary to think carefully about things.
But at this moment, my thoughts have made me waste more time
If I were really running back and forth in the five stone chambers like a headless fly, I might have discovered the hidden passage in front of me earlier
Of course, there is also the possibility that you are not lucky enough to hit it, but I don’t think that possibility is very small
And I suspect that the purpose of the person who built this mysterious building was actually just to hope that the intruder would retreat when he saw the difficulties, not to really want to trap the intruders.
Because although the design of the Mystery Building is clever, its rules are not complicated
What is done is more psychological pressure on the intruders
While guessing the architect's true thoughts, I looked up and looked at the murals on both sides of the stone wall.
After taking a look, I immediately became deeply curious about this ancient tomb
Because the murals I see at this moment are very different from those in the past, not only are they colorful, but they are well preserved.
Moreover, almost most of the contents of the mural are pictures of the erotic palaces that men and women love.
Of course, not all. Along the way, there are also pictures similar to war scenes mixed in.
In my impression, the murals of ancient tombs either record the life and daily life of the tomb owner, or imagine the life of the tomb owner after ascending to heaven.
If the meaning of the murals in front of you is the same as other ancient tombs, wouldn’t it mean that the life of the tomb owner, except for a few wars, was simply spent in constant sexual intercourse?
This really makes me feel a little unbelievable!
Moreover, the sequels in front of me are very different from the ancient sequels I have seen in the past.
Most of the sequels in China are painted in the Ming and Qing dynasties. They are relatively implicit and do not pay attention to the description of the human body. Instead, they care more about the performance of scenes, clothing, etc.
The men and women in the murals are not only naked, without any clothing or scene objects to set off, but also have extremely accurate proportions of human bodies, which is somewhat similar to those in European classical paintings.
Rather than murals, it is more like a picture of sex position diagrams
Moreover, the characters in the painting are just shapes, and do not depict the characters' facial features and appearance. Only gender can be judged from the shape
Female body looks plump, almost all breasts are enlarged and buttocks are raised
The male body looks muscular and extremely strong
After watching for a long time, I really couldn't see any meaning except for naked sexual desire, so I had to focus on the murals that reflected the scenes of the war.
The characters in several war murals are the same as those in the erotic palace, but the characters in them are obviously attached with items such as armor and crowns.
In addition to the characters, images such as two-wheeled chariots, war horses, and city walls have been added.
The first picture shows a scene of a warrior riding a horse and shooting archery. The target he is shooting is a fleeing enemy.
The enemy's back is inserted into an arrow, which obviously means that the warrior shot the enemy to death with an arrow.
However, the enemy's shape aroused my interest. The enemy who was shot to death wore a high crown on his head.
He Gang previously believed that this ancient tomb should be a tomb from the pre-Qin period.
If he had made the right judgment, these characters in the picture should have lived at the latest in the Spring and Autumn Period and the Warring States Period.
There are strict regulations on wearing clothing during the Spring and Autumn Period and the Warring States Period.
Among them, the hat is very typical
The head of the archery samurai only has a slight bulge. In terms of shape, it should be the common samurai crown of the Warring States warriors.
The person he shot to death wore a high crown. You must know that the crown is not something that ordinary people can wear.
During the Spring and Autumn Period and the Warring States Period, under normal circumstances, only the princes who were officially enthroned by the Zhou emperor were qualified to wear such high crowns.
Of course, after the Warring States Period, the ritual and music system was abandoned, and the number of people who were qualified to wear the crown has increased, but even so, only royal nobles will wear the crown.
From these aspects, the enemy who was shot to death by a horse warrior is quite noble, at least he is a nobleman of the level of a prince or a prince.
The second mural that shows the war scenes is a bit hard for me to understand.
The city scene appears in the picture
There are many soldiers gathered outside a city
The gate of the city gate was opened, and a group of people surrounded a warrior standing at the entrance of the city gate
The same samurai stood in front of the soldier, the samurai at the door seemed to be empty-handed, while the samurai in front of the soldier was holding a sword-shaped weapon in his hand
It looks like two groups of people talking, or it is like people in the city welcoming soldiers outside the city.
But after thinking for a while, I denied the latter view
Because if we welcome soldiers outside the city, the warrior outside the city should not hold weapons.
From this, it is speculated that this painting should be a military force coming to the city. It is more reasonable for the people in the city to go out to negotiate with the other party under the leadership of the warrior at the door.
The third painting depicts a warrior surrounded by many soldiers. The warrior inserted the sword in his hand into his body.
It should mean that the samurai were outnumbered and finally chose to understand themselves
The fourth picture is quite weird
Strictly speaking, this painting should not be a scene of war
The image of two samurai appears in the picture, one of which is lying, while the other is standing in front of the samurai.
The two samurai are exactly the same
In the distance between the two samurai scenes, a man with wide sleeves stood, with his hands facing the sky, as if cheering or praying, but behind the male image was a naked woman, but the naked woman held a sword in her hand, and half of the sword had been inserted into the body of the male in front.
After reading these four consecutive murals, I felt that I understood the meaning of the first three murals.
The first three murals seem to say that the warrior killed a nobleman with a high status. His city was either attacked by other troops because of this, or because of the huge disparity between each other's military power, he left the city to protect the ordinary residents of the city and negotiated with the invaders.
The outcome of the negotiation seems to be that the warrior chose to commit suicide in front of the enemy
In this way, this tomb should be the tomb of the suicide warrior in the mural. In the face of a powerful enemy, he chose to commit suicide. This warrior must be a strong warrior... But how can there be these sexual position maps in the tomb of such a warrior? Since the owner of the tomb is a brave warrior, the burial mural should focus on his bravery, so how can there be so many murals that show the love between men and women? And what does the fourth mural mean? I don't understand Ah... While muttering, I walked to the end of the passage, and the end was divided into two corridors on the left and right.
I was thinking about which passage I should walk
Where did people speak in the passage on the left?
I quickly leaned my body against the wall on the left corner to hide, and at the same time I carefully poked my head out and watched the corridor on the left, listening
What kind of broken tomb? Except for the main tomb room, the other tomb rooms are empty, not even a single underworld? Since I don’t put things, why did I build so many tomb rooms at the beginning, just like a maze?
Is there anything to do with us? Anyway, Boss Li paid the money, but I don’t see that he looked good and worked hard to come in. He saved several lives. Boss Cen doesn’t know what the situation is. Now it’s like this. I guess this trip will be a lot of money. Boss Li is not going to lose. You didn’t see Boss He almost turned against him just now.
What's the matter? What's going on?
Three people died on Mr. Tang, and Boss Cen's group of eleven Boss He just pulled Boss Li to settle the score and forced that guy to add money... Two tomb robbers walked past the end of the left passage.
I realized that the end of the left passage seemed to be a T-shirt intersection.
Three people died on Mr. Tang? No, Ah, I remember that only two people were bitten by the monster, one of the small man, and the other was one of the two people standing on it and shooting, and didn't they all run out? By the way, the third person should mean me... Mr. Tang must think that I was either killed by the monster or had no time to escape from the explosion range... Hearing the voices of the two tomb robbers talking gradually, I turned around and entered the passage on the left, and followed silently
Among the people led by Li Chao, I clearly saw Zhou Jingyi. She seemed to be following the plump woman, walking and talking to the plump woman.
In addition to Zhou Jingyi, I also saw Mr. Tang and Leopard in Li Chao's team. Mr. Tang was obviously a little weak, and he was almost able to act with the team under the support of Leopard.
The Li Chao's team is quite large, close to twenty people
After Li Chao set off, the man in glasses began to greet the remaining personnel
Because of the distance, I can't hear clearly what the man in glasses said
After the man with glasses finished speaking, the remaining personnel were divided into two groups, and about seven or eight people followed the man with glasses toward the downward tunnel.
In the end, five people remained at the camp
After the man with glasses took his people away, the camp suddenly became empty
Among the five remaining people, except for one staying at the central radio station, the remaining four people got into a tent together...
I saw an opportunity and walked into the camp along the edge of the tunnel.
Next to a tent I got much needed supplies
Two or three canned food, a scoop of engineers and a Swiss army knife left here by someone who doesn't know who is left here
The four people hiding in the tent seemed to be playing cards, and they could hear the noise of their disputes from time to time.
I curled up in the corner and thought
The people playing cards in the tent seemed to give up their vigilance, but I had no intention of attacking them, because in my impression, the explosives and other weapons and equipment prepared by these people seemed to be piled up in their tents where they played cards.
Add to the one who stayed at the radio station, one-on-five, and the other party is armed, I have almost no chance of winning.
Therefore, I still don't consider trying to obtain explosives and weapons
The key now is whether to continue to wait here in seclusion, or bypass the left-behind personnel and enter the Fuxi passage that He Qiang, Li Chao, glasses and others entered one after another. Follow the opportunity.
In the end, I decided to go to the tracking
Although it is much safer to hide around the camp, it is completely impossible to grasp the situation of Qiangzi and Zhou Jingyi.
If you keep track of it, you can accurately grasp the specific movements of Li Chao and others.
After confirming this, I seized the opportunity and took advantage of the radio guard's inattention, successfully avoided his sight and entered the tunnel that he had entered with He Qiang before. Then, with my memory, I carefully moved down the tunnel.
Along the way, I was worried that I would meet someone who suddenly returned from below
But until we arrived at the end of the tunnel where we broke up with He Qiang, we didn't even touch anyone.
When I saw a familiar place, I was shocked
A big pit appeared at the end of the tunnel that was originally surrounded by soil layers.
The entrance to the large pit is several square meters in size, and it can no longer be described as a stolen hole.
When I walked into the pit, I realized that this big pit was a stone door extending downward. Inside the stone door, neatly stacked stone strips lead to the deep and dark underground
It seems that everyone went down this stone stairs and they didn't even arrange for anyone to guard them here? I hesitated and looked at the entrance of the ground and found it difficult to understand why Li Chao arranged this way.
But in the end I reached up and stepped on the downward stone steps...
Holding the lantern, I counted the number of steps silently and moved forward carefully. When I stepped down the last step, I counted twenty-eight.
After walking forward for dozens of meters, you can see a turn in the corridor, and a little light faintly emerged from the corridor on the side.
I quickly turned off the lantern in my hand
Carefully approached the corner, and when I looked over, I realized that I had been too careful
The corner is still a long corridor
It was empty inside, and there was no trace of Li Chao and other people.
The light emitted was emitted from more than a dozen burning lamp holders poking out from the stone walls on both sides of the corridor.
Eternal lights? So many? Although I felt a little scared when I looked at these ancient lampstands, I thought that since Li Chao and others acted as pioneers, if there was anything, they would naturally encounter them first, so I felt relieved to enter this corridor
While walking, I observed the situation in the corridor
The entire corridor is basically made of whole stones, and the lamp holders protruded on both sides are also connected to the stone wall. However, the lamp holders are extremely beautiful in shape, and they are all carved like kneeling maids on the extended stone strips.
Around the maid's head is a round stone tray for placing lamp oil and lamp wicks
When I saw the scene in front of me, my first feeling was shock!
After I worked in the journalism industry, I either paid for it or took the opportunity of tolerance to travel to many places
Among them, I have visited several ancient tombs that have been opened.
But in my memory, even among the imperial tombs of Changling and Dingling in Hebei, I have never seen such exquisite and lifelike stone sculptures carved by them.
The key is that the clothes of these maids are not the styles I have seen. The carved clothing is extremely wide, but it is different from the clothes of the maids of the Changxin Palace in the Han Dynasty that I have seen in the picture.
The tin mine began to be mined since the late Spring and Autumn Period. He Qiang judged that the excavation time of the tomb should be earlier than the time of the tin mine. If he was right, this corridor was at least left in the middle and early Spring and Autumn Period. During the Spring and Autumn Period, we should be the control area of the Chu State. In this way, the clothes of these stone maids must have been the shape of the Chu State at that time. I heard that the shape of the Chu State's clothing was very different from other countries in the Central Plains. This seems to be able to explain it.
But if this is really a tomb, who would it be? I felt particularly confused when I looked at the corridor that was twenty or thirty meters long.
Judging from the length of the corridor in front of me and the exquisiteness of the carving, I basically judged that I had entered a underground palace where I was sleeping
The size of the underground palace should be quite large
In the past, I have also interviewed several archaeological sites on site, including the tombs of nobles from the Spring and Autumn Period and the Warring States Period.
Compared with the tombs in front of them, those nobles are simply incomparable.
Even the tomb passages of Changling and Dingling that I have visited are not as tall and wide as this section of the corridor in front of me.
From this point of view, I suspect that this may be an imperial tomb
But I have never heard of any emperor-level figure in history who has been buried here by us
During the Spring and Autumn Period, our place was the territory of Chu, but the tomb of the King of Chu could only be located around the capitals in the history of Chu.
The earliest capital of Chu State seemed to be in Zigui, Hubei, and later moved to Yicheng due to the war with Wu State. In the late Spring and Autumn Period, the early Warring States Period moved the capital to Jinan City in Jingzhou, which is the so-called Yingdu.
Later, due to constant attacks from Qin, he moved the capital twice. First, Juyang near Taihe, Anhui, and finally Shouchun, which is now Shou County, Anhui.
Therefore, although our place is the former land of Chu, it is absolutely impossible to have royal tombs from Chu during the Spring and Autumn Period and the Warring States Period.
The most famous local figure who developed relationships during the Spring and Autumn Period and the Warring States Period was actually Chunshenjun, one of the four princes of the Warring States Period.
Because according to local chronicles, Chunshenjun was the first person to dig this Fenghuáng Mountain tin mine.
And it seems that Chunshenjun has never really been here in history
After all, his fiefdom is in Shanghai now
This Fenghuáng Mountain Tin Mine is just one of his many industries. At that time, he just arranged for his customers to supervise production management and construction for him.
With all kinds of questions, I walked to the end of this passage without realizing it
At the end, I passed through a stone arch above the circle and below
Inside the stone arch is an open stone room covering an area of two or three hundred square meters!
The stone chamber is also surrounded by stone lanterns that generally protrude from the walls outside the corridor.
Every lamp holder has been lit up by Li Chao and others who entered earlier.
The visibility in the stone chamber is good, and everything in the empty stone chamber is clear at a glance
In the center of the stone chamber is a lonely rectangular white stone platform
After walking closer and looking, I found another big black pit behind the stone platform. Just like where I came in, there was a staircase extending downwards.
Standing at the entrance of the tunnel that continued to move down, I did not go down immediately, but turned around to observe the white stone platform next to me in the center of the stone chamber.
The whole stone platform seems to be cut into a whole
There are no traces of splicing on the whole body
The color is snow-white, and the surface of the surrounding light creates a translucent state.
I stroked it with my hands, it was smooth, cool, and it felt very comfortable. I couldn't help but touch it twice more.
After touching it, I looked at the palm of my hand and there was no trace of dust...
Except for the stone platform in the center, the authentic entrance behind the stone platform, and the time lampstand that extends from the surrounding stone walls, the entire stone room is empty and nothing is left.
There are no murals or reliefs on the surrounding stone walls. I don’t understand what this stone chamber is used for?
Although I am not an archaeological expert, I know very well that ancient tombs had fixed architectural patterns.
As a yin house, it corresponds to a yang house during his lifetime.
Almost every room in the mausoleum has its own purpose
And now this stone chamber does not understand the meaning of its existence at all
I walked around the stone chamber twice, but after not finding anything, I finally came to the entrance of the tunnel behind the stone platform again and walked down
Step down the steps, another corridor, exactly the same as the one above
Then it's a corner
After turning the corner, I looked at the passage of stone lampstands on both sides that stretched out on both sides as they were above the building, and I suddenly realized something!
Speed up and rushed to the end of the passage, and there was another stone arch above the circle below, crossing the arch
The rectangular white stone platform standing in the open stone room suddenly came into my eyes
I immediately came to the back of the stone platform, and another dark tunnel entrance appeared in front of me
No... Is this a mysterious building? I was shocked when I saw everything in front of me!
The so-called My Tower is an extremely strange architectural model in ancient times
Generally, several identical rooms and buildings are built continuously within a certain area, and connected by passages.
Then, the visual difference and the high ground difference in the terrain in the connection channel create the same buildings that are endlessly illusion, allowing the people entering the room to run infinitely in these rooms and buildings, and finally achieving the goal of completely trapping the entrants in the building complex
After I realized this, I immediately turned around and ran back to the passage that came.
I have only come down two floors and should not have fallen into the deadlock of infinite loops. Now I exit immediately. I should be in a hurry... The passage... turns... Go upstairs... The passage... Turns... Go upstairs... Go upstairs...
When I stepped out of the previous stairs, the white rectangular stone platform suddenly appeared in front of me.
How is this possible? I clearly remember that I only came down two floors! I also got stuck in this way? I stood at the entrance of the tunnel at the bottom of the tunnel, carefully observing the situation around the stone chamber that suddenly appeared.
At this moment, I confirmed that I had fallen into the trap of a mysterious building without realizing it.
In this case, it is extremely dangerous to keep wandering like a headless fly
So I tried to suppress my panic and thought about ways to get out of trouble
Calm down... The best way to encounter a mysterious building is to mark the place you pass by... to confirm whether it is the room you have visited before, then find the difference between the different rooms, and finally find the exit. I immediately carved an Arabic numeral with a picked-up Swiss army knife to mark it.
Then I walked around the stone platform and moved forward, passed the same passage and corner, and climbed a row of stairs again, and saw the stone platform again. I looked down and saw that the ground between the entrance and the stone platform was empty. I followed the number two on the entrance and the ground of the stone platform, and then moved forward...
Half an hour later, when I carved the number five, I moved forward and entered another stone chamber, and finally saw the number one I had portrayed on the ground!
Huh... It seems that there are five identical stone chambers in total! I didn't meet anyone along the way, which shows that those people from Li Dynasty should have passed smoothly. I was miserable if there were experts like He Qiang and Mr. Tang in their team, and I had to find a way to crack them myself. Generally speaking, the obvious rooms or buildings in the mystical building only play a confusing role. The real key is that there must be a difference in height and mechanism design in the passage connecting these rooms and buildings, especially the stairs and corners. The five stairs and corners.
After figuring out the number of stone rooms in this mysterious building, I sat on the stairs, drinking water and using a saber to open a can of canned lunch meat I picked up in the camp.
After the phone ran out of power, I no longer know the exact time
But I guess it has been more than a day since I entered the tunnel.
At this moment, I am tired and hungry. If I don’t eat anything, I don’t know how long I can last.
Swallowed a can of lunch meat whole, and I finally felt a fulfilling feeling in my stomach
My stomach was solved, but I felt extremely tired again
Although I knew that at this time, this place was not a place to sleep at all.
But I couldn't help but take off my backpack and sat down against the stone platform. I originally wanted to drink some water to rest, but who knew that after the back of my head touched the stone platform for a moment, I almost couldn't control myself and entered sleep.
Why is this place to sleep? No, I have to wake up... Hey, what did I see? Am I dreaming... At this moment, I can no longer tell the difference between reality and dreams
Because at this moment, a long period of scenes suddenly appeared in my mind... Those scenes were like I stood by and experienced and witnessed them myself!
Blue sky, white clouds...I feel like I am in a dense forest
I'm walking slowly in the woods
Soon, in the bushes not far away, it seemed like someone was shaking
I bent down and slowly approached the bushes
But I saw two naked men and women hugging each other tightly under the cover of the short bushes.
The woman has a beautiful face, but she is still childish, and she is obviously still within the category of minors.
The man is also very young and looks only eighteen or nineteen years old.
Both men and women have long hair and shawls
Or because of age, the girl seems particularly shy and is extremely passive under the touch and teasing of the teenage man.
The young man is different, and he seems to have rich sexual experience. He put his face to the girl's ear and kept telling something, while stroking the girl's body, stimulating every sensitive area on the girl's body.
The girl was teasing and panting... Finally, under the sweet words of the young man and the continuous movement of his hands, the girl lay on the ground, covered her face with her hands, and unconsciously spread her white thighs
The young man laughed and leaned down and knelt between the girl's legs...
I shook my head suddenly, and finally struggled out of the dream in my mind, sitting on the ground and gasping for breath.
I looked up at the surrounding environment, the empty stone chamber, the cold stone floor, the black and authentic entrance in front of me...
I fuck, it seems that I am too tired! I can fall asleep here. Not only do I fall asleep, but I can also dream! I still have Chunmeng. I have lacked sex in the past two or three years. But I just opened a room with Zhou Jingyi in a hotel two days ago. Although I didn’t have sex directly, I also solved my physiological needs at that time... I don’t care about Ah who has Chunmeng? I woke up and couldn’t help but think about it randomly.
Or the moment of sleep just now really made me recover to a certain degree of fatigue
At this moment, I feel my mental state has improved a lot
I immediately got up and carried my backpack, went down again, and stepped onto the steps of the authentic entrance in front of me.
While walking, I counted carefully and observed the stone walls on both sides of the stairs.
In traditional mystical building design, the stairs are the most popular place for builders to do things.
The different number of steps is often used to change the height difference between several rooms, creating the illusion that several rooms are different from each other.
After walking to the end, I found that the steps were still twenty-seven stone steps and twenty-eight steps.
There is no special design on both sides of the stone walls
I then walked up and down the stone staircase twice, and finally confirmed that there was no problem with the stone staircase connecting the stone chamber No. 1 and No. 5, and then followed him into the stone chamber No. 5.
The moment I stepped over the stone arch above and below, I vaguely heard a faint sound that was not easy to detect.
I stopped in place. After thinking for a while, I suddenly turned around and walked through the stone arch again. This time I heard no sound
I looked up and thought for a moment, and turned around for the second time to cross the arch. This time, I heard the faint sound of a lap again
I turned around, looked at the stone arch and started to think. After a while, the corners of my mouth couldn't help but curl up.
I suddenly realized that I had discovered the mystery of this mysterious building
The stone arch is where the mechanism is located. Passing through the arch from the direction of the passage will trigger the mechanism, while passing through the arch from the direction of the stone chamber will not trigger the mechanism.
Understand this point, I suddenly turned around and walked towards the No. 1 stone chamber. This time, I did not turn around and rushed to the No. 3 stone chamber. When I turned around the corner, the upward stone steps disappeared, and replaced by another stone arch.
I immediately walked into the arch and entered a newly emerging corridor
There are no empty stone bricks on the stone walls on both sides of this corridor
In addition to the still scattered maid's stone lampstand, a mural appeared above the lampstand.
Li Chao and his group had obviously passed by here first. I saw a discarded disposable lighter below a stone lampstand at the entrance.
And the eternal lights before seemed to have been extinguished, and it was probably Li Chao, He Qiang and others who ignited them again.
At this moment, I feel like I have figured out the layout of the mysterious building behind me.
If I guess correctly
The location where Fuxi Road enters should be the passage between Stone Room No. 1 and Stone Room No. 5
After I entered, the first stone chamber I entered was No. 5
But when I was traveling through the arch of Wuhao Stone Room, I triggered the first mechanism. The stone steps that originally linked Fuxi to the stone room with No. 5 or were designed, and automatically rose and closed. What was revealed became the stone steps that led to No. 1 Stone Room.
When I came to the No. 4 Stone Room and triggered the mechanism through the arch, the stone steps above the passage I am walking into are lowered to connect the passage between the No. 3 Stone Room and the No. 4 Stone Room, while obscuring the current passage
After that, if I continue to move forward, I will pass through three arches in a row, triggering the mechanism three times, triggering the channel between No. 1 and No. 5, triggering the channel between No. 4 and No. 3.
Triggered three times, the passage leading to Fuxi Road in No. 1 and No. 5 is closed, and it becomes a passage connecting No. 1 and No. 5 stone chambers.
If the entrant keeps walking in this direction, he will fall into a state of continuous circulation in the five rooms.
After understanding this, I also understood why Li Chao and others could pass here quickly
They have a lot of people, just need to disperse the people, arrange personnel in each stone chamber and passage, and then enter and exit the arch repeatedly, and find the rules in it in two strokes and find the passage now located between the No. 3 stone chamber and the Four Good Stone chamber.
Although this mysterious building is exquisitely designed, it seems to be a problem for a single intruder. Moreover, if the intruder is lucky, rush forward directly to the second stone chamber and then suddenly return all the way, he only needs to pass through the third stone chamber to just run into the fourth and third passage.
After thinking through all this, I felt extremely depressed. On weekdays, I always feel that it is necessary to think carefully about things.
But at this moment, my thoughts have made me waste more time
If I were really running back and forth in the five stone chambers like a headless fly, I might have discovered the hidden passage in front of me earlier
Of course, there is also the possibility that you are not lucky enough to hit it, but I don’t think that possibility is very small
And I suspect that the purpose of the person who built this mysterious building was actually just to hope that the intruder would retreat when he saw the difficulties, not to really want to trap the intruders.
Because although the design of the Mystery Building is clever, its rules are not complicated
What is done is more psychological pressure on the intruders
While guessing the architect's true thoughts, I looked up and looked at the murals on both sides of the stone wall.
After taking a look, I immediately became deeply curious about this ancient tomb
Because the murals I see at this moment are very different from those in the past, not only are they colorful, but they are well preserved.
Moreover, almost most of the contents of the mural are pictures of the erotic palaces that men and women love.
Of course, not all. Along the way, there are also pictures similar to war scenes mixed in.
In my impression, the murals of ancient tombs either record the life and daily life of the tomb owner, or imagine the life of the tomb owner after ascending to heaven.
If the meaning of the murals in front of you is the same as other ancient tombs, wouldn’t it mean that the life of the tomb owner, except for a few wars, was simply spent in constant sexual intercourse?
This really makes me feel a little unbelievable!
Moreover, the sequels in front of me are very different from the ancient sequels I have seen in the past.
Most of the sequels in China are painted in the Ming and Qing dynasties. They are relatively implicit and do not pay attention to the description of the human body. Instead, they care more about the performance of scenes, clothing, etc.
The men and women in the murals are not only naked, without any clothing or scene objects to set off, but also have extremely accurate proportions of human bodies, which is somewhat similar to those in European classical paintings.
Rather than murals, it is more like a picture of sex position diagrams
Moreover, the characters in the painting are just shapes, and do not depict the characters' facial features and appearance. Only gender can be judged from the shape
Female body looks plump, almost all breasts are enlarged and buttocks are raised
The male body looks muscular and extremely strong
After watching for a long time, I really couldn't see any meaning except for naked sexual desire, so I had to focus on the murals that reflected the scenes of the war.
The characters in several war murals are the same as those in the erotic palace, but the characters in them are obviously attached with items such as armor and crowns.
In addition to the characters, images such as two-wheeled chariots, war horses, and city walls have been added.
The first picture shows a scene of a warrior riding a horse and shooting archery. The target he is shooting is a fleeing enemy.
The enemy's back is inserted into an arrow, which obviously means that the warrior shot the enemy to death with an arrow.
However, the enemy's shape aroused my interest. The enemy who was shot to death wore a high crown on his head.
He Gang previously believed that this ancient tomb should be a tomb from the pre-Qin period.
If he had made the right judgment, these characters in the picture should have lived at the latest in the Spring and Autumn Period and the Warring States Period.
There are strict regulations on wearing clothing during the Spring and Autumn Period and the Warring States Period.
Among them, the hat is very typical
The head of the archery samurai only has a slight bulge. In terms of shape, it should be the common samurai crown of the Warring States warriors.
The person he shot to death wore a high crown. You must know that the crown is not something that ordinary people can wear.
During the Spring and Autumn Period and the Warring States Period, under normal circumstances, only the princes who were officially enthroned by the Zhou emperor were qualified to wear such high crowns.
Of course, after the Warring States Period, the ritual and music system was abandoned, and the number of people who were qualified to wear the crown has increased, but even so, only royal nobles will wear the crown.
From these aspects, the enemy who was shot to death by a horse warrior is quite noble, at least he is a nobleman of the level of a prince or a prince.
The second mural that shows the war scenes is a bit hard for me to understand.
The city scene appears in the picture
There are many soldiers gathered outside a city
The gate of the city gate was opened, and a group of people surrounded a warrior standing at the entrance of the city gate
The same samurai stood in front of the soldier, the samurai at the door seemed to be empty-handed, while the samurai in front of the soldier was holding a sword-shaped weapon in his hand
It looks like two groups of people talking, or it is like people in the city welcoming soldiers outside the city.
But after thinking for a while, I denied the latter view
Because if we welcome soldiers outside the city, the warrior outside the city should not hold weapons.
From this, it is speculated that this painting should be a military force coming to the city. It is more reasonable for the people in the city to go out to negotiate with the other party under the leadership of the warrior at the door.
The third painting depicts a warrior surrounded by many soldiers. The warrior inserted the sword in his hand into his body.
It should mean that the samurai were outnumbered and finally chose to understand themselves
The fourth picture is quite weird
Strictly speaking, this painting should not be a scene of war
The image of two samurai appears in the picture, one of which is lying, while the other is standing in front of the samurai.
The two samurai are exactly the same
In the distance between the two samurai scenes, a man with wide sleeves stood, with his hands facing the sky, as if cheering or praying, but behind the male image was a naked woman, but the naked woman held a sword in her hand, and half of the sword had been inserted into the body of the male in front.
After reading these four consecutive murals, I felt that I understood the meaning of the first three murals.
The first three murals seem to say that the warrior killed a nobleman with a high status. His city was either attacked by other troops because of this, or because of the huge disparity between each other's military power, he left the city to protect the ordinary residents of the city and negotiated with the invaders.
The outcome of the negotiation seems to be that the warrior chose to commit suicide in front of the enemy
In this way, this tomb should be the tomb of the suicide warrior in the mural. In the face of a powerful enemy, he chose to commit suicide. This warrior must be a strong warrior... But how can there be these sexual position maps in the tomb of such a warrior? Since the owner of the tomb is a brave warrior, the burial mural should focus on his bravery, so how can there be so many murals that show the love between men and women? And what does the fourth mural mean? I don't understand Ah... While muttering, I walked to the end of the passage, and the end was divided into two corridors on the left and right.
I was thinking about which passage I should walk
Where did people speak in the passage on the left?
I quickly leaned my body against the wall on the left corner to hide, and at the same time I carefully poked my head out and watched the corridor on the left, listening
What kind of broken tomb? Except for the main tomb room, the other tomb rooms are empty, not even a single underworld? Since I don’t put things, why did I build so many tomb rooms at the beginning, just like a maze?
Is there anything to do with us? Anyway, Boss Li paid the money, but I don’t see that he looked good and worked hard to come in. He saved several lives. Boss Cen doesn’t know what the situation is. Now it’s like this. I guess this trip will be a lot of money. Boss Li is not going to lose. You didn’t see Boss He almost turned against him just now.
What's the matter? What's going on?
Three people died on Mr. Tang, and Boss Cen's group of eleven Boss He just pulled Boss Li to settle the score and forced that guy to add money... Two tomb robbers walked past the end of the left passage.
I realized that the end of the left passage seemed to be a T-shirt intersection.
Three people died on Mr. Tang? No, Ah, I remember that only two people were bitten by the monster, one of the small man, and the other was one of the two people standing on it and shooting, and didn't they all run out? By the way, the third person should mean me... Mr. Tang must think that I was either killed by the monster or had no time to escape from the explosion range... Hearing the voices of the two tomb robbers talking gradually, I turned around and entered the passage on the left, and followed silently
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