As a loyal fan of Xu Hui and a super fan, Guo Xiaosi couldn't calm down after watching "The Lion King Battle". When he returned home, he immediately drafted a Weibo post.
The title is "Xu Hui and His Huang Feihong":
The series "Huang Feihong" is considered a milestone work of Xu Hui's movies
In fact, at the beginning of watching "Huang Feihong", I had some complaints about many of the characters. For example, the strange character of Thirteen Auntie, I felt that I was a different person at that time.
Later I felt that perhaps this setting could reflect Xu Hui's understanding of love and romance.
I am used to making all kinds of thoughts when watching movies, so I have to watch a movie three or five times. Generally speaking, I can't remember the content of the movie, but the feeling brought by the movie is like a skin-like feeling!
What touched me the most about Xu Hui's Huang Feihong series is actually the focus of his films: what an individual can do for society in times of troubled times; and what attitude should he use to face the competition between Chinese and Western cultures and what measures should he take
The four types of Chinese people who roughly portray this situation in the movie "Huang Feihong": the first type, completely Westernized
Represented by Thirteen Aunt, this character actually plays a role as an introductor of Western technology and values in Huang Feihong's movies;
The second type is against Westernization
Most of the Qing Dynasty officials and some bloody people in the world
The purpose and performance of these two people is also completely opposite. The former is to safeguard vested interests, which is manifested as being both flattering and secretly uncooperating, or using it to attack domestic people.
The latter is intended to maintain the determined state of life, which is manifested as a comprehensive exclusion, whether it is something or a person;
The third type is that it doesn't matter to the arrival of the West. As long as it can benefit or does not affect one's own benefit in its previous state, there are many such people, basically speaking as a vague background. Some officials and a large number of gangsters have close ties with the Western powers, either as compradors, or collude with white people to sell piglets, opium, or sell arms and oppress the people;
The last and least type of person is the person who transforms from a sense of crisis into a sense of urgency, and who feels that he should selectively absorb Western technology and actively participate in the competition.
There are a few officials, intellectuals like Sun Yat-sen, and some ethnic industrialists who are directly facing commercial competition, such as Huang Qiying, the shopkeeper of Baozhilin who bought steam engines, because they feel more direct and urgent about competitive pressure.
Huang Feihong is also portrayed as such a positive character here. Although sometimes he acts like a person who blindly rejects the West, once he recognizes the reality, under the guidance of Aunt Thirteen, he can basically quickly accept Western things and make pragmatic choices.
Is the reappearance of these people successful?
Or can it represent the reality at that time?
After all, we filmed a few years later that reflects that era. Moreover, these stories of Huang Feihong were basically written by screenwriters. So is this analysis meaningful to understand that era?
Many people may not know that Once upn a time in China is the English name of the movie "Huang Feihong". It translates into Chinese as 'Chinese past!'
Xu Hui borrowed the name of "The Past of America". He wanted to describe an era, but I think he did it.
It should be the reproduction of the situation in the past, and it can be used as a warning or reference for today's people.
Many problems, in my opinion, are not something that should be avoided by commercial films.
Commercial films should also have values, because they are works after all
But in China, thinkers who write papers look down on novelists who show off their skills, and novelists look down on film script creators
Everyone shouted: Don't talk about the movies
Whether it is mainstream box office blockbusters or marginal alternative works, they are treated out of the corner of their eyes
We are born with a feeling of the story and a strong sense of picture. I like director Xu Hui very much, and I even admire him a little...
……
Han Shao, who is also a leader in the literary world of post-80s, may not be so flattering about his film reviews.
From the perspective of villain Zhao Tianba, I explained how ridiculous it is to "The Lion King Battle"!
I think Zhao Tianba is a native and pure rogue with a very flexible mind. Although he possesses martial arts, he rarely acts on his own. He has some leadership skills, is flexible and responds quickly. Although he is arrogant and domineering in his work, he is very principled.
Zhao Tianba only aims to get the Lion King, although he uses any means
But basically doing things openly and not doing anything.
Do things only for the target, but hardly do anything to his family, irrelevant people, etc.
Just see it with some details
For example, when he came out of Guangdong Pharmaceutical Factory, there were no extreme actions.
After Huang Feihong obviously broke the rules and affected his efforts, he did not attack his family. His disciples and his family!
In a detail, Zhao Tianba first met Thirteenth Aunt. Facing the beautiful and charming Thirteenth Aunt, Zhao Batian actually just took a look at it with appreciation!
Zhao Tianba still abides by some rules in the world
What Zhao Tianba said himself is either my person or my enemy. If you offer a price, I will respond. It is obvious how much he spent on this Lion King battle for hegemony.
As a result, when Huang Feihong first arrived, he wanted to pull a group of people to find relationships and cancel the competition...
It would be strange if you don’t make a feud with him!
Zhao Tianba is the second generation of the enterprise, and Huang Feihong is the second generation of martial arts
It is easy to understand the second generation of the enterprise until now, but the second generation of martial arts in the modern era is actually an illusory fantasy of the savior like Sun Wukong.
He is neither a gangster, nor a yamen, nor a consortium
Zhao Tianba represents the power and interests of the company
He can support many people and hire many people
Unlike Huang Feihong, healing the wounded by saving lives and helping the wounded
Zhao Tianba is just very straightforward. I will give you money and do things for me. If you have the ability, I will appreciate you. If you can't do it, I will fire you.
When I saw the desolate plot of the ghost's feet breaking seven legs, I felt that Zhao Tianba was very cold and his men were also very bad
But if you think about it carefully, Ghost Foot Qi is not a human being, and you will get the ending purely by yourself.
For example, when Zhao Tianba first called out the Ghost Foot Seven, the position he was in was obviously not in line with.
The first thing that Guijiaoqi did after the appearance was to kick away the group of colleagues who were defeated first and scolded him. Their performance was basically a hot head, and they refused to recognize their relatives, and they acted arbitrarily, without distinguishing between inside and outside. This shows how he is usually a person.
I guess, even if an ordinary person meets such a master, he will not show him a good look when he encounters him in a downturn.
By the way, at the end, he also criticized Xu Hui slightly, feeling that he was a little too cautious or too flattering: Zhao Tianba, the biggest villain in the movie, has no problem in the portrayal of actor Wang Qianyuan. He interprets a person's arrogance and domineeringness and greed to the extreme, but only one thing is very disappointing, that is, the showdown between Huang Feihong and Zhao Tianba is surprisingly fast. In terms of single-on-one ability, it is not at the same level at all. The large number of foreshadowings originally laid out in this form seems a bit abrupt. It is obvious that Xu Hui is eager to finish it, eager to show loyalty, and through Huang Feihong's mouth, he said a reason, saying that he is not a hidden Olympics...
The title is "Xu Hui and His Huang Feihong":
The series "Huang Feihong" is considered a milestone work of Xu Hui's movies
In fact, at the beginning of watching "Huang Feihong", I had some complaints about many of the characters. For example, the strange character of Thirteen Auntie, I felt that I was a different person at that time.
Later I felt that perhaps this setting could reflect Xu Hui's understanding of love and romance.
I am used to making all kinds of thoughts when watching movies, so I have to watch a movie three or five times. Generally speaking, I can't remember the content of the movie, but the feeling brought by the movie is like a skin-like feeling!
What touched me the most about Xu Hui's Huang Feihong series is actually the focus of his films: what an individual can do for society in times of troubled times; and what attitude should he use to face the competition between Chinese and Western cultures and what measures should he take
The four types of Chinese people who roughly portray this situation in the movie "Huang Feihong": the first type, completely Westernized
Represented by Thirteen Aunt, this character actually plays a role as an introductor of Western technology and values in Huang Feihong's movies;
The second type is against Westernization
Most of the Qing Dynasty officials and some bloody people in the world
The purpose and performance of these two people is also completely opposite. The former is to safeguard vested interests, which is manifested as being both flattering and secretly uncooperating, or using it to attack domestic people.
The latter is intended to maintain the determined state of life, which is manifested as a comprehensive exclusion, whether it is something or a person;
The third type is that it doesn't matter to the arrival of the West. As long as it can benefit or does not affect one's own benefit in its previous state, there are many such people, basically speaking as a vague background. Some officials and a large number of gangsters have close ties with the Western powers, either as compradors, or collude with white people to sell piglets, opium, or sell arms and oppress the people;
The last and least type of person is the person who transforms from a sense of crisis into a sense of urgency, and who feels that he should selectively absorb Western technology and actively participate in the competition.
There are a few officials, intellectuals like Sun Yat-sen, and some ethnic industrialists who are directly facing commercial competition, such as Huang Qiying, the shopkeeper of Baozhilin who bought steam engines, because they feel more direct and urgent about competitive pressure.
Huang Feihong is also portrayed as such a positive character here. Although sometimes he acts like a person who blindly rejects the West, once he recognizes the reality, under the guidance of Aunt Thirteen, he can basically quickly accept Western things and make pragmatic choices.
Is the reappearance of these people successful?
Or can it represent the reality at that time?
After all, we filmed a few years later that reflects that era. Moreover, these stories of Huang Feihong were basically written by screenwriters. So is this analysis meaningful to understand that era?
Many people may not know that Once upn a time in China is the English name of the movie "Huang Feihong". It translates into Chinese as 'Chinese past!'
Xu Hui borrowed the name of "The Past of America". He wanted to describe an era, but I think he did it.
It should be the reproduction of the situation in the past, and it can be used as a warning or reference for today's people.
Many problems, in my opinion, are not something that should be avoided by commercial films.
Commercial films should also have values, because they are works after all
But in China, thinkers who write papers look down on novelists who show off their skills, and novelists look down on film script creators
Everyone shouted: Don't talk about the movies
Whether it is mainstream box office blockbusters or marginal alternative works, they are treated out of the corner of their eyes
We are born with a feeling of the story and a strong sense of picture. I like director Xu Hui very much, and I even admire him a little...
……
Han Shao, who is also a leader in the literary world of post-80s, may not be so flattering about his film reviews.
From the perspective of villain Zhao Tianba, I explained how ridiculous it is to "The Lion King Battle"!
I think Zhao Tianba is a native and pure rogue with a very flexible mind. Although he possesses martial arts, he rarely acts on his own. He has some leadership skills, is flexible and responds quickly. Although he is arrogant and domineering in his work, he is very principled.
Zhao Tianba only aims to get the Lion King, although he uses any means
But basically doing things openly and not doing anything.
Do things only for the target, but hardly do anything to his family, irrelevant people, etc.
Just see it with some details
For example, when he came out of Guangdong Pharmaceutical Factory, there were no extreme actions.
After Huang Feihong obviously broke the rules and affected his efforts, he did not attack his family. His disciples and his family!
In a detail, Zhao Tianba first met Thirteenth Aunt. Facing the beautiful and charming Thirteenth Aunt, Zhao Batian actually just took a look at it with appreciation!
Zhao Tianba still abides by some rules in the world
What Zhao Tianba said himself is either my person or my enemy. If you offer a price, I will respond. It is obvious how much he spent on this Lion King battle for hegemony.
As a result, when Huang Feihong first arrived, he wanted to pull a group of people to find relationships and cancel the competition...
It would be strange if you don’t make a feud with him!
Zhao Tianba is the second generation of the enterprise, and Huang Feihong is the second generation of martial arts
It is easy to understand the second generation of the enterprise until now, but the second generation of martial arts in the modern era is actually an illusory fantasy of the savior like Sun Wukong.
He is neither a gangster, nor a yamen, nor a consortium
Zhao Tianba represents the power and interests of the company
He can support many people and hire many people
Unlike Huang Feihong, healing the wounded by saving lives and helping the wounded
Zhao Tianba is just very straightforward. I will give you money and do things for me. If you have the ability, I will appreciate you. If you can't do it, I will fire you.
When I saw the desolate plot of the ghost's feet breaking seven legs, I felt that Zhao Tianba was very cold and his men were also very bad
But if you think about it carefully, Ghost Foot Qi is not a human being, and you will get the ending purely by yourself.
For example, when Zhao Tianba first called out the Ghost Foot Seven, the position he was in was obviously not in line with.
The first thing that Guijiaoqi did after the appearance was to kick away the group of colleagues who were defeated first and scolded him. Their performance was basically a hot head, and they refused to recognize their relatives, and they acted arbitrarily, without distinguishing between inside and outside. This shows how he is usually a person.
I guess, even if an ordinary person meets such a master, he will not show him a good look when he encounters him in a downturn.
By the way, at the end, he also criticized Xu Hui slightly, feeling that he was a little too cautious or too flattering: Zhao Tianba, the biggest villain in the movie, has no problem in the portrayal of actor Wang Qianyuan. He interprets a person's arrogance and domineeringness and greed to the extreme, but only one thing is very disappointing, that is, the showdown between Huang Feihong and Zhao Tianba is surprisingly fast. In terms of single-on-one ability, it is not at the same level at all. The large number of foreshadowings originally laid out in this form seems a bit abrupt. It is obvious that Xu Hui is eager to finish it, eager to show loyalty, and through Huang Feihong's mouth, he said a reason, saying that he is not a hidden Olympics...
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