In the premiere hall, Chen Bosen and Wang Zhonghan, the founders of "Movie Biweekly", have already put down their pens.
"The Royal Sister" really has nothing to record. It is a completely commercial action film with no ideological and artistic connotation.
However, this film is a major breakthrough in Hong Kong films in terms of shooting and production, which brought great shock to Chen Bosen and the others.
Sitting between Chen Bosen and Wang Zhonghan was a middle-aged beauty wearing black-framed glasses and a bookish face.
Sister Tang, what do you think of this movie?Chen Bosen asked the woman respectfully.
The woman commented: From the perspective of commercial movies, this "Senior Sister Royal" is a top-notch work even if it is put in Hollywood.
Chen Bosen and Wang Zhonghan did not expect that the woman had such a high evaluation of "The Royal Sister". Wang Zhonghan asked: So if this movie was sold to the United States, is it possible to get a good box office?
The woman said: This is hard to say. The box office performance of Chinese films in the North American market depends on operation, secondly, luck, and thirdly, the quality of the film.
Chen Bosen asked in confusion: Why is the quality of the film still ranked behind luck?
The woman smiled and said: For example, the Hong Kong film "The World's No. 1 Fist" a few years ago, do you think it is better than Bruce Lee's movie?But this movie was the ninth annual box office in North America that year, far more than Bruce Lee's films that year.The success of this movie is first of all, and the promotion and distribution work are done well; the second is that it is lucky. When it was released, there was no strong film in the United States to compete for box office, and it also attracts American audiences through the kung fu trend set off by Bruce Lee.As for the quality of the film, I really can't find any other advantages in that movie except for the editing.
Chen Bosen and Wang Zhonghan looked like they were taught, and then continued to watch the "Senior Sister Royal" being screened.
Who is this woman?
It actually made Chen Bosen and Wang Zhonghan so respectful.
She is the famous Hong Kong female director Tang Shuxuan. The Hong Kong New Wave Movement, which is now in full swing, was first proposed in her film magazine "Big Features" two years ago.
Last year, Tang Shuxuan and her husband immigrated to the United States.
Before she left Hong Kong, she stopped the movie magazine "Big Feature" and the magazine editor Chen Bosen and others came out to create the "Movie Biweekly".
It can be said that Tang Shuxuan's "Big Feature" is the predecessor of "Movie Biweekly", because the staff teams and publication concepts of the two magazines are in line with each other.
Tang Shuxuan had already insisted on creating art films in Hong Kong in the late 1960s, and her first film was shortlisted for the main competition unit of the Cannes Film Festival.
Eight years ago, when the Cultural Revolution was at its most turmoil in Hong Kong, Tang Shuxuan's second film made the theme of the Cultural Revolution, and analyzed and reflected on this movement.
This movie passed the censorship in Hong Kong more than a month ago. If it wants to be released, it will have to wait at least five or six years.
In a sense, Tang Shuxuan can be regarded as the mother of the new wave of Hong Kong films and has a very high status among the new Hong Kong filmmakers.
Like Chen Bosen and Wang Zhonghan, they were just young men who followed Tang Shuxuan to run a magazine.
On the big screen, the chaotic fighting scene in the restaurant has ended, but the audience is still immersed in the shocking scene just now.
The scene of bullets flying around and lightning is really exciting and enjoyable for the current audience, especially the scene of Hiroyuki Sanada grabbing the villain's hair and smashing four or five glasses with his face in a row, which made the audience feel relieved and amazed.
The shot of the shot that knocked the glass with his face was completely cut without cutting.
The villain who killed Hiroshi Sanada's wife and daughter was finally killed by Hiroshi Sanada's personal hand, and the depression accumulated in the audience was also vented.
The plot continues slowly, with many funny plots interspersed in the middle, which makes the audience relax and laugh happily.
But at this moment, the plane escort played by Kang Jianfei was caught by the last villain and fell on the exterior wall of the tall building to attract Brigitte Lin to himself.
When "The Royal Sister" was screened here, there should actually be three protagonists, namely Brigitte Lin, Hiroyuki Sanada and Kenfei Kang.
According to the general plot of the movie, Brigitte Lin chased him to the rooftop to fight wits and courage with the villain, and then successfully rescued Kang Jianfei.
But the plot development was completely beyond the audience's expectations.
In the original work, here is the villain talking to the heroine using the big brother phone number, but there is no big brother yet in Hong Kong, so Kang Jianfei has changed it to a high-power walkie-talkie.
The villain called Lin in advance and made an appointment with Brigitte Lin to the telephone booth near Central Land Plaza, and then asked Brigitte Lin to talk with the intercom he placed in the telephone booth.
Kang Jianfei saw that Brigitte Lin was going to be led upstairs, so in order not to let his sweetheart go to danger, he was hanging upside down on the high building, and he bent down with difficulty to untie the rope that the villain tied to his legs.
Seeing that Kang Jianfei was about to untied the rope and committed suicide, the villain quickly pulled him to the rooftop.
Just as the audience was expecting Kang Jianfei to be pulled to the rooftop and then counterattacked and escaped while the villain was not paying attention, Kang Jianfei suddenly grinned and suddenly untied the rope just one arm away from the rooftop.
In the air, the second male lead played by Kang Jianfei danced in his hands and feet, and broke through the glass shed of the building with a bang, and fell to the ground with the shattered glass.
Ah!Just as Kang Jianfei untied the rope and fell, at least one-third of the audience at the scene made various exclamations at the same time, because the development of the plot was beyond everyone's expectations.
The second male lead played by Kang Jianfei, who previously gave the audience a kind of frivolous behavior, self-indulgent, smooth-mouthed, and a bit funny.
But now he actually gave up his life just to prevent his lover from taking risks. It can be said to be a true seed of infatuation.
On the big screen, the policewoman played by Brigitte Lin looked at the second male lead falling from a tall building, and kept flashing back to the scene of being a sloppy person who was pursuing her, leaving silent tears in his eyes.
In dealing with this plot, Kang Jianfei put in a lot of effort in the later stages, which is ten times more sensational than the original work of another time and space.
The tender and sad music sounded, combined with Brigitte Lin's tears and many memories of Kang Jianfei when he was alive, and these clips were all Kang Jianfei smiling, with all kinds of smiles.
That silly smile forms a strong contrast with the infatuation and tragedy at this moment.
Bang!
The picture is still Brigitte Lin crying silently, but the background sound is the loud noise of Kang Jian flying to the ground. Then the picture suddenly cuts to the roof, changing to the villain's surprise and provocative smile.
At this moment, many of the female audiences in the premiere hall were moved to tears, while the male audience's anger towards the villain reached another peak.
But that's not the end. After the second male lead played by Kang Jianfei died, the villain actually dug out his body from the cemetery and recorded the entire process of digging his grave to Brigitte Lin and Hiroyuki Sanada, claiming that he wanted to let the person who killed his brother die without a burial place.
The Chinese people are all concerned about being obsessed with the fact that the villain's actions finally ignited the audience's anger.
Some viewers were so angry that they threw the soda bottle in their hands towards the screen, but hit the front row audience's head, which made the man scream.
Sammo Hung loosened his tie and said: This script was written, which made me feel hot all over.
On Chen Bosen's side, Tang Shuxuan, the director of the literary film who was a lady from a wealthy family, couldn't help but twist her body to relieve her emotions and said: Kang Jianfei is a master in creating an atmosphere.I never thought that in more than a year when I went to the United States, such a powerful director appeared in Hong Kong.
The final decisive battle is finally coming!
The villain used the corpse of the second male lead to attract Hiroyuki Sanada and Brigitte Lin to a construction site, and buried a large amount of explosives there in advance, while he hid in the house and used a sniper rifle to kill the protagonists.
Such a dangerous ambush made the audience feel worried about the two protagonists, Brigitte Lin and Hiroyuki Sanada.
Sure enough, as soon as Sanada Hiroyuki drove to the construction site, he was immediately suppressed by a sniper rifle and was finally stuck in the car that kept leaking oil.
Then as soon as Brigitte Lin appeared, she attracted laughter and cheers from the audience as soon as she appeared.But it turned out that she was driving a modified car, with all metal shells and armor, and the sniper rifle could not penetrate it.
The climax of the decisive battle was the battle between Brigitte Lin and the villain.
What the audience did not expect was that the weapon used by the villain was actually a chainsaw.
The chainsaw with the loud sound of a diesel motor quickly turned the saw teeth and chopped towards Brigitte Lin again and again, and many viewers were sweating when they saw it.
Sammo Hung was shocked. He never thought of using a chainsaw as a weapon to shoot a fighting scene. The action scene on the screen is so visually impactful.
The ending of the story is naturally the villain being subdued. While the audience cheered, they found that the film was not over.
Just as they were thinking about the two men of Sanada Hiroyuki and Brigitte Lin, one of whom had his wife and the other had his boyfriend, would they come together to become lovers? When the blood-worn villain crawled out of the ruins with a torch and opened a gasoline barrel, which was full of bomb leads.
Boom boom boom boom boom...
A series of explosions sounded, and Kang Jianfei also added a set of down shots to make the explosion scene even more grand.
The villain was burned to death, and the two protagonists successfully escaped in the explosion with the corpse of the second male lead. This ending finally made the audience dissipate all the depression in their hearts, and they felt like they had survived the disaster.
Slap sex...
Most of the audience clapped spontaneously, especially the last explosion scene was so cool. I gave another easter egg to the audience who thought it was over. How can I not like it?
Amid the applause, people found that the screen actually appeared again.
When I opened my eyes and looked closely, it was a behind-the-scenes look at the work behind the scenes. Most of them were the action scenes of Brigitte Lin and Hiroyuki Sanada, and some were the speed and explosion shooting scenes of the Raptors SWAT team.
When I saw a stuntman being pulled out of a pile of deformed cars, the applause that had already stopped sounded again, but this time the applause was dedicated to the people behind the scenes.
"The Royal Sister" really has nothing to record. It is a completely commercial action film with no ideological and artistic connotation.
However, this film is a major breakthrough in Hong Kong films in terms of shooting and production, which brought great shock to Chen Bosen and the others.
Sitting between Chen Bosen and Wang Zhonghan was a middle-aged beauty wearing black-framed glasses and a bookish face.
Sister Tang, what do you think of this movie?Chen Bosen asked the woman respectfully.
The woman commented: From the perspective of commercial movies, this "Senior Sister Royal" is a top-notch work even if it is put in Hollywood.
Chen Bosen and Wang Zhonghan did not expect that the woman had such a high evaluation of "The Royal Sister". Wang Zhonghan asked: So if this movie was sold to the United States, is it possible to get a good box office?
The woman said: This is hard to say. The box office performance of Chinese films in the North American market depends on operation, secondly, luck, and thirdly, the quality of the film.
Chen Bosen asked in confusion: Why is the quality of the film still ranked behind luck?
The woman smiled and said: For example, the Hong Kong film "The World's No. 1 Fist" a few years ago, do you think it is better than Bruce Lee's movie?But this movie was the ninth annual box office in North America that year, far more than Bruce Lee's films that year.The success of this movie is first of all, and the promotion and distribution work are done well; the second is that it is lucky. When it was released, there was no strong film in the United States to compete for box office, and it also attracts American audiences through the kung fu trend set off by Bruce Lee.As for the quality of the film, I really can't find any other advantages in that movie except for the editing.
Chen Bosen and Wang Zhonghan looked like they were taught, and then continued to watch the "Senior Sister Royal" being screened.
Who is this woman?
It actually made Chen Bosen and Wang Zhonghan so respectful.
She is the famous Hong Kong female director Tang Shuxuan. The Hong Kong New Wave Movement, which is now in full swing, was first proposed in her film magazine "Big Features" two years ago.
Last year, Tang Shuxuan and her husband immigrated to the United States.
Before she left Hong Kong, she stopped the movie magazine "Big Feature" and the magazine editor Chen Bosen and others came out to create the "Movie Biweekly".
It can be said that Tang Shuxuan's "Big Feature" is the predecessor of "Movie Biweekly", because the staff teams and publication concepts of the two magazines are in line with each other.
Tang Shuxuan had already insisted on creating art films in Hong Kong in the late 1960s, and her first film was shortlisted for the main competition unit of the Cannes Film Festival.
Eight years ago, when the Cultural Revolution was at its most turmoil in Hong Kong, Tang Shuxuan's second film made the theme of the Cultural Revolution, and analyzed and reflected on this movement.
This movie passed the censorship in Hong Kong more than a month ago. If it wants to be released, it will have to wait at least five or six years.
In a sense, Tang Shuxuan can be regarded as the mother of the new wave of Hong Kong films and has a very high status among the new Hong Kong filmmakers.
Like Chen Bosen and Wang Zhonghan, they were just young men who followed Tang Shuxuan to run a magazine.
On the big screen, the chaotic fighting scene in the restaurant has ended, but the audience is still immersed in the shocking scene just now.
The scene of bullets flying around and lightning is really exciting and enjoyable for the current audience, especially the scene of Hiroyuki Sanada grabbing the villain's hair and smashing four or five glasses with his face in a row, which made the audience feel relieved and amazed.
The shot of the shot that knocked the glass with his face was completely cut without cutting.
The villain who killed Hiroshi Sanada's wife and daughter was finally killed by Hiroshi Sanada's personal hand, and the depression accumulated in the audience was also vented.
The plot continues slowly, with many funny plots interspersed in the middle, which makes the audience relax and laugh happily.
But at this moment, the plane escort played by Kang Jianfei was caught by the last villain and fell on the exterior wall of the tall building to attract Brigitte Lin to himself.
When "The Royal Sister" was screened here, there should actually be three protagonists, namely Brigitte Lin, Hiroyuki Sanada and Kenfei Kang.
According to the general plot of the movie, Brigitte Lin chased him to the rooftop to fight wits and courage with the villain, and then successfully rescued Kang Jianfei.
But the plot development was completely beyond the audience's expectations.
In the original work, here is the villain talking to the heroine using the big brother phone number, but there is no big brother yet in Hong Kong, so Kang Jianfei has changed it to a high-power walkie-talkie.
The villain called Lin in advance and made an appointment with Brigitte Lin to the telephone booth near Central Land Plaza, and then asked Brigitte Lin to talk with the intercom he placed in the telephone booth.
Kang Jianfei saw that Brigitte Lin was going to be led upstairs, so in order not to let his sweetheart go to danger, he was hanging upside down on the high building, and he bent down with difficulty to untie the rope that the villain tied to his legs.
Seeing that Kang Jianfei was about to untied the rope and committed suicide, the villain quickly pulled him to the rooftop.
Just as the audience was expecting Kang Jianfei to be pulled to the rooftop and then counterattacked and escaped while the villain was not paying attention, Kang Jianfei suddenly grinned and suddenly untied the rope just one arm away from the rooftop.
In the air, the second male lead played by Kang Jianfei danced in his hands and feet, and broke through the glass shed of the building with a bang, and fell to the ground with the shattered glass.
Ah!Just as Kang Jianfei untied the rope and fell, at least one-third of the audience at the scene made various exclamations at the same time, because the development of the plot was beyond everyone's expectations.
The second male lead played by Kang Jianfei, who previously gave the audience a kind of frivolous behavior, self-indulgent, smooth-mouthed, and a bit funny.
But now he actually gave up his life just to prevent his lover from taking risks. It can be said to be a true seed of infatuation.
On the big screen, the policewoman played by Brigitte Lin looked at the second male lead falling from a tall building, and kept flashing back to the scene of being a sloppy person who was pursuing her, leaving silent tears in his eyes.
In dealing with this plot, Kang Jianfei put in a lot of effort in the later stages, which is ten times more sensational than the original work of another time and space.
The tender and sad music sounded, combined with Brigitte Lin's tears and many memories of Kang Jianfei when he was alive, and these clips were all Kang Jianfei smiling, with all kinds of smiles.
That silly smile forms a strong contrast with the infatuation and tragedy at this moment.
Bang!
The picture is still Brigitte Lin crying silently, but the background sound is the loud noise of Kang Jian flying to the ground. Then the picture suddenly cuts to the roof, changing to the villain's surprise and provocative smile.
At this moment, many of the female audiences in the premiere hall were moved to tears, while the male audience's anger towards the villain reached another peak.
But that's not the end. After the second male lead played by Kang Jianfei died, the villain actually dug out his body from the cemetery and recorded the entire process of digging his grave to Brigitte Lin and Hiroyuki Sanada, claiming that he wanted to let the person who killed his brother die without a burial place.
The Chinese people are all concerned about being obsessed with the fact that the villain's actions finally ignited the audience's anger.
Some viewers were so angry that they threw the soda bottle in their hands towards the screen, but hit the front row audience's head, which made the man scream.
Sammo Hung loosened his tie and said: This script was written, which made me feel hot all over.
On Chen Bosen's side, Tang Shuxuan, the director of the literary film who was a lady from a wealthy family, couldn't help but twist her body to relieve her emotions and said: Kang Jianfei is a master in creating an atmosphere.I never thought that in more than a year when I went to the United States, such a powerful director appeared in Hong Kong.
The final decisive battle is finally coming!
The villain used the corpse of the second male lead to attract Hiroyuki Sanada and Brigitte Lin to a construction site, and buried a large amount of explosives there in advance, while he hid in the house and used a sniper rifle to kill the protagonists.
Such a dangerous ambush made the audience feel worried about the two protagonists, Brigitte Lin and Hiroyuki Sanada.
Sure enough, as soon as Sanada Hiroyuki drove to the construction site, he was immediately suppressed by a sniper rifle and was finally stuck in the car that kept leaking oil.
Then as soon as Brigitte Lin appeared, she attracted laughter and cheers from the audience as soon as she appeared.But it turned out that she was driving a modified car, with all metal shells and armor, and the sniper rifle could not penetrate it.
The climax of the decisive battle was the battle between Brigitte Lin and the villain.
What the audience did not expect was that the weapon used by the villain was actually a chainsaw.
The chainsaw with the loud sound of a diesel motor quickly turned the saw teeth and chopped towards Brigitte Lin again and again, and many viewers were sweating when they saw it.
Sammo Hung was shocked. He never thought of using a chainsaw as a weapon to shoot a fighting scene. The action scene on the screen is so visually impactful.
The ending of the story is naturally the villain being subdued. While the audience cheered, they found that the film was not over.
Just as they were thinking about the two men of Sanada Hiroyuki and Brigitte Lin, one of whom had his wife and the other had his boyfriend, would they come together to become lovers? When the blood-worn villain crawled out of the ruins with a torch and opened a gasoline barrel, which was full of bomb leads.
Boom boom boom boom boom...
A series of explosions sounded, and Kang Jianfei also added a set of down shots to make the explosion scene even more grand.
The villain was burned to death, and the two protagonists successfully escaped in the explosion with the corpse of the second male lead. This ending finally made the audience dissipate all the depression in their hearts, and they felt like they had survived the disaster.
Slap sex...
Most of the audience clapped spontaneously, especially the last explosion scene was so cool. I gave another easter egg to the audience who thought it was over. How can I not like it?
Amid the applause, people found that the screen actually appeared again.
When I opened my eyes and looked closely, it was a behind-the-scenes look at the work behind the scenes. Most of them were the action scenes of Brigitte Lin and Hiroyuki Sanada, and some were the speed and explosion shooting scenes of the Raptors SWAT team.
When I saw a stuntman being pulled out of a pile of deformed cars, the applause that had already stopped sounded again, but this time the applause was dedicated to the people behind the scenes.
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