The reason why Hong Kong performing arts staff pays is notoriously high is mainly referring to the top-notch directors and popular movie stars.
For example, the films directed by Wang Jing are often sold very well. Not only does he get a high salary for the director, but he often has a box office share. For example, although Andy Lau is not the most famous in Hong Kong, he is very popular in Taiwan, so his current salary has been 8 million, catching up with Chow Yun-fat, Stephen Chow and others, and even surpassing the brothers Xu Guanwen and Xu Guanjie.
As for those second- and third-rate directors and actors, although their income has increased significantly compared to before, it is because of the prosperity of Hong Kong films, and the pay these people receive is relatively reasonable.
Taiwanese film merchants complain that Hong Kong performing artists’ pay is too high and raises the cost of studios, but they actually have their own responsibilities, because Hong Kong stars’ pay was boosted by these guys, and now they want to collect it but can’t.
In another time and space, the result of the second round of negotiations between the two sides on the issue of pay was to let Xiang Huaqiang, as the convener, coordinate the reasonable pay of Hong Kong performing arts staff.
But even with Xiang Huaqiang's gang leader's background, it is still in vain. How much money can you still control others' profits?
The two sides had a verbal debate, and Hong Kong producers didn't speak much, focusing on Xu Guanwen, the president of the Hong Kong Performing Arts Association.
Xu Guanwen said: I can't do this kind of thing.When the association was established, it was my trust in me that everyone chose me as the president.My responsibility is to fight for rights for Hong Kong performers, not to help third parties to pressure their pay.
This matter...Mr. Kang will make the decision.He Guanchang suddenly spoke.
Everyone looked at Kang Jianfei, waiting for him to finally express his opinion.
If it is an advantage to Kang Jianfei's grasp of a large number of artist resources when resolving contract disputes, then Kang Jianfei faces a troublesome thing when coordinating the pay of performers.
So many directors and actors sign in your company and follow you, are you embarrassed to help outsiders suppress their pay?
As long as Kang Jianfei agrees to do this, he will offend a large number of directors and movie stars regardless of success or not.
Those people may not dare to say anything on the surface, but they will definitely feel unhappy. It is certain that they are talking and cursing behind their backs.
Kang Jianfei has long been an old fox, how could he do such an anger? He said with a playful smile on his face: Do you think the cost of Hong Kong movies is increased by the pay of popular movie stars and directors?
Yang Dengkui said: This is a clear thing. Now, he invests in Hong Kong films with a total investment of 20 million yuan. The salary for the starring and director alone is more than 10 million yuan. If there are two or three popular supporting roles, the labor cost will be more than 15 million yuan.What else can the remaining 5 million do?The director can only make shoddy movies to fool the audience.
wrong!
Kang Jianfei suddenly shouted, which scared everyone in the conference room. He smiled and said, "I think this is not just a problem for the director and movie stars, but investors and producers need to take more responsibilities!"
Wu Dun asked in confusion: What is this statement?
Kang Jianfei continued: Why is labor cost accounting for more than half of the total budget of the movie?The most root cause lies with you.You want big stars, big cast and big directors, and you don’t read the script and just recognize your face. You can hire whoever is popular. This is understandable for the box office, but this is essentially arousing the stars’ pay.
Wang Yingxiang said: If you are not a star, what should I invite you to do?
Kang Jianfei said: If you regard making movies as an ordinary commercial investment, then your behavior only looks at the raw materials of the product, and ignores the production process and process of the product at all. You don’t even know the final appearance of the product when investing money.Then consumers buy products with unqualified quality, but they don’t buy them anymore, and the products are overcrowded and cannot be sold. At this time, you complain that the raw materials are too expensive.This is putting the cart before the horse!What is a movie?Movies sell content, not just celebrities.You can’t be more cautious when investing?
Cai Songlin argued: You can't say that...
Take Boss Cai’s scholar company as an example. Kang Jianfei directly interrupted Cai Songlin’s speech, and Wong Kar-wai was able to get tens of millions of Hong Kong dollars in investment with several celebrity film contracts and a plan to adapt Jin Yong’s novels.Have you really made careful considerations before investing?You don't even know what kind of film he wants to make.What's the result?As a result, Wong Kar-wai didn't shoot the movie for half a year, but instead used up the budget of more than 10 million Hong Kong dollars. Can you blame the movie stars for their high pay?
Cai Songlin's face turned red when she was told, and this matter was already regarded as a joke by people in the circle.
The final solution was negotiated: Wong Kar-wai brought his friend Liu Zhenwei into the crew and used the original team to shoot another comedy film, which was later "The East is the West".
In just one month, Liu Zhenwei's "East and West" has been completed, while Wong Kar-wai's "East and West Poison" is still progressing slowly, and it is estimated that it will take a year or two to see the film.
Ahem, this is a special case.Yang Dengkui coughed to relieve Cai Songlin.
Kang Jianfei sneered: Is this an exception?Among the ten Taiwanese-funded Hong Kong films, at least six of them are launched without a script. As long as the producer signs a celebrity film contract, you dare to invest!
The eight major film producers in Taiwan can only be corrected silently, because Kang Jianfei’s statements are all facts.
Everyone looked at each other for a while, and then Wang Yingxiang said: What Mr. Kang said is the truth, and we should pay more attention in the future.But now it is useless to say this. The most important thing is how to suppress the inflated celebrity pay.
It is not too late to repair the siege. How can it be said that it is useless?
Kang Jianfei just refused to accept the hot potato of lowering celebrity pay. He said, "Look at Hollywood. How rigorous is the process of filming in movies? Which Hollywood director can sign a few celebrity movies at will, and dare to pay for the producers and investors without even the script or even the conception?"I think it is only a trivial matter to lower celebrity pay, but more importantly, to standardize the future film production process.At least, when you invest and pay, you have to know what the director is going to film?
No one said anything, everyone was thinking, and some showed disdainful expressions.
Kang Jianfei continued: Take Wong Kar-wai's "East Evil and West Poison" as an example. Is it really necessary to invite seven or eight first-line movie stars for a play?One or two are enough!Don’t treat the audience as fools who only recognize the stars and pay for money.There are big casts in the way of shooting big casts. Judging from the current production cost of Hong Kong films, if you want to shoot big casts, you have to invest at least 30 million yuan. If you invest 20 million yuan, you can shoot big casts. Of course, the star pays account for half of it.If you invest 50 million, then 15 million star pay is nothing!I also want to gather celebrities but refuse to pay enough money, so what I made was of course a big bad movie.It’s not that the stars’ pay is too high, but that you invest too little money!If you want to only pay 20 million, then just be honest and shoot a medium cast film. It is enough to ask one or two big stars to be your signature. If you think about the script and improve the quality of the films, the movies you make may not be lower than those big stars who gather together.
Kang Jianfei said it very clearly. When Taiwanese filmmakers invested in Hong Kong films, they wanted to buy good goods but didn't want to pay enough money. How can there be cheap and beautiful things in this world?
The eight major film dealers who control the film source of the entire Taiwan market are now sitting in the conference room, scolded by Kang Jianfei like a grandson.
Some people must be unhappy, but they have to admit that Kang Jianfei is right, and at the same time they are thinking about whether they should change their investment ideas in the future. After all, Taiwanese audiences have become more sharp now, unlike before, when they saw Hong Kong starring actors, they were foolishly paying for money to enter the theater.
Kang Jianfei's words were not only said to Taiwanese filmmakers, but also Hong Kong producers like Chen Rongmei and Roger Cheng who became monks halfway.
They don’t understand movies at all. They blindly invest in filming with theaters in their hands. They also only read celebrities and not scripts. The director uses big casts to pay for it, which eventually leads to the current bad situation of crowded bad movies.
Kang Jianfei had already completely led the talks at this time. He said: I suggest that the Hong Kong Film Practitioners Association should regulate a Hong Kong film production charter.This charter is not mandatory, but is used as a reference for producers and investors, and firmly resists directors who rely on celebrity film appointments to deceive investment.Most of you here have families and businesses. Those directors can take advantage of the prosperity of Hong Kong films and make a vote and leave. But you and I have production companies and theater companies. Who will lose the biggest loss in the end after ruining the entire market?It’s you, it’s me, it’s all of us!
Now it was the Hong Kong producers' turn to ponder. Kang Jianfei's words were indeed thought-provoking, and they even considered this kind of issue themselves before.
Even if Kang Jianfei did not appear, the bad box office status of Hong Kong films in 1993 also alerted a large number of Hong Kong practitioners.
They wrote letters to the Hong Kong and British governments, asking the Hong Kong government to set up a film bureau to use official power to regulate the chaotic Hong Kong film industry. However, until the return of 1997, the Hong Kong and British governments did not respond positively to this matter, and they did not care about the life or death of Hong Kong films.
Kang Jianfei continued: The pay of stars cannot be suppressed. We will give him a pay of 5 million for a certain star. How can he be honest and obedient?If you really ask for it according to the standard of 5 million, another company paid 6 million. Who would you agree to act for?
Speaking of this, Kang Jianfei changed his tone again. Of course, everyone has seen the situation of Hong Kong films’ local box office and overseas box office this year.Three words, that is, "reluctance". It is reasonable to reduce the actor's pay when the box office is booming. This is the same as increasing the actor's pay when the box office is booming.Our Oriental Entertainment Agency will negotiate with the Hong Kong Performing Artists Association as soon as possible to formulate a reference price list for actors’ remuneration.But this is just a reference for power and will not be enforced, and no one can force celebrities to take on the show at which price.
When they heard that Kang Jianfei finally let go, the eight major film merchants in Taiwan also felt much more relaxed. They all knew that this kind of thing could not be achieved overnight. It would be rare to get a reference price list for Hong Kong star pay. There is at least a basis for asking actors to pay for them in the future.
In the end, the issue of commission issuance was not reached, and the result was not satisfactory to both parties. In the end, they could only cooperate based on their will.
Since some Hong Kong filmmakers are unwilling to charge commissions for distribution, then, people are willing to do so. We won’t buy your films in the future, but we will only buy these two companies. The source of films is not big enough and it will not be enough to play old films to support the scene.
Don’t think that Taiwanese film merchants can’t do such a thing. In another time and space, after the second round of negotiations between the two sides collapsed, they had not bought Hong Kong films for half a year, and many Taiwanese cinemas had to repeatedly screen old films to deal with it.
In the end, Hong Kong's production companies could not hold on anymore. A large number of films went bankrupt in half a year. Taiwanese film merchants and hospital merchants also suffered heavy losses. The two sides had no choice but to sit together for the third round of negotiations.
But after the trend of boycotting Hong Kong films in the past six months, the Hong Kong film industry suffered heavy losses and closed down nearly half of the production companies and theaters. Later, although Hong Kong and Taiwan negotiated to resolve the matter, Hong Kong films declined from then on.
Fortunately, with Kang Jianfei's intervention, everyone did not directly break down this time. Although there are still problems that need to be solved, they have made due compromises on the main issues.
At the end of the negotiation, Taiwanese film manufacturers and Hong Kong producers reached a settlement and decided to establish a long-term mechanism for such negotiations. It stipulates that relevant organizations in Hong Kong and Taiwan hold meetings once a month to exchange opinions on issues such as film investment, production, and distribution. To reach a number of agreements that relevant film commercial evaluations must have data, which is unreasonable. This requires appropriate adjustments and other agreements.
This conference has produced three relevant institutions, namely:
The Hong Kong-Taiwan Film Contract Coordination Group is responsible for cleaning up and coordinating old contracts in film investment between Hong Kong and Taiwan. This is just a temporary institution;
The reasonable pay evaluation team for Hong Kong performing arts staff is responsible for formulating the reference price for Hong Kong directors and actors;
The Hong Kong-Taiwan Film Cooperation, Exchange and Coordination Development Committee is responsible for holding regular meetings, coordinating conflicts between the two sides and discussing development plans together.
At the same time, the production company that must join this committee is eligible to sell films to Taiwan.
Members pay a membership fee every year to maintain the normal operation of the committee, and the committee is obliged to allocate funds to the Hong Kong Performing Arts Staff Reasonable Pay Assessment Group to set this group as a long-term effective institution.
This meeting was destined to be written into the history of Hong Kong films, or even the history of Chinese films. Later, it was called the Tseung Kwan O Agreement because of its place of convening, and also called the 421 Agreement because of its time.
Kang Jianfei doesn't want to be the savior of Hong Kong movies, but his appearance has indeed saved the decline of Hong Kong movies to a certain extent. At least Hong Kong movies are not as tragic as they die in another time and space.
At the same time, regardless of whether it is admitted or not, major production companies in Hong Kong have strengthened the standardization of the film production process under the influence of Kang Jianfei. At least few people dare not spend money without reading scripts and only watching celebrities.
For example, the films directed by Wang Jing are often sold very well. Not only does he get a high salary for the director, but he often has a box office share. For example, although Andy Lau is not the most famous in Hong Kong, he is very popular in Taiwan, so his current salary has been 8 million, catching up with Chow Yun-fat, Stephen Chow and others, and even surpassing the brothers Xu Guanwen and Xu Guanjie.
As for those second- and third-rate directors and actors, although their income has increased significantly compared to before, it is because of the prosperity of Hong Kong films, and the pay these people receive is relatively reasonable.
Taiwanese film merchants complain that Hong Kong performing artists’ pay is too high and raises the cost of studios, but they actually have their own responsibilities, because Hong Kong stars’ pay was boosted by these guys, and now they want to collect it but can’t.
In another time and space, the result of the second round of negotiations between the two sides on the issue of pay was to let Xiang Huaqiang, as the convener, coordinate the reasonable pay of Hong Kong performing arts staff.
But even with Xiang Huaqiang's gang leader's background, it is still in vain. How much money can you still control others' profits?
The two sides had a verbal debate, and Hong Kong producers didn't speak much, focusing on Xu Guanwen, the president of the Hong Kong Performing Arts Association.
Xu Guanwen said: I can't do this kind of thing.When the association was established, it was my trust in me that everyone chose me as the president.My responsibility is to fight for rights for Hong Kong performers, not to help third parties to pressure their pay.
This matter...Mr. Kang will make the decision.He Guanchang suddenly spoke.
Everyone looked at Kang Jianfei, waiting for him to finally express his opinion.
If it is an advantage to Kang Jianfei's grasp of a large number of artist resources when resolving contract disputes, then Kang Jianfei faces a troublesome thing when coordinating the pay of performers.
So many directors and actors sign in your company and follow you, are you embarrassed to help outsiders suppress their pay?
As long as Kang Jianfei agrees to do this, he will offend a large number of directors and movie stars regardless of success or not.
Those people may not dare to say anything on the surface, but they will definitely feel unhappy. It is certain that they are talking and cursing behind their backs.
Kang Jianfei has long been an old fox, how could he do such an anger? He said with a playful smile on his face: Do you think the cost of Hong Kong movies is increased by the pay of popular movie stars and directors?
Yang Dengkui said: This is a clear thing. Now, he invests in Hong Kong films with a total investment of 20 million yuan. The salary for the starring and director alone is more than 10 million yuan. If there are two or three popular supporting roles, the labor cost will be more than 15 million yuan.What else can the remaining 5 million do?The director can only make shoddy movies to fool the audience.
wrong!
Kang Jianfei suddenly shouted, which scared everyone in the conference room. He smiled and said, "I think this is not just a problem for the director and movie stars, but investors and producers need to take more responsibilities!"
Wu Dun asked in confusion: What is this statement?
Kang Jianfei continued: Why is labor cost accounting for more than half of the total budget of the movie?The most root cause lies with you.You want big stars, big cast and big directors, and you don’t read the script and just recognize your face. You can hire whoever is popular. This is understandable for the box office, but this is essentially arousing the stars’ pay.
Wang Yingxiang said: If you are not a star, what should I invite you to do?
Kang Jianfei said: If you regard making movies as an ordinary commercial investment, then your behavior only looks at the raw materials of the product, and ignores the production process and process of the product at all. You don’t even know the final appearance of the product when investing money.Then consumers buy products with unqualified quality, but they don’t buy them anymore, and the products are overcrowded and cannot be sold. At this time, you complain that the raw materials are too expensive.This is putting the cart before the horse!What is a movie?Movies sell content, not just celebrities.You can’t be more cautious when investing?
Cai Songlin argued: You can't say that...
Take Boss Cai’s scholar company as an example. Kang Jianfei directly interrupted Cai Songlin’s speech, and Wong Kar-wai was able to get tens of millions of Hong Kong dollars in investment with several celebrity film contracts and a plan to adapt Jin Yong’s novels.Have you really made careful considerations before investing?You don't even know what kind of film he wants to make.What's the result?As a result, Wong Kar-wai didn't shoot the movie for half a year, but instead used up the budget of more than 10 million Hong Kong dollars. Can you blame the movie stars for their high pay?
Cai Songlin's face turned red when she was told, and this matter was already regarded as a joke by people in the circle.
The final solution was negotiated: Wong Kar-wai brought his friend Liu Zhenwei into the crew and used the original team to shoot another comedy film, which was later "The East is the West".
In just one month, Liu Zhenwei's "East and West" has been completed, while Wong Kar-wai's "East and West Poison" is still progressing slowly, and it is estimated that it will take a year or two to see the film.
Ahem, this is a special case.Yang Dengkui coughed to relieve Cai Songlin.
Kang Jianfei sneered: Is this an exception?Among the ten Taiwanese-funded Hong Kong films, at least six of them are launched without a script. As long as the producer signs a celebrity film contract, you dare to invest!
The eight major film producers in Taiwan can only be corrected silently, because Kang Jianfei’s statements are all facts.
Everyone looked at each other for a while, and then Wang Yingxiang said: What Mr. Kang said is the truth, and we should pay more attention in the future.But now it is useless to say this. The most important thing is how to suppress the inflated celebrity pay.
It is not too late to repair the siege. How can it be said that it is useless?
Kang Jianfei just refused to accept the hot potato of lowering celebrity pay. He said, "Look at Hollywood. How rigorous is the process of filming in movies? Which Hollywood director can sign a few celebrity movies at will, and dare to pay for the producers and investors without even the script or even the conception?"I think it is only a trivial matter to lower celebrity pay, but more importantly, to standardize the future film production process.At least, when you invest and pay, you have to know what the director is going to film?
No one said anything, everyone was thinking, and some showed disdainful expressions.
Kang Jianfei continued: Take Wong Kar-wai's "East Evil and West Poison" as an example. Is it really necessary to invite seven or eight first-line movie stars for a play?One or two are enough!Don’t treat the audience as fools who only recognize the stars and pay for money.There are big casts in the way of shooting big casts. Judging from the current production cost of Hong Kong films, if you want to shoot big casts, you have to invest at least 30 million yuan. If you invest 20 million yuan, you can shoot big casts. Of course, the star pays account for half of it.If you invest 50 million, then 15 million star pay is nothing!I also want to gather celebrities but refuse to pay enough money, so what I made was of course a big bad movie.It’s not that the stars’ pay is too high, but that you invest too little money!If you want to only pay 20 million, then just be honest and shoot a medium cast film. It is enough to ask one or two big stars to be your signature. If you think about the script and improve the quality of the films, the movies you make may not be lower than those big stars who gather together.
Kang Jianfei said it very clearly. When Taiwanese filmmakers invested in Hong Kong films, they wanted to buy good goods but didn't want to pay enough money. How can there be cheap and beautiful things in this world?
The eight major film dealers who control the film source of the entire Taiwan market are now sitting in the conference room, scolded by Kang Jianfei like a grandson.
Some people must be unhappy, but they have to admit that Kang Jianfei is right, and at the same time they are thinking about whether they should change their investment ideas in the future. After all, Taiwanese audiences have become more sharp now, unlike before, when they saw Hong Kong starring actors, they were foolishly paying for money to enter the theater.
Kang Jianfei's words were not only said to Taiwanese filmmakers, but also Hong Kong producers like Chen Rongmei and Roger Cheng who became monks halfway.
They don’t understand movies at all. They blindly invest in filming with theaters in their hands. They also only read celebrities and not scripts. The director uses big casts to pay for it, which eventually leads to the current bad situation of crowded bad movies.
Kang Jianfei had already completely led the talks at this time. He said: I suggest that the Hong Kong Film Practitioners Association should regulate a Hong Kong film production charter.This charter is not mandatory, but is used as a reference for producers and investors, and firmly resists directors who rely on celebrity film appointments to deceive investment.Most of you here have families and businesses. Those directors can take advantage of the prosperity of Hong Kong films and make a vote and leave. But you and I have production companies and theater companies. Who will lose the biggest loss in the end after ruining the entire market?It’s you, it’s me, it’s all of us!
Now it was the Hong Kong producers' turn to ponder. Kang Jianfei's words were indeed thought-provoking, and they even considered this kind of issue themselves before.
Even if Kang Jianfei did not appear, the bad box office status of Hong Kong films in 1993 also alerted a large number of Hong Kong practitioners.
They wrote letters to the Hong Kong and British governments, asking the Hong Kong government to set up a film bureau to use official power to regulate the chaotic Hong Kong film industry. However, until the return of 1997, the Hong Kong and British governments did not respond positively to this matter, and they did not care about the life or death of Hong Kong films.
Kang Jianfei continued: The pay of stars cannot be suppressed. We will give him a pay of 5 million for a certain star. How can he be honest and obedient?If you really ask for it according to the standard of 5 million, another company paid 6 million. Who would you agree to act for?
Speaking of this, Kang Jianfei changed his tone again. Of course, everyone has seen the situation of Hong Kong films’ local box office and overseas box office this year.Three words, that is, "reluctance". It is reasonable to reduce the actor's pay when the box office is booming. This is the same as increasing the actor's pay when the box office is booming.Our Oriental Entertainment Agency will negotiate with the Hong Kong Performing Artists Association as soon as possible to formulate a reference price list for actors’ remuneration.But this is just a reference for power and will not be enforced, and no one can force celebrities to take on the show at which price.
When they heard that Kang Jianfei finally let go, the eight major film merchants in Taiwan also felt much more relaxed. They all knew that this kind of thing could not be achieved overnight. It would be rare to get a reference price list for Hong Kong star pay. There is at least a basis for asking actors to pay for them in the future.
In the end, the issue of commission issuance was not reached, and the result was not satisfactory to both parties. In the end, they could only cooperate based on their will.
Since some Hong Kong filmmakers are unwilling to charge commissions for distribution, then, people are willing to do so. We won’t buy your films in the future, but we will only buy these two companies. The source of films is not big enough and it will not be enough to play old films to support the scene.
Don’t think that Taiwanese film merchants can’t do such a thing. In another time and space, after the second round of negotiations between the two sides collapsed, they had not bought Hong Kong films for half a year, and many Taiwanese cinemas had to repeatedly screen old films to deal with it.
In the end, Hong Kong's production companies could not hold on anymore. A large number of films went bankrupt in half a year. Taiwanese film merchants and hospital merchants also suffered heavy losses. The two sides had no choice but to sit together for the third round of negotiations.
But after the trend of boycotting Hong Kong films in the past six months, the Hong Kong film industry suffered heavy losses and closed down nearly half of the production companies and theaters. Later, although Hong Kong and Taiwan negotiated to resolve the matter, Hong Kong films declined from then on.
Fortunately, with Kang Jianfei's intervention, everyone did not directly break down this time. Although there are still problems that need to be solved, they have made due compromises on the main issues.
At the end of the negotiation, Taiwanese film manufacturers and Hong Kong producers reached a settlement and decided to establish a long-term mechanism for such negotiations. It stipulates that relevant organizations in Hong Kong and Taiwan hold meetings once a month to exchange opinions on issues such as film investment, production, and distribution. To reach a number of agreements that relevant film commercial evaluations must have data, which is unreasonable. This requires appropriate adjustments and other agreements.
This conference has produced three relevant institutions, namely:
The Hong Kong-Taiwan Film Contract Coordination Group is responsible for cleaning up and coordinating old contracts in film investment between Hong Kong and Taiwan. This is just a temporary institution;
The reasonable pay evaluation team for Hong Kong performing arts staff is responsible for formulating the reference price for Hong Kong directors and actors;
The Hong Kong-Taiwan Film Cooperation, Exchange and Coordination Development Committee is responsible for holding regular meetings, coordinating conflicts between the two sides and discussing development plans together.
At the same time, the production company that must join this committee is eligible to sell films to Taiwan.
Members pay a membership fee every year to maintain the normal operation of the committee, and the committee is obliged to allocate funds to the Hong Kong Performing Arts Staff Reasonable Pay Assessment Group to set this group as a long-term effective institution.
This meeting was destined to be written into the history of Hong Kong films, or even the history of Chinese films. Later, it was called the Tseung Kwan O Agreement because of its place of convening, and also called the 421 Agreement because of its time.
Kang Jianfei doesn't want to be the savior of Hong Kong movies, but his appearance has indeed saved the decline of Hong Kong movies to a certain extent. At least Hong Kong movies are not as tragic as they die in another time and space.
At the same time, regardless of whether it is admitted or not, major production companies in Hong Kong have strengthened the standardization of the film production process under the influence of Kang Jianfei. At least few people dare not spend money without reading scripts and only watching celebrities.
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