Cheng Jin: Originally named Murong Jin, the male protagonist of this article sneaked into the Dragon God Gang for revenge. When the progress was surprisingly smooth, he led revenge in another direction. His fate was inevitable.In fact, Chengjin's personality is definitely not a good material to be an undercover agent. He is too emotional. His wit and martial arts are far from enough to make up for this defect. He has long lost himself in the encirclement of hatred and beauty, so his depravity and demise are inevitable.
Cheng Jin may be able to win a great victory in the revenge operation, but he cannot defeat his own inner demon.Although he repeatedly swayed between good and evil, his fatal weakness in his character determines that he cannot really find his place.And as long as he can't find his place, the author cannot forcefully give him a comedy ending.
While he was taking revenge, he was also weakening his strength and helping the enemy destroy himself.Cheng Jin, who came through the storm, is actually fragile. When he encounters an enemy who is more cunning, hidden and powerful than Zhao Kunhua, he does not have much resistance or fighting spirit. He is confused and helpless. His previous killer Lanthan is useless.Destruction is inevitable.
I hope to write down his subtle process of deterioration bit by bit, so I have always focused on his psychological changes.However, it seems that this job is not very good, the confusion is too messy, and even a bit wordy. In short, I feel that the work does not produce the effect I hope to get.Originally, he wanted to highlight the intensity and chaos of Cheng Jin's heart, but unexpectedly, he became more and more dragged on the more he wrote.If my writing skills improve in the future, I hope to revise it to make Chengjin's image more perfect.
Yang Xiaoling: Cheng Jin's mother is famous for her cool and beautiful appearance. After becoming Zhao Kunhua's target, she spent more than eight years of life in hell and suffered rounds of rape and humiliation.After seeing Tian Ri again, she faced a completely deteriorated son, which was destined to have a miserable ending.
Yang Xiaoling was indeed the first heroine in the initial conception of "Linglong Nie Resentment", and her story is also the one with the least changes in the writing process in the whole article.What I attempt to highlight is her beauty, steadfastness and maternality.It turned out that I thought this would be the image that focused the most on the whole article. I only made a grand appearance after laying the foundation layer by layer in order to achieve a shocking effect. I hope that "even after many years, readers can still remember this character clearly."This is indeed a major motivation for me when I first wrote "Linglong Nie Resentment".But now it seems unlikely to achieve this effect. Her description was almost failed before she officially appeared. The plot in between was much longer than I thought, and the branches were much more complicated. The worst thing was that as she wrote it, she forgot to lay the groundwork for her at all times, so that her clues were almost interrupted. By the time she appeared, she lost a lot of glory (compare the original idea).This is the biggest and most unforgivable mistake in the writing process of "Linglong Nie Guilty".
When she officially appeared, it happened to be the low point of my writing. Although I didn’t dare to put it on, I ended up writing with a bit of bullet and writing. To be honest, I was not very satisfied with the effect.It can be said that the biggest weakness of "Linglong Nie Guilty" is that it appears in this character who originally placed the highest expectations.Whether it is the secret writing in the early stage or the explicit writing in the later stage, it is far from meeting my original expectations.At the same time, her various performances after appearing head-on, have obviously insufficiently explained the psychological impact of the first protagonist.
Or, if you have the chance in the future, I would like to revise "Linglong Nie Resentment".Yang Xiaoling is indeed a great regret in my heart.
Yang Xiangling: Yang Xiaoling's sister is both captured by Zhao Kunhua.At the beginning, his fate was similar to his sister, but the different experiences of the two caused their mentality to take two completely different paths. Which of them is more miserable is to be evaluated by readers.But as the author, Yang Xiangling is still worth adding a bright tail to her.
To be honest, the original intention of writing her was to compare it with Yang Xiaoling, and did not place too much hope for her image.But later I found out that this character actually has great potential. Her story spread a thick layer of gray to the article in the middle and late periods of the whole article, which just fits my entire article's vision.Her existence has become the hub of another important character relationship after Yang Xiaoling, and this role I could not expect at first.
Murong Yan'er: Cheng Jin's sister, a docile beauty.He fell into the hands of Zhao Kunhua at the same time as his mother.Yan'er's main role lies in the section when she first met Chengjin. This story was the first story I thought of when I was about to write erotic novels, so it was written very carefully.In that plot, she caused a great shock to Chengjin's psychological changes, and this was also Yan'er's basic task to appear.After this, Yan'er did not have much room for activity because the plot center of gravity shifted.From then on, her role was basically only reflected in the psychological weight.To be honest, I like Yan'er very much and am basically satisfied with her description. If you have such a beautiful woman, it would be a great happiness.Or I should give her more stories and more scenes...
Lu Yingqi: The daughter of Yang Xiangling, a stunning beauty with high martial arts skills, but she has little scheming, which eventually leads to dust.
The role of Aqi in "Linglong Nie Resentment" was originally intended to write it into another faint dark line, which led to the plot and also to Cheng Jin's psychological tremor.But now it seems that this purpose is probably not even 60% of it.
It actually took me a lot of effort to write about Aqi. She also took great pains to appear several times before the Dragon God Gang, but I was not very satisfied with the effect of writing. My own feeling was like a dragonfly skimming the water, as if I had never written the key points.But her basic image was written out, but the lines were too thick.On the contrary, she did not handle it well after entering the central part of the story, and wrote it a little in a hurry, stealing all the scenes for her mother.It takes stronger skills to write such characters that are emerging quickly. Let me work harder!
Fang Yirong: Lu Yingqi's cousin was captured by Cheng Jin very early and suffered all kinds of humiliation from Cheng Jin and Hu Zi.
Fang Yirong did not give her more tasks in her initial conception. She originally just wanted to find a companion for the reckless Aqi, and add spring to the old house, and show Cheng Jin's tyrannical nature.At the end of the story, her scenes increased temporarily because I saw that many readers liked this role very much, and I didn’t want to waste such a good role.Unfortunately, by the end, this character still failed to fully develop, which is a bit regrettable.
Like Aqi, Fang Yirong's lines are still thicker.I originally wanted to write about a girl who remained loyal and dared to act in the face of humiliation, but now looking back, it always seems a bit ambiguous, but I can't explain why.
Nuer: The daughter born to Yang Xiaoling after being gang-raped by the Dragon God's Sponsor, who was unknown to her biological father, was raised by Li Deng as a slave to her sexual intercourse, and was eventually taken away by Lord Li in the capital.
It was a whim to write about her, and she didn't think much about it.The final result of this little girl is naturally not good.
Hu Zi: Cheng Jin's book boy, his only comrade-in-arms.
The original purpose of writing Hu Zi is very simple, which is to find a guard or prison guard for the old house.The second is to add color to the plot of sexual abuse. After all, only Cheng Jinyi abused him, which would have a smaller psychological impact on Ru Nu and the others. Gang rape and rape are completely different concepts.
Unexpectedly, when I was halfway through, I found that many readers were very interested in this role, and even thought that writing was better than Chengjin and had a future for development, so I decided to add a show to him.The description of Hu Zi's mentality is very contrasting with Cheng Jin. From his initial absolute obedience to quarrels to his departure, I hope to write that he has escaped the role of a slave and becomes a person with an independent personality.Although as he was written, the image of this character was a bit out of shape compared to the original intention. While deliberately emphasizing his rebellious mentality, it undermined his loyalty and feelings to Cheng Jin, which made his final performance seem a little abrupt.For Cheng Jin, when he needed friends the most, it was unimaginable to attack his only comrade who had been with him since childhood.The expulsion of Hu Zi did not hit Cheng Jin less than his mother's death.I wrote this as a very important plot. Maybe it was because the article was too urgent and the description was not too delicate, which made this character seem annoying.
This character actually caused a lot of controversy in the final stage, which was unexpected by the author.What the author wants to say here is: If the emotions of the protagonist are not removed from the protection of the protagonist, his attitude towards Hu Zi will not be fair.He is actually just a pity worm struggling desperately, but he shouldn't die, at least he shouldn't die.
Zhao Kunhua: The biggest reversal in this article is the culprit of all tragedies.
I mainly wrote about his viciousness, arrogance and tyranny.This character is constantly polished during the writing process. His friendship with Cheng Jin's father is getting deeper and deeper. The whole image is written much richer than I thought, and the effect should be quite good.
The biggest trouble when writing about Zhao Kunhua is that Cheng Jin is actually constantly revealing flaws, but the plot needs cannot be noticed by Zhao Kunhua, so it highlights his arrogance. In fact, a person like Zhao Kunhua should not be so stupid.Although it is unreasonable to write him stupidly, in order to serve the overall situation, I had to do so.But then again, aren’t there many powerful figures in history who ended up dying because of favoring treacherous ministers?hehe!
Zhao Shuangru: Zhao Kun became the eldest daughter and became the first victim of the revenge operation.
To be honest, I like Ru Nu the most among the three sisters of Zhao. She has a hidden unyielding arrogance, and is the one that can make people have sexual fantasies the most.Her personality is completely designed to cater to the SM, so there is no problem with cooperation.Unfortunately, she has always been a supporting role, she has not been able to get more room for development and her image is not full enough. This is a small regret.In general, I feel quite satisfied with this character myself.
Zhao Shuangling: Zhao Kunhua's second daughter, Cheng Jin's wife.Gentle and weak woman.
Because of this dual identity, Ling'er's relatively eye-catching status in the whole article.And it is precisely because of this dual identity that she is destined to end up in a miserable end.Zhao Shuangling is an extremely important part of building an extremely complex mood, and she has basically completed the task.Ling'er actually accounts for a small proportion in the whole article, but fortunately, her image was completed in the first few chapters, and the more she wrote it, the more she felt she was cute, and she wanted to pick it up and kiss it.Therefore, the author of this character is very satisfied with it.
Zhao Shuangyao: Zhao Kun becomes a young girl, an innocent little princess.
To be honest, for the whole article, Yao'er (and her two maids) is a bit redundant.Since I wrote that Zhao Kunhua had three daughters at the beginning, I had to write about her, and I had no preliminary ideas about her image at the beginning.The initial setting of this character was just to let Chengjin vent his hatred (it was very pleasant to rap his enemy's daughter, so I wrote one more).As for some of the slightly conspicuous roles played by Zhao Shuangyao (including Qing'er Lian'er) in the middle of the story (actually only auxiliary functions), they were added temporarily, and the effect seemed to be OK, and I am quite satisfied.But Yao'er's image is still too thin.
Yun'er: Zhao Shuangling's maid, Hu Zi's first woman.
The readers who saw it later may have forgotten this lively and charming girl. She basically didn't make a show later because there was no more of her show.The image of this little girl was not originally conceived because she was not an important person at all, so it was formed naturally during the writing process, and I was very satisfied with the effect.I am a little proud of how to write a letter pen like this, haha!
Qin Ying (Madam Zhao): Zhao Kunhua snatched the wife of the village and gave birth to three daughters for him.
Mrs. Zhao rarely appears. Although I have tried to click a few times in the early stage, my overall image is still too vague.Although I thought of writing her in a positive description later, from the perspective of effect, I still feel that it is too stereotyped.In fact, at the end of "Linglong Nie Resentment", all the main characters have appeared, and each has its own space for expression at the same time. The author is rushing to write and rushing to write, and some places are indeed not thoughtful.
Qin Jing: Qin Ying’s sister was captured as a sex slave by her brother-in-law without her sister’s knowledge.
Qin Jing is a temporary character. When she wrote that section, she suddenly needed another sex slave of Zhao Kunhua. So in order to compare Yang Huangling, she wrote her (note the "Aunt Party" in that episode).Her rest of her performances were also written while thinking, unlike most other people who had systematic ideas from the beginning.
Zeng Nanyin: Zhao Kun became a favorite concubine and participated in the massacre of the Murong family and the Lu family, and was eventually killed by Lu Yingqi.
A Yin appeared a lot, but her image just couldn't be written, mainly because she didn't play the lead role when she appeared, and she stole the limelight from others.The setting of this character is relatively necessary, which is in line with Zhao Kunhua's "harem". Generally speaking, A Yin writes it in a sloppy and not very good way.I think it's not worthy of her, and she's dead too simply, so she can actually write about a lot of room for development.
Wu Shantai: Zhao Kunhua is a left-handed man, a big and thick man.
Lao Wu's scenes are mostly formalities, and his image mainly pays more attention to the "Surprise During the Seating".I had wanted to write a series of leaders of the Dragon God Gang, but finally found that this would be too far from the center and it was difficult to perform, so I decided to write only one person.
Wu Shi: The son of Wu Shantai.
Wu Shi's scenes are only two or three, and the most important thing is naturally the last one.He is actually a character specially set up for this scene.Basically, the writing is pretty good, and I have been deliberately foreshadowed from the beginning, and the context is clear. As for a small person like him, I am quite satisfied.
Zhou Xianxu and Jiang Jianting: This tragic mother and daughter were also temporarily added, with two purposes.First, we created a pair of reference objects for Yang Xiaoling and her daughter. The writing about Zhou Xianxu was actually secretly writing about Yang Xiaoling, which is something that interested friends can understand; second, we are to show the tyranny of the Dragon God Gang in the previous chapter, because we always say that they are bad, in addition to the past, we must write about the situation in front of us to confirm their image.Another advantage is to add a little oil and sprinkle a spoonful of vinegar to Chengjin's changes in his thoughts.As for the three Jiang Song and his son who appeared at the same time, they are even more of the foil, which was specially set for the abuse scene.
Li Deng: The painstaking Avenger, he rescued Yang Xiaoling from the fire pit of the Dragon God Gang, saving her life, but he tempted her and turned her into a sex slave.For Yang Xiaoling, I don’t know whether it is a blessing or a misfortune to meet him.
Needless to say, readers can see this character very clearly.
Luo Shen: The humiliated prefect launched a crazy counterattack.A dignified prefect actually asked the unruly people under his rule to rape his pair of precious daughters, and repeatedly made things difficult for him, and the prestige of his official master was completely ruined.It can be imagined that when the prefect found out that his daughter, who was bullied, was pregnant with the thief's child, it would be difficult for the prefect to not go crazy.Arrangement of this character and this ending is not about highlighting any theme, but just that sentence. What the author wants to write is an interesting story, although the plot of this story contains a very obvious causal relationship.This disaster of the Dragon God Gang was caused by Zhao Kunhua's instructions and Cheng Jin's execution.Lao Zhao only knew that he would come up with all his might, and Cheng Jin also underestimated Luo Shen's resentment and energy from beginning to end.Both of them could only take it away from their composure to see the majesty and beauty in front of them, without considering Luo Shen's ability to withstand and counterattack ability.Their destruction was completely speechless.In Luo Shen's eyes, there is no difference between Cheng Jin and Zhao Kunhua.This is the last sentence I want to say, a very important sentence.
Cheng Jin may be able to win a great victory in the revenge operation, but he cannot defeat his own inner demon.Although he repeatedly swayed between good and evil, his fatal weakness in his character determines that he cannot really find his place.And as long as he can't find his place, the author cannot forcefully give him a comedy ending.
While he was taking revenge, he was also weakening his strength and helping the enemy destroy himself.Cheng Jin, who came through the storm, is actually fragile. When he encounters an enemy who is more cunning, hidden and powerful than Zhao Kunhua, he does not have much resistance or fighting spirit. He is confused and helpless. His previous killer Lanthan is useless.Destruction is inevitable.
I hope to write down his subtle process of deterioration bit by bit, so I have always focused on his psychological changes.However, it seems that this job is not very good, the confusion is too messy, and even a bit wordy. In short, I feel that the work does not produce the effect I hope to get.Originally, he wanted to highlight the intensity and chaos of Cheng Jin's heart, but unexpectedly, he became more and more dragged on the more he wrote.If my writing skills improve in the future, I hope to revise it to make Chengjin's image more perfect.
Yang Xiaoling: Cheng Jin's mother is famous for her cool and beautiful appearance. After becoming Zhao Kunhua's target, she spent more than eight years of life in hell and suffered rounds of rape and humiliation.After seeing Tian Ri again, she faced a completely deteriorated son, which was destined to have a miserable ending.
Yang Xiaoling was indeed the first heroine in the initial conception of "Linglong Nie Resentment", and her story is also the one with the least changes in the writing process in the whole article.What I attempt to highlight is her beauty, steadfastness and maternality.It turned out that I thought this would be the image that focused the most on the whole article. I only made a grand appearance after laying the foundation layer by layer in order to achieve a shocking effect. I hope that "even after many years, readers can still remember this character clearly."This is indeed a major motivation for me when I first wrote "Linglong Nie Resentment".But now it seems unlikely to achieve this effect. Her description was almost failed before she officially appeared. The plot in between was much longer than I thought, and the branches were much more complicated. The worst thing was that as she wrote it, she forgot to lay the groundwork for her at all times, so that her clues were almost interrupted. By the time she appeared, she lost a lot of glory (compare the original idea).This is the biggest and most unforgivable mistake in the writing process of "Linglong Nie Guilty".
When she officially appeared, it happened to be the low point of my writing. Although I didn’t dare to put it on, I ended up writing with a bit of bullet and writing. To be honest, I was not very satisfied with the effect.It can be said that the biggest weakness of "Linglong Nie Guilty" is that it appears in this character who originally placed the highest expectations.Whether it is the secret writing in the early stage or the explicit writing in the later stage, it is far from meeting my original expectations.At the same time, her various performances after appearing head-on, have obviously insufficiently explained the psychological impact of the first protagonist.
Or, if you have the chance in the future, I would like to revise "Linglong Nie Resentment".Yang Xiaoling is indeed a great regret in my heart.
Yang Xiangling: Yang Xiaoling's sister is both captured by Zhao Kunhua.At the beginning, his fate was similar to his sister, but the different experiences of the two caused their mentality to take two completely different paths. Which of them is more miserable is to be evaluated by readers.But as the author, Yang Xiangling is still worth adding a bright tail to her.
To be honest, the original intention of writing her was to compare it with Yang Xiaoling, and did not place too much hope for her image.But later I found out that this character actually has great potential. Her story spread a thick layer of gray to the article in the middle and late periods of the whole article, which just fits my entire article's vision.Her existence has become the hub of another important character relationship after Yang Xiaoling, and this role I could not expect at first.
Murong Yan'er: Cheng Jin's sister, a docile beauty.He fell into the hands of Zhao Kunhua at the same time as his mother.Yan'er's main role lies in the section when she first met Chengjin. This story was the first story I thought of when I was about to write erotic novels, so it was written very carefully.In that plot, she caused a great shock to Chengjin's psychological changes, and this was also Yan'er's basic task to appear.After this, Yan'er did not have much room for activity because the plot center of gravity shifted.From then on, her role was basically only reflected in the psychological weight.To be honest, I like Yan'er very much and am basically satisfied with her description. If you have such a beautiful woman, it would be a great happiness.Or I should give her more stories and more scenes...
Lu Yingqi: The daughter of Yang Xiangling, a stunning beauty with high martial arts skills, but she has little scheming, which eventually leads to dust.
The role of Aqi in "Linglong Nie Resentment" was originally intended to write it into another faint dark line, which led to the plot and also to Cheng Jin's psychological tremor.But now it seems that this purpose is probably not even 60% of it.
It actually took me a lot of effort to write about Aqi. She also took great pains to appear several times before the Dragon God Gang, but I was not very satisfied with the effect of writing. My own feeling was like a dragonfly skimming the water, as if I had never written the key points.But her basic image was written out, but the lines were too thick.On the contrary, she did not handle it well after entering the central part of the story, and wrote it a little in a hurry, stealing all the scenes for her mother.It takes stronger skills to write such characters that are emerging quickly. Let me work harder!
Fang Yirong: Lu Yingqi's cousin was captured by Cheng Jin very early and suffered all kinds of humiliation from Cheng Jin and Hu Zi.
Fang Yirong did not give her more tasks in her initial conception. She originally just wanted to find a companion for the reckless Aqi, and add spring to the old house, and show Cheng Jin's tyrannical nature.At the end of the story, her scenes increased temporarily because I saw that many readers liked this role very much, and I didn’t want to waste such a good role.Unfortunately, by the end, this character still failed to fully develop, which is a bit regrettable.
Like Aqi, Fang Yirong's lines are still thicker.I originally wanted to write about a girl who remained loyal and dared to act in the face of humiliation, but now looking back, it always seems a bit ambiguous, but I can't explain why.
Nuer: The daughter born to Yang Xiaoling after being gang-raped by the Dragon God's Sponsor, who was unknown to her biological father, was raised by Li Deng as a slave to her sexual intercourse, and was eventually taken away by Lord Li in the capital.
It was a whim to write about her, and she didn't think much about it.The final result of this little girl is naturally not good.
Hu Zi: Cheng Jin's book boy, his only comrade-in-arms.
The original purpose of writing Hu Zi is very simple, which is to find a guard or prison guard for the old house.The second is to add color to the plot of sexual abuse. After all, only Cheng Jinyi abused him, which would have a smaller psychological impact on Ru Nu and the others. Gang rape and rape are completely different concepts.
Unexpectedly, when I was halfway through, I found that many readers were very interested in this role, and even thought that writing was better than Chengjin and had a future for development, so I decided to add a show to him.The description of Hu Zi's mentality is very contrasting with Cheng Jin. From his initial absolute obedience to quarrels to his departure, I hope to write that he has escaped the role of a slave and becomes a person with an independent personality.Although as he was written, the image of this character was a bit out of shape compared to the original intention. While deliberately emphasizing his rebellious mentality, it undermined his loyalty and feelings to Cheng Jin, which made his final performance seem a little abrupt.For Cheng Jin, when he needed friends the most, it was unimaginable to attack his only comrade who had been with him since childhood.The expulsion of Hu Zi did not hit Cheng Jin less than his mother's death.I wrote this as a very important plot. Maybe it was because the article was too urgent and the description was not too delicate, which made this character seem annoying.
This character actually caused a lot of controversy in the final stage, which was unexpected by the author.What the author wants to say here is: If the emotions of the protagonist are not removed from the protection of the protagonist, his attitude towards Hu Zi will not be fair.He is actually just a pity worm struggling desperately, but he shouldn't die, at least he shouldn't die.
Zhao Kunhua: The biggest reversal in this article is the culprit of all tragedies.
I mainly wrote about his viciousness, arrogance and tyranny.This character is constantly polished during the writing process. His friendship with Cheng Jin's father is getting deeper and deeper. The whole image is written much richer than I thought, and the effect should be quite good.
The biggest trouble when writing about Zhao Kunhua is that Cheng Jin is actually constantly revealing flaws, but the plot needs cannot be noticed by Zhao Kunhua, so it highlights his arrogance. In fact, a person like Zhao Kunhua should not be so stupid.Although it is unreasonable to write him stupidly, in order to serve the overall situation, I had to do so.But then again, aren’t there many powerful figures in history who ended up dying because of favoring treacherous ministers?hehe!
Zhao Shuangru: Zhao Kun became the eldest daughter and became the first victim of the revenge operation.
To be honest, I like Ru Nu the most among the three sisters of Zhao. She has a hidden unyielding arrogance, and is the one that can make people have sexual fantasies the most.Her personality is completely designed to cater to the SM, so there is no problem with cooperation.Unfortunately, she has always been a supporting role, she has not been able to get more room for development and her image is not full enough. This is a small regret.In general, I feel quite satisfied with this character myself.
Zhao Shuangling: Zhao Kunhua's second daughter, Cheng Jin's wife.Gentle and weak woman.
Because of this dual identity, Ling'er's relatively eye-catching status in the whole article.And it is precisely because of this dual identity that she is destined to end up in a miserable end.Zhao Shuangling is an extremely important part of building an extremely complex mood, and she has basically completed the task.Ling'er actually accounts for a small proportion in the whole article, but fortunately, her image was completed in the first few chapters, and the more she wrote it, the more she felt she was cute, and she wanted to pick it up and kiss it.Therefore, the author of this character is very satisfied with it.
Zhao Shuangyao: Zhao Kun becomes a young girl, an innocent little princess.
To be honest, for the whole article, Yao'er (and her two maids) is a bit redundant.Since I wrote that Zhao Kunhua had three daughters at the beginning, I had to write about her, and I had no preliminary ideas about her image at the beginning.The initial setting of this character was just to let Chengjin vent his hatred (it was very pleasant to rap his enemy's daughter, so I wrote one more).As for some of the slightly conspicuous roles played by Zhao Shuangyao (including Qing'er Lian'er) in the middle of the story (actually only auxiliary functions), they were added temporarily, and the effect seemed to be OK, and I am quite satisfied.But Yao'er's image is still too thin.
Yun'er: Zhao Shuangling's maid, Hu Zi's first woman.
The readers who saw it later may have forgotten this lively and charming girl. She basically didn't make a show later because there was no more of her show.The image of this little girl was not originally conceived because she was not an important person at all, so it was formed naturally during the writing process, and I was very satisfied with the effect.I am a little proud of how to write a letter pen like this, haha!
Qin Ying (Madam Zhao): Zhao Kunhua snatched the wife of the village and gave birth to three daughters for him.
Mrs. Zhao rarely appears. Although I have tried to click a few times in the early stage, my overall image is still too vague.Although I thought of writing her in a positive description later, from the perspective of effect, I still feel that it is too stereotyped.In fact, at the end of "Linglong Nie Resentment", all the main characters have appeared, and each has its own space for expression at the same time. The author is rushing to write and rushing to write, and some places are indeed not thoughtful.
Qin Jing: Qin Ying’s sister was captured as a sex slave by her brother-in-law without her sister’s knowledge.
Qin Jing is a temporary character. When she wrote that section, she suddenly needed another sex slave of Zhao Kunhua. So in order to compare Yang Huangling, she wrote her (note the "Aunt Party" in that episode).Her rest of her performances were also written while thinking, unlike most other people who had systematic ideas from the beginning.
Zeng Nanyin: Zhao Kun became a favorite concubine and participated in the massacre of the Murong family and the Lu family, and was eventually killed by Lu Yingqi.
A Yin appeared a lot, but her image just couldn't be written, mainly because she didn't play the lead role when she appeared, and she stole the limelight from others.The setting of this character is relatively necessary, which is in line with Zhao Kunhua's "harem". Generally speaking, A Yin writes it in a sloppy and not very good way.I think it's not worthy of her, and she's dead too simply, so she can actually write about a lot of room for development.
Wu Shantai: Zhao Kunhua is a left-handed man, a big and thick man.
Lao Wu's scenes are mostly formalities, and his image mainly pays more attention to the "Surprise During the Seating".I had wanted to write a series of leaders of the Dragon God Gang, but finally found that this would be too far from the center and it was difficult to perform, so I decided to write only one person.
Wu Shi: The son of Wu Shantai.
Wu Shi's scenes are only two or three, and the most important thing is naturally the last one.He is actually a character specially set up for this scene.Basically, the writing is pretty good, and I have been deliberately foreshadowed from the beginning, and the context is clear. As for a small person like him, I am quite satisfied.
Zhou Xianxu and Jiang Jianting: This tragic mother and daughter were also temporarily added, with two purposes.First, we created a pair of reference objects for Yang Xiaoling and her daughter. The writing about Zhou Xianxu was actually secretly writing about Yang Xiaoling, which is something that interested friends can understand; second, we are to show the tyranny of the Dragon God Gang in the previous chapter, because we always say that they are bad, in addition to the past, we must write about the situation in front of us to confirm their image.Another advantage is to add a little oil and sprinkle a spoonful of vinegar to Chengjin's changes in his thoughts.As for the three Jiang Song and his son who appeared at the same time, they are even more of the foil, which was specially set for the abuse scene.
Li Deng: The painstaking Avenger, he rescued Yang Xiaoling from the fire pit of the Dragon God Gang, saving her life, but he tempted her and turned her into a sex slave.For Yang Xiaoling, I don’t know whether it is a blessing or a misfortune to meet him.
Needless to say, readers can see this character very clearly.
Luo Shen: The humiliated prefect launched a crazy counterattack.A dignified prefect actually asked the unruly people under his rule to rape his pair of precious daughters, and repeatedly made things difficult for him, and the prestige of his official master was completely ruined.It can be imagined that when the prefect found out that his daughter, who was bullied, was pregnant with the thief's child, it would be difficult for the prefect to not go crazy.Arrangement of this character and this ending is not about highlighting any theme, but just that sentence. What the author wants to write is an interesting story, although the plot of this story contains a very obvious causal relationship.This disaster of the Dragon God Gang was caused by Zhao Kunhua's instructions and Cheng Jin's execution.Lao Zhao only knew that he would come up with all his might, and Cheng Jin also underestimated Luo Shen's resentment and energy from beginning to end.Both of them could only take it away from their composure to see the majesty and beauty in front of them, without considering Luo Shen's ability to withstand and counterattack ability.Their destruction was completely speechless.In Luo Shen's eyes, there is no difference between Cheng Jin and Zhao Kunhua.This is the last sentence I want to say, a very important sentence.