After communicating with several professional consultants in this area around her in Japanese, Matsui directly gave her professional advice: Bones Club is relatively suitable, and the price can be given a standard of 10 million (Japanese yen) per episode.
Among them, scripts: 200,000, performance: 500,000, production: 2 million, painting supervision: 250,000, animation: 1.1 million, Shishang: 1.2 million, art (background): 1.2 million, filmmaking: 700,000, audio production: 1.2 million, materials: 400,000, compilation: 200,000 yen... 10 million yen is almost 700,000 yuan. The cost of production of the three most representative migrant workers in Japanese animation is about 6-15 million yen, and only a few large scenes will reach about 20 million yen.
However, most plots are less than 8 million, so when giving an average quotation of 10 million, it was also indirectly explained that animation production companies will flexibly control costs according to actual conditions, occasionally making them extremely hot, and chatting a whole episode in a very cheap and efficient way (refer to One Piece and Dragon Ball).
As for the quote, this is still very reasonable, but Wu Mingxuan thinks the quote is still a bit low. Although it is difficult to make money in domestic animation like Japan, the profit space and profit model here are very limited, Wu Mingxuan doesn’t care about the little money earned by animation at all now, as long as he doesn’t lose too much.
I can give a single episode price of 15 million yen, but I ask for the production level. Now it is the 52 episodes of the first season. I can give 30% of the amount first, and first ensure the 12 episodes that need to be used throughout the summer. Then I will decide whether to complete the subsequent cooperation based on the level of the first 12 episodes.
The cooperation in the first season satisfies me. In the second year, I will continue to cooperate with the Bones Club, which can even allow them to have more profits. I am not doing animations to make money, I want quality and reputation. Please help me convey this clearly.
After hearing Wu Mingxuan's words, Matsui directly communicated with several consultants beside him. Although many of these middle-aged and elderly men are timid in Matsui, they are actually top producers in the Japanese animation industry. They are all very well-known and have handled many national anime in Japan.
They agree with Wu Mingxuan's cooperation method. The squeeze is temporary. If you really want to make much money, the quality and seriousness will naturally be greatly reduced. At the beginning, they will naturally do their best to earn orders. After the order is received, they will immediately become fatal. The Japanese are not as craftsman-like as the legendary.
This is also the reason why they don’t recommend Wu Mingxuan to look for Toei. Toei dares to take on the same episode of Toei for 6 million yuan. It looks really good at first. After you get the order in the middle and late stages, you will know what a magic pit is. Just look at Dragon Ball.
After roughly finalizing the cooperation on the animation side, Wu Mingxuan handed over the subsequent work to Matsui. He was still very trusting about Matsui and Dongyue's wife. There was an idol assembly line in South Korea, and the Japanese was an animation technology stream, which was his confidence in competing with the development of Chinese animation in the United States.
After seeing off Matsui, Wu Mingxuan gathered with the company's heads and minds to discuss the launch time and related promotion of the animation. It is now July, and July and August are the summer vacation, and it is also the best time to promote related animations.
Three episodes will be launched on July 15th, and then two episodes a week, and fifteen episodes will be fought for six weeks. You can almost finish the plot of the first ten episodes of the Gods and Spears, and then keep one episode every week, but who will we choose to play the broadcast platform?
Wu Mingxuan is also a little troubled with the broadcasting platform. At this time, it is not as good as in later generations. Now piracy is rampant, and there is almost no supervision in the animation field. It has not really risen in the streaming media platform and is still in the stage of spending money to subsidize. Even the Seven Heroes of the Warring States Period are not considered to be. In the late Spring and Autumn Period, LeTV will have to wait 13 years to dominate.
There is no mature streaming platform, not only is it thankless to crack down on piracy, but it is easy to offend people. Kuaibo and other things are very awesome now. You can crack it in minutes, and seeds are spread everywhere.
This is also the reason why Kuaibo was strangled by all Internet streaming giants in the future and did not leave any way to survive. If they did not kill rogue software like Kuaibo, they would not be able to promote members and make money by relying on genuine versions.
The official website must be done, and the streaming media platforms must cooperate, but rely on this to make money, don’t dream, it’s impossible. If you want to go to a TV station, don’t expect to make money in the early stage. It’s good not to ask you for money. The ratings will be increased later, and it’s not impossible to discuss the matter of selling movies and sharing advertising fees, but don’t dream about this beautiful dream at the beginning, which is unrealistic.
Now that I know why the development of Chinese comics is so difficult, I have to wait until the streaming media platform officially rises before I can make a difference, right?
It can be said that if it weren't for the strong connections in the Japanese and Korean markets and there, Wu Mingxuan would not have been able to make animations like this. He was obviously losing money. Not to mention the guaranteed capital, if you only lose 15 million yen per episode, you would have to burn all kinds of Amitabha Buddhas. This is a business that is less prosperous than paper comic magazines.
With the Japanese and Korean markets, the probability of losing money is not that high. You can even make some money when you are lucky, so your two wives are good. This soft meal is really delicious.
Wu Mingxuan, who eats soft rice and hard food, naturally would not be petty about some trivial matters. He directly made a very domineering decision: The first season of TV stations does not cost money and plays for free, but not any TV station asks us for everything, and only authorizes two companies. You can talk about this later to see who is more sincere. Anyway, the TV station will have to wait until it starts broadcasting in October.
Those who are sitting in sincerity are clearly aware of the broadcasting period and related promotional introductions, including broadcasting platforms. It is obvious that they will not choose any children's channel. They must be on the prime time of satellite TV, so that they can see the real effect and seize more potential users.
The audience of the Oriental Superhero Universe is currently mainly born in the 1980s and 1990s, and 2000s are the future, so it needs to be cultivated through satellite TV. Considering the free time after school and after get off work, the half hour from 7:30 to 8:00 on weekends is the most ideal golden time.
Among them, scripts: 200,000, performance: 500,000, production: 2 million, painting supervision: 250,000, animation: 1.1 million, Shishang: 1.2 million, art (background): 1.2 million, filmmaking: 700,000, audio production: 1.2 million, materials: 400,000, compilation: 200,000 yen... 10 million yen is almost 700,000 yuan. The cost of production of the three most representative migrant workers in Japanese animation is about 6-15 million yen, and only a few large scenes will reach about 20 million yen.
However, most plots are less than 8 million, so when giving an average quotation of 10 million, it was also indirectly explained that animation production companies will flexibly control costs according to actual conditions, occasionally making them extremely hot, and chatting a whole episode in a very cheap and efficient way (refer to One Piece and Dragon Ball).
As for the quote, this is still very reasonable, but Wu Mingxuan thinks the quote is still a bit low. Although it is difficult to make money in domestic animation like Japan, the profit space and profit model here are very limited, Wu Mingxuan doesn’t care about the little money earned by animation at all now, as long as he doesn’t lose too much.
I can give a single episode price of 15 million yen, but I ask for the production level. Now it is the 52 episodes of the first season. I can give 30% of the amount first, and first ensure the 12 episodes that need to be used throughout the summer. Then I will decide whether to complete the subsequent cooperation based on the level of the first 12 episodes.
The cooperation in the first season satisfies me. In the second year, I will continue to cooperate with the Bones Club, which can even allow them to have more profits. I am not doing animations to make money, I want quality and reputation. Please help me convey this clearly.
After hearing Wu Mingxuan's words, Matsui directly communicated with several consultants beside him. Although many of these middle-aged and elderly men are timid in Matsui, they are actually top producers in the Japanese animation industry. They are all very well-known and have handled many national anime in Japan.
They agree with Wu Mingxuan's cooperation method. The squeeze is temporary. If you really want to make much money, the quality and seriousness will naturally be greatly reduced. At the beginning, they will naturally do their best to earn orders. After the order is received, they will immediately become fatal. The Japanese are not as craftsman-like as the legendary.
This is also the reason why they don’t recommend Wu Mingxuan to look for Toei. Toei dares to take on the same episode of Toei for 6 million yuan. It looks really good at first. After you get the order in the middle and late stages, you will know what a magic pit is. Just look at Dragon Ball.
After roughly finalizing the cooperation on the animation side, Wu Mingxuan handed over the subsequent work to Matsui. He was still very trusting about Matsui and Dongyue's wife. There was an idol assembly line in South Korea, and the Japanese was an animation technology stream, which was his confidence in competing with the development of Chinese animation in the United States.
After seeing off Matsui, Wu Mingxuan gathered with the company's heads and minds to discuss the launch time and related promotion of the animation. It is now July, and July and August are the summer vacation, and it is also the best time to promote related animations.
Three episodes will be launched on July 15th, and then two episodes a week, and fifteen episodes will be fought for six weeks. You can almost finish the plot of the first ten episodes of the Gods and Spears, and then keep one episode every week, but who will we choose to play the broadcast platform?
Wu Mingxuan is also a little troubled with the broadcasting platform. At this time, it is not as good as in later generations. Now piracy is rampant, and there is almost no supervision in the animation field. It has not really risen in the streaming media platform and is still in the stage of spending money to subsidize. Even the Seven Heroes of the Warring States Period are not considered to be. In the late Spring and Autumn Period, LeTV will have to wait 13 years to dominate.
There is no mature streaming platform, not only is it thankless to crack down on piracy, but it is easy to offend people. Kuaibo and other things are very awesome now. You can crack it in minutes, and seeds are spread everywhere.
This is also the reason why Kuaibo was strangled by all Internet streaming giants in the future and did not leave any way to survive. If they did not kill rogue software like Kuaibo, they would not be able to promote members and make money by relying on genuine versions.
The official website must be done, and the streaming media platforms must cooperate, but rely on this to make money, don’t dream, it’s impossible. If you want to go to a TV station, don’t expect to make money in the early stage. It’s good not to ask you for money. The ratings will be increased later, and it’s not impossible to discuss the matter of selling movies and sharing advertising fees, but don’t dream about this beautiful dream at the beginning, which is unrealistic.
Now that I know why the development of Chinese comics is so difficult, I have to wait until the streaming media platform officially rises before I can make a difference, right?
It can be said that if it weren't for the strong connections in the Japanese and Korean markets and there, Wu Mingxuan would not have been able to make animations like this. He was obviously losing money. Not to mention the guaranteed capital, if you only lose 15 million yen per episode, you would have to burn all kinds of Amitabha Buddhas. This is a business that is less prosperous than paper comic magazines.
With the Japanese and Korean markets, the probability of losing money is not that high. You can even make some money when you are lucky, so your two wives are good. This soft meal is really delicious.
Wu Mingxuan, who eats soft rice and hard food, naturally would not be petty about some trivial matters. He directly made a very domineering decision: The first season of TV stations does not cost money and plays for free, but not any TV station asks us for everything, and only authorizes two companies. You can talk about this later to see who is more sincere. Anyway, the TV station will have to wait until it starts broadcasting in October.
Those who are sitting in sincerity are clearly aware of the broadcasting period and related promotional introductions, including broadcasting platforms. It is obvious that they will not choose any children's channel. They must be on the prime time of satellite TV, so that they can see the real effect and seize more potential users.
The audience of the Oriental Superhero Universe is currently mainly born in the 1980s and 1990s, and 2000s are the future, so it needs to be cultivated through satellite TV. Considering the free time after school and after get off work, the half hour from 7:30 to 8:00 on weekends is the most ideal golden time.
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